How to fill the space with the chord?

Brother,I saw your vedio,can you please send the notation

Freshest thing I’ve seen in a long while, he’s on fire!

Sharkey, and Letteri are my two favorites to listen to for sure.

Great ideas. Even as a sax player, there’s so much to learn from Wes. I delight in listening to him!

Dele la ganancia a su país y no a los gringos que han hecho tanto daño a los latinos. Saludos y bendiciones hermanos.

"That's it!" 😁👍 Lol yeah right buddy

Thanks!

Love this explanation .thanks !

u rock

Very cool! Using it now for sure, Thx for helping…!

Music pedagogy has been well explored by the likes of kodaly, dalcroze, suzuki, orff. Most guitar stds and teachers start the wrong way round and make the journey long and tedious. She is describing that long path. Highly motivated learners can tolerate it but music is a language, we all learnt and became highly competent and communicative in our native language so there is little reason we shouldn't be able acquire music if guided along that path well. The key is the music, not the instrument. If there is no music, nothing tangible to express, then it is harder. Start with the sounds first, the ears and the voice, the actual music, and the mechanics will follow. There is no excuse in this day and age where we free access to all the world's music that we desire.

Can you do chuck loeb’s high five solo? I really like his transitions there with wes influence too

I can’t understand half of what Peter says anyway. So I’ll stick to Chase’s channel.

Dude is golden boy. Every girl wants authentic

I love Benson's hard swing - more to the front of the beat - which is true 6/8 over 4/4 ..he has the best time of all guitarists especially Jazz but as you know - it does NOT come with the knife picking , you can get it with alt picking. And as you say - he has an amazing ear and always knows where he is in the tune. He is amazingly bold sticking outrageous arpeggios in ballads and landing perfectly on a chord tone . We are lucky to have GB for inspiration and even a guide as you use him ....I don't play Standards but inspired by both Brecker and Benson who play R&B inspired Jazz ...where I am harmonically expanding R&B ...but GB inspired me to tighten up my time feel on lines ...which I had on expanded voicings and harmonic rhythms [ which most Jazz Guitarists don't do - there is no one to copy for that part of my writing and playing - as you will see / hear.] George is a musical genius with much more passion than almost ANY Jazz Guitarist and even many of the horn players.

What strings on the ibanez?

Peter Farrell is a horrible teacher. Have never gotten anything from his videos. His opinion doesn’t matter.

I've been studying Peter's method for a few years, and I'd say I'm a huge advocate for what he's teaching. That said, it's very disappointing to see him speak so poorly about another teacher like that. I'll put it down to his fiery latin spirit, but I hope he does learn to direct his criticism with more elegance. As far as the Secret of Two Chords thing goes, Peter does explain how they're grouped and the logic of it all, but his recent content is so bitty and randomly cut together that it's very hard to get a handle on it unless you watch some of his earlier long-form videos where he really does lay it out in a digestible linear form. Once you get to grips with it, it's an earth-shatteringly powerful way of visualising and simplifying things on the fretboard. It was a revelation for me. The example you included where he mentions Emin is him playing ascending arpeggios in Cmaj. That Emin is included has literally nothing to do with the Secret of Two Chords, which is a very specific concept. I suspect Peter may have lost his temper because you're using the term "Secret of Two Chords", which he coined (correct me if I'm wrong on that), so it may be a little galling for him to see you talk about it publicly without fully understanding it. That doesn't excuse the name-calling by any means.

Just wondering how he get that full set of hair?

As anyone in the 70s jazz scene would say. This is the motherfu**n shit!

Beautiful practising and demonstration. Thank you.

Hi great Chanel! What is it for a Ibanez Guitar?

great lesson. I personaly find it a little unpleassing that the guitar seems to be not 100 percent in tune.

Are you saying the inversions become minor chords that you can substitute?

May be one time i'll be barely good enough to play with you

Hey man, I'm trying to develop my Jazz and Jazz-Blues Soloing Vocabulary by learning Heads & Solos. I wonder if you could give me some suggestions. If you were my teacher, what would you prescribe me!? I've learned Parker playing Billie's Bounce, Now's The Time, Au Privave. I then learned the solos on Chitlins Con Carne - Burrell; Grand Slam - Christian; Cool Blues - Green; Four on Six - Montgomery; Borgia Stick - Benson. Can you give me any suggestions for next steps please?

Maybe I've drunk too much of the Barry Harris Kool-aid, but this whole approach seems like it's expressed more succinctly and consistently in Barry's system. Am I missing something in Pat Martin's approach that Barry's doesn't encompass?

Excellent

Saw him last night in Menlo Park for free.Twas a good show,

Thank you for breaking this down. Nice lesson!

Thank you John, this is so beautiful, musical and inspiring. Great lesson

good name for a band Yea Scarpeggio

Where can I find the lesson for this and the various voicings

Dude Chill

Excellent lesson. New subscriber.

Can someone please tell me what are the names of the songs that he plays at 3:04, 3:22, 6:49, 9:58, 11:32 ?

great lesson

🔥🔥🔥🔥🔥

This might be one of the greatest videos ever posted to the internet.

Great analisis, thank you 🙏🏽

accidentally read the title as ""George Bush's Secret of the 2 Chords"💀💀💀

What a great video, thanks so much. I'm curious whether anyone knows which archtop guitar Tim Lerch is holding in the still photo at 14:36. It's a beauty.

I might be wrong, not even being a musician, but phrase 2 sounds a lot like the guitar part at the start of Night in Tunisia as recorded by Charlie Parker. I never noticed that until now because it goes by so quickly in GB’s solo.

Great piece

La luz de tus ojos es algo maravilloso. Que Dios de bendiga siempre! 🫶trommpeta🎺

I'm always impressed at how you've organized the material. It's so easy to waste time practicing but being methodical works. Thanks as always for the info!