So as for auto focus we all know now is preferred, the main info i think we all need is response time settings and actual MENU settings, take us into your menu settings and let's see those, that's most important to a lot of us.

I downloaded your Lut pack today and it was nothing in the folder

You didn’t mention it, but I’m guessing you set your AF drive speed to Fast and AF track sensor to responsive for fast moving sports?

Thanks Peter this is great!

I can’t take all the meat for this much sauce 🔥

Great pack can’t wait to purchase and put to use

I’d love to use this for basketball!

Great Pack, I want to win it.

Instant cop! Love your work Peter.

Yea this is great

Didn’t even have to watch the whole video to know I needed to buy this immediately. Great video & even better package! Thank you 🙏🏽

Peter, before learning editing, did you learn other things first? Like storytelling or just everything there was to know about your camera? I don’t wanna skip steps I’m a beginner

Cool pack, great value!!

Big respect for taking the time to make these 🫡

Since its for premier do you think it won’t work well with other editors like davinci ?

Man it would be really good if these transitions were DaVinci Resolve compatible. You’re missing out on a HUGE swat of potential buyers…I hope this changes in the near future because I would love to support.

Hi I am new at sports videography and I recently graduated from full sail university. I wanted to know if you offer mentorship for upcoming sports videography who are looking to enhance their skills set

dang we early

It sucks bigtime that everything is Creditcard only, I don't have one and it's not that common here in the Netherlands! Please add the PayPall option

I'm James. I teach video editing and motion graphics and would love to show my students how awesome transitions can add so much production value to their projects. @reidvanvoris

Peter4President 🙏🏽

Yooo

Couldn’t agree more with the gimbal. I started out using the gimbal a lot. Now I just love handheld. It’s more of a direct experience. I felt that I missed shots dealing with my gimble.

To look at it, it feels like asmr

Recording on 3 different cameras, how do you match them all up with the timeline afterwards lol

I always say it takes two people to get something done around the house: one person to do it, and another person to say "oh hey, that's good" same way with Video like you're saying: reaction shots solidify everything.

I’m about to shoot a soccer game with my FX30 and 18-105 in APSC mode. Should I shoot the whole game in 60fps? It’s just to test my camera for sports video, not for a client. Do I need to shoot in S-Log at all?

Peter what was your first paid gig ever??

I see you shoot a lot of video. Based on some of your previous vids. Do you feel the 35-150 has enough coverage for soccer or would it still be best to go with a 70-200 f4? Not sure if you are shooting with the 35-150 for football continuously or if it falls short on the long end.

Is all the sports footage in this video shot with the f4 mk1?

Hello i base in Nigeria i really want to learn video editing from u

I cnt see anything from ur system

What body(s) were these shot on?

I use the FX30 and I got the Tamron 70-180 ff lens and I don't regret it at all. Its so sharp and I get the extra reach that I was looking for vs buying a not as good APSC zoom lens.

I feel that hard with the gimbal hahaha

Definitely something I tell people getting into video is that investing in ONE system makes a world of difference in the long run, the convenience will outweigh whatever little money you save grabbing a bunch of different brands

I'm still using my 6 year old Zhiyun Crane V2 gimbal lol and probably would use it 6 years more, but now I have a bit heavier camera and sadly my gimbal have some problems with that. So looks like that upgrade time is coming.

I am in the exact same position with the Ronin RS2 😂

*Looks at Ronin SC in the corner* lol

Liar 🤥

Do you record audio separately and add it in post when filming in slow motion (higher frame rates)? If so, how?

how come your videos look so crisp even with a high ISO??

So record at 60fps or 120fps to get slow motion, but your timeline has to be edited on 24fps?

Hi! Desperately searching for your thoughts on tripod vs hi-hat. I see you using hi-hat- wondering if you have a video that goes more into depth on what you use on the field? I am solo shooting for my son’s high school and am trying to figure out what’s best. Would love your help! 😊 (Thank you for what you do- I’m learning sooo much on how to improve my game this year)

hey, do you use a 70-200? if so what f stop is it? Love the videos man 🎉

yes! tysm

what computers/laptops. do you use for editing, and can you talk about the codecs/proxies formats you are using.

Exactly the video I’ve been searching for, not sure how I missed this one since I am subscribed!? Thanks so much for all of the info Peter! I’ve found a few other videos on this topic but they were super vague with the breakdowns, and weren’t much help at all, but yours was sooo helpful! One little question, when it comes to covering your music, stock video or vfx subscriptions etc, how do you incorporate those costs into your project fee for editing? If your monthly subscription is $30. Do you just charge an extra $30 to cover that monthly cost? Any insight would be amazing! Keep up the amazing tutorials!👏🏼👏🏼👏🏼

Super helpful video, what SD cards would you recommend for the FX30?

What about zero degrees shuttle angle for over 50fps. Someone on KZfaq suggests this creates smoother natural motion, and I found this to be true as I shot some sporting action and with 180 degrees it was stuttering