Vlado Perlemuter.. kzfaq.info/get/bejne/o6iZiMJ8qZyskWQ.html&pp=ygUMdmxhZG8gc2NhbGVz

Great channel but this sucks

Wow tonebase really went to shit

great

saw her do rach's 2nd in edmonton. life changing!

Your playing piano is lovely 😍

😆‼️ Perhaps Mozart - as an Austrian - said: “Strudel - Strudel - Strudel”…

How can you play chopin 10.2 without twisting?

Okay sounds great but how do you play chopin 10.2 with this technique you have to move your wrist fır those 3-4-5 chromatic runs?

I figured you would end with either Glenn Gould or maybe even Valentina Lisitsa. But you right to the top of the list to the most influential classical musician of our time. Well done.

God, what is this nonsense

I stumbled onto clumping on my own when working out problems with pieces. Very useful

Tonebase has some interesting content but more and more seems like clickbaity garbage. Eventually, serious people like Ohlsen and Hamelin will refuse to associate with it and we will be left with clowns like Seymour Bernstein and this guy

"bachhhhhh"

What is most useful to me about Bernstein’s instruction is analyzing all of the goofy things he says to identify exactly what is wrong about them

What is your opinion of the Virgil Practice Clavier ? I've used one for over fifty-five years and I doubt I'd be playing at all at seventy-six otherwise but their use is strongly discouraged these days for reasons I cannot fathom.

Is Gould normally seen as postmodernist? It seems to me that what he was doing is what is usually referred to as "deconstruction".

Yes, the world has become aware of Gould's indiscipline disguised as "genius." A typical modernist, he trafficked in frustration.

Could have done without Sarah Davis Buechner's offensive crack about "thinking like a musicologist".

Yes indeed. I realize this very well. Metaphysician & Philosopher

I really don't know what the big deal is about this coda. It's absolutely wonderful, but not that difficult. In fact, because it falls so nicely under the fingers, I find it easier than a lot of other stuff by Chopin, such as his use of big leaps combined with awkward reaches.

any tips on just black keys octaves such as the end the of op10 no5?

I once heard someone mention (3 days ago 😂) that “pros don’t spend a lot of time playing scales” 🤔 I’m about to sit down for my daily practice and EVERY NOTE I play will be a combination of scales. Even the chords I play. Let’s break down a Fm7#9, me thinks that be notes of a scale played simultaneously 🥳. Every minute of the following hour will be played using scales in one form or another. Excellent video, I’m signing up!🤘🏾

Astonishing. A 5-year-old was allowed to stay up past 9 pm.

Love you! You are 💯% right!!! It’s more than just technique. It’s a spiritual connection with the composer. ❤️🙂

you can't jsut say mozart is like smash bros and not say why XD I really wanted to hear the reasoning behind it

That ending is sick

This Gentleman is so passionate. I am fortunate to come upon this lesson. Thank you.

This is so precious, thank you…such humility, wisdom and humor and it’s amazing to see someone with such unreal abilities break things down so slowly and accessibly…makes me almost believe I can do it too. 😅

BEETHOVEN IS GOD! 👊🏾✨👍🏽🥰

I wish there was a taubman teacher near me

"Ein musikalischer Spaß" is really great if you understand a bit on composition. It is basically a parody of a symphony, breaking rules and systems on purpose, repeats phrases instead of adding new, like a bad composer would write them. With notes that sound like the performing musicians are unqualified and play wrong. He basically plays the musicians and music "industry" at the time for fools.

Chopin's delicate techniques revealed in the most wonderful lights uncovered ... it is all about the artistic and skillful finger/wrist/arm contacts with the piano using human hands in most magical ways imaginable ... brava Ms. Penneys !!!

3:51 my neighbours are loving it!😂

When did chunking become clumping mwhahahhaha

Billy Joel🎶

Over critiquing the interpretations of various pianists makes one distract oneself in the beauty of the piece. All of these great pianists may have slight variation of interpretation but they are all great and ones preference doesn't take away from another's. Regardless of the subject, the fact that people feel the need to compare and analyze, that in itself shows that the focus of attention would not be given unless one is far greater than most.

I miss the other guy....at least he was funny....

My almost daily scales are the eding scales of the coda in Chopin's Ballade 1, in g-minor with variants, very fast, and like a single jump with the bow.

Everyone should look into Brahms (51 exercises) and Liszt's various unusual use of 1,2,3, 4, 5 patterns (Spanish Rhapsody) and 2,3,2,3 in the Faust waltz. Groupings of 5 and 7 are quite worthwhile.

Another approach: kzfaq.info/get/bejne/iq2mgbiH09Kbd3k.html

I think what that guy did is called ritardando. Expressivo is probably more like rubato to most musicians, similar to conversation.

Great video. The scales I hate? Offset. Same scale in each hand, but at different intervals--not octaves. Like when Liszt converted Paganini's Caprice #5 and, of course, made it more difficult for the piano. Because, well, Liszt. Clumping exercises help a ton!!!

I would like to see a video about how to play different dynamics while remaining relaxed and the correct hand posture for diferent dynamics (just everything about dynamics). This video was very helpful and I'm excited to see more videos like this in the future.

Amazing pianist

Just started learning the piano, scales are the greatest tool for your hearing, your memory, your musical mind and of course your finger. They show how geometrical piano playing is by mapping your brain with your fingers using triangles (1-2-3) and rectangles (1-2-3-4). I usually start my practice with 15 minutes of the scale right below or above the musical piece I intend to work on next and use 5 minutes to work on the targeted scale: let's say I work something in E minor, I'll give the F minor or Eb minor scale a go for 15 minutes and only then I'll practice a bit of the E minor scale (usually in sixths to make things a bit more fun). I don't know if it's a good work routine, all I know is it fires up my musical brain and makes me dive right into the piece I want to work. I noticed that if I only work the targeted scale (E minor, in this instance), my ears won't catch the same nuances when I switch to the musical piece, probably because the scale is very linear while the musical piece may have some alterations and/or often goes beyond a simple scale structure.

I go up the scale, I go down the scale. If It is ok, the bpm goes up. If it is not ok, the bpm stays the same. When I do 16th notes at 150bpm, I move on. No one needs notes faster than that. They should be illegal.

I strongly dislike "amusing" videos.

I don't think rotation movement is very useful in scales and generally it is overrated nowadays

I love the trans representation ❤