Thanks for the input

Hey thanks for the comments and you are most certainly welcome, I'll get back to making these kinds of videos again soon

Thanks!

The 3d software is called Blender and it's free

@@Regoliste Oh thank you very much ♡

@@Regoliste Can I contact you via Instagram or another place? I want to ask you about something. I hope you accept

@@Regoliste Can I contact you via Instagram or somewhere else? I want to ask about something. Please accept

Oh yeah there were definitely all kinds of flashy moves and swings like curling up for momentum, I just thought I'd keep things simple with this one.

There's a linked 40+ min tutorial with all the links to resources you need to make this yourself: kzfaq.info/get/bejne/i5unh6imr6jZY2Q.html

@@Regoliste oh thanks!

What do you mean?

So glad man! That's exactly what I was going for

@@RegolisteAnd you nailed it!

It's a hidden cut that's revealed in the extended version of this tutorial: kzfaq.info/get/bejne/edOWjdqelrW1kpc.html But basically with the window selected in edit mode I separate it from the rest of the mesh so I can add edge loops on it's own.

You're welcome bro! Thanks for commenting

This topic of 'asset-using' you bring up engages me and I'd love to share my thoughts with you on the matter over the course of my creative experience. For a long while I could say that my 3d projects consisted of like 20% model work and 80% assets, but that sentence doesn't really mean anything. Comparing manual work to external work in a given project and going on about a 'zero-external output' workflow is personally a gray area for me. Technology is constantly evolving, and the project that needed me to build from scratch 4 years ago can easily be achieved through emerging external tools and resources today. These days I transform external output with my own manual output to produce creations. I used to have that same 'start from scratch' ideology long ago, and to an extent 'manual' work like building up a scene solo or modelling is a significant skill one should maintain and strengthen, which also build independence while being original, but past that, there's no reason not to take advantage and embrace the newest resources, assets and tools that exist today to improve one's workflow or creative result. I consider myself more of a composition artist, and I like it that way, I enjoy the process of compiling a final cinematic scene much more than the focus on creating everything myself. And in the end I think most of my creative endeavors retains enough finalized originality that justifies the external 'help' I utilized to achieve it. After all an artist simply interprets ideas/concepts/resources, then transform/imprint style and finally represent the creation through a new perspective. To give some technical answers, take this Spider-Man project for example, a rendered scene that was composed of almost entirely assets that originated online: The Spidey model, city scans, addons and rooftops and so on. But there was also a ton of sheer manual layering, modelling, keyframing, retargeting, texturing, compiling and problem solving by me that went into transforming those resources into a final original shot, so it ends up as this grey area of mixing and mashing different tools and assets with your own intuition. Now could I have built every single thing from scratch? Could I have painted my own textures? Could I have mastered rig animations? Could I have modelled the hundreds of city props for a 15 second shot? Not without drastic compromises, and that's why that ideology doesn't work, there's no integral benefit to compromising your art and yourself, not even for pride. I'm glad to be past that, and I trust you'd be much better off creating art constructively and efficiently as well. We're living in a creative industry that specializes in different creative aspects, including the sharing of artistic assets both paid and free, I am personally grateful for the mass of artists that have the generosity to share their work knowing they'd be be of use to projects of strangers and me, and it doesn't have to hurt to accept these gifts and resources. Now I think crediting the assets use is a deeper topic but generally that shouldn't scare you as well. Think of the end credits of a movie or video game. They list thousands of names tied to work inputs that went into creating the thing, and there's a sense of appreciation for it all. Crediting assets is similar and you could easy list the dozens of assets in a google docs sheet and link that instead under creative commons attribution. I hope this little thoughtful rant provided some new insight into the use of assets and I wish you well in your creative journey.

@@Regoliste I agree with you completely. I am still trying to convince myself that it’s ok, but I’ll compromise eventually. I’ll probably do the google doc thing you said too. Thanks so much for your input!

Incredible isn't it? The progressing power of one person equipped with one computer allows for the creative compositions that strive closer to cinematic quality than ever before. I appreciate the comment! You can do things too.

Hey thanks! Haha speak for yourself but I have no interest in spending weeks stressing over custom run animations or painting my own textures! I have plenty of fun and creativity in the manual layering, modelling, keyframing, retargeting, texturing, compiling and problem solving that goes into the final shot.

Who said animating is stressful? It's the fun of creating whole worlds and moving them forward that intises you to keep moving, thats the fun of animation. Not having ai do it for you.

Ahh well hey it's definitely fun sometimes, but I'm not an animator, or texture designer. I consider myself a composition artist, and I absolutely like it that way, I enjoy the process of compiling a final cinematic scene much more than the focus on creating everything myself. Personally, there's no inherent reason not to embrace the newest resources, assets and tools that exist today to improve one's workflow or creative result. I think it's a little deeper than 'having ai do it for you'. The ethically trained locomotion datasets and midjourney's niche building descriptions are only a small piece of the much bigger picture. I know this short little video overlooks a lot and for the sake of infotainment is edited to be light and easy but my 43 min alternate tutorial goes on to show a lot more on my manual efforts. I've seen your recreation of my last spider-man vid, you've probably improved a ton since then

@@Regoliste Yeah you're right dude. It's a lot deeper than just ai. And yeah when it comes to 3D everyone has they're different profession. And I've improved a lot since I made that. Keep up the good work dude!

Hey glad you enjoyed it man!

Hey sorry there's a hidden cut that's revealed in the extended version of this tutorial: kzfaq.info/get/bejne/edOWjdqelrW1kpc.html But basically with the window selected in edit mode I separate it from the rest of the mesh so I can add edge loops on it's own.

Dude so glad this video gave you some insight into making some cool stuff! Good luck out there.

Yes that door was free, the project's like 2 years old so I can't remember but you can easily find free door models at turbosquid, cgtrader, sketchfab and filtering 'free'

Hey thanks!

Pretty sure that's just the 4k HDRI doing it's magic: www.blenderkit.com/asset-gallery-detail/c2b9b869-f4c9-461a-8796-12c8b64c54d5/

No man.. do not think like that, instead of looking up tutorials why don't you try to do your own? and see? you'll get great satisfication and learn while doing it! please don't!, dont give up ur dreams

@mystery_1101 thanks for that 😁 but I just want to make animation, but it's so hard, and I don't even know how to even move the cube.😭

XDDDD

Yeah good buildings can make a city look so so cool but the keyword is extra work, it's always going to look better when you work up the details