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Until I heard this recording I thought the lick at the end of the UMich one was the best.

Just one video that unequivocally differentiates between the jazz and classical subtone. Congratulations well deserved. I am a self declared master of the classical subtone and naturally a double lip enthusiast. In you considered opinion and expert knowledge is the jazz subtone totally not possible with the double lip? I am intensely interested in being able to produce and use the jazz subtone and though I am at ease with the single lip embouchure which I find totally unnatural I would like to subtone with the double lip mode. I shall be eagerly looking forward to whatever you have to say on the subject and thank you sincerely.

Hi Rico. Great performance. kzfaq.info/get/bejne/eJpdd6qosJjKZqM.html

Probably the only video detailing the difference between the Classical and Jazz Subtones. Though the material was of the greatest interest and concern to me, the speed at which the spoken word was offered, precluded a lucid understanding of what was going on. It would be greatly appreciated if a brief but lucid description be generously offered with reference to the embouchures for each different subtone. Have I understood rightly in assuming that the embouchure for the jazz subtone has the top teeth on the mouthpiece( but where exactly , further than the break or at the tip end or where?) and nothing at all to support the reed from the bottom. And the classical subtone requires a double lip embouchure with the mouthpiece positioned just where? And what does the lower lip do if it does not support or exert pressure on the reed. The Jazz Subtone does not appear to have been considered worthy of any sort of serious scientific investigation or research as against the Classical Subtone which has a sufficient number of scientific, pedantic, university and professional research papers devoted to all aspects of it. You could well be the start of a movement in the right direction by instilling an interest and concern in the Jazz Subtone. Thanking you for the clarification sought( and hopefully offered !) and possibly an even more compressive treatment in pdf form of this most interesting, intriguing and characteristic special effect on the saxophone. The very best to you, young Sir.

Thank you so much. Very helpful, i just got a piece that said subtone In my wind ensemble high school class. You came in on the right time !!

❤❤❤❤❤

Hello, where can I find these notes?

Incredible playing 💙

Beautifully played! Thank you for your great interpretation of AEIS!!

love

Such a full and warm sound! Great Performance, Bravo! Did you arrange this version or is there a purchasable score Mr Allen?

Chamber music > humanity

Where did you get the sheet music for this piece? I would love to learn and preform it for myself

thank you

🐐🐐🐐

Amazing stuff!!! Need likes? -> "promosm"!!!

Great sounds. 👍

Thank you for playing Florence price’s work! Her story is very inspiring and I am glad her music lives on!! 🙏🏻🙏🏻🤗

I think I’m too stupid to understand this because I have no idea what’s going on

you did great

thanks a lot¡¡¡¡.

Great cover!

One Cannot Over Play The Singer's Voice And Music -Eh.

Saudades de Michael 💖🥰🥰

This is so groovy I love it!

amazing💗

Could I get the music for this

Excellent! What make model and year horn?

Well done!

Got damn you've gotten so good

can you send it to me my section needs a fanfare dominicjarret679

Can i get a copy of this

This is dope

Can you please email this for my section ?

Please email me this @[email protected]

How did you get your tone so good, I'm still trying to work on mine

DOPE!

Can I use this fanfare for my section?

Can you email this to me @[email protected]

Nice

Can I have this

Wowwww that is impressive

I was wonder if you can send me a link for this song please