The music is exaggerated so he has to be aswell

🤠

Gabriel Fauré: Fantaisie, Op. 79

@@TheWelLearn thank you 🥰

さすが暇だな

Hi Dave! The Music Academy is among the nation's preeminent summer training program for gifted young artists. At its ocean-side, ten-acre campus in Santa Barbara, California, the Academy provides these artists with the opportunity for advanced study and performances under the guidance of Internationally renowned teaching artists, guest conductors, and soloists during its Summer School & Festival, presenting nearly 120 public events on campus and in downtown Santa Barbara. The Academy encourages singers, musicians, and aspiring directors to apply. Tuition, meals, and housing are 100% covered to those who are accepted.

I think that was Sergei Prokofiev Symphony no.1 D major op.25 not sure.

@@chloeadams8703yeah you are right

Could you please explain more precisely what you meant ?

@@lc-b352 if you dont hear it….forget it.

In masterclasses they dont tell you: oh, that is out of tune, that is out of tune, oh,again, this is just out of tune…when he knows exactly that it is out of tune. Ask him why.

@@leonardoiglesias2394 I do perfectly hear it 🤣. And I'm very interested in knowing who was your teacher... I had a teacher who almost never told me that it was out of tune; he did know that I heard it and that I was perfectly capable of correcting and working it. I guess you didn't get very very high quality teachers cause almost all of them don't care

@@lc-b352 I dont know. Great violinists give masterclasses and they dont want to „bore“ the audience with such „ pedestrian“ matters… Same with many other things. My most uswful teachers were actually records. listening to the masters and trying to imitate how they sound. If you are talented and disciplined and have an ANALYTICAL mind, you can learn very much. And if you get to sound like them, or close to them, that means that you are doing something right. It would take hours to write about everything which CAN be imitated. Vibrato, vibrato distribution( where not to vibrate is important, also) trills, spiccato, phrasing, articulation. But one has to be very analytical about how they play and very CRITICAL with oneself. Many people say: Zukerman is great, or Szeryng is a genius, but if you ask them WHY, they say, well, they play beautifully, I like them, and thats it. Thats not enough. You have to learn how they REALLY do it, and not even how they SAY they do it. Many times ypu will hear from such people: oh, thats easy if you do this like this, and that like that….and mostly thats a lie. Everything you can do better will take many months, and many mny hours of practice( what they always do obsessively)