Thanks Pete! We absolutely love the system and have been expanding more and more!

@@highoctaneproductionsllc7380 I’m a small time Dj slash sound guy and I’m trying to get my hands on my first VS21 Sub because I keep hearing how great it is and how deep and hard that bass hits you and it can run at 2400 watts continuously it’s outrageous they are super expensive and will take me a while to pay the one off but I’m told it’s well worth it right now I have two powered Electro voice ETX 18sp’s with swapped out woofers that sound pretty good and for slightly bigger ballrooms or outside stuff I usually use my two Yorkville LS1208 passive scoop wich I love just hate having to have a separate amp rack but they rarely come out the garage with the one bass boss VS21 I’m hoping to shake shit crazy in some of these hotels🤣

😂😂😂 it was the local “school of rock” kids most with only a year or two of experience- the main band for the event (which the camera died before) is one of the best country bands in our area 😂🤣

Dj Mkay we often deploy the system like that, since this video was recorded we have upgraded to the k&m locking sub poles too which are rock solid, no need for any straps. The ground was pretty soft from rain the days before this event so it was prob the better choice to keep the subs on the ground- the other thing to consider too is the sight lines to the stage- I actually prefer the sound of it with the subs on the floor as they can couple with the ground, so when we are going for max output they are always on the ground if they can be. This event was definitely not a “max output “ type event- We actually did the same event the following year with only 2 subs. Here’s the system stacked up, was actually the very first time we used it. It’s done a whole lot more work in the last 3 years since then! instagram.com/p/BdeKXlUjGVy/?igshid=1gb4afwluqhdg Thanks for watching and thanks for the comments! Enjoy!

Gavo Santiago the vs21 subs are $3995 we own 8 of them, the Dv12 are $2995 each we own 4, and In the last 2 years we have added 4 at212-3k at a cost of $3895 each- but you get what you pay for. We have run these speakers wide open weekend after weekend without any hiccups and they still sound just as amazing as day 1.

Hey Scott! Apologize for the late reply, it’s been quite upside down currently with the current “pandemic” - The bag I use is available on Amazon at the time I post this for $78 www.amazon.com/dp/B004EHN4X0/ref=cm_sw_r_cp_awdb_t1_v3tIEbS1TJQKY I have some thick foam sheets that I put in with it, I leave the camera section and the post immediately under it together, and the other two uprights and the baseplate go in the bag- the flat part of the printer stand goes under the printer in the printer bag, along with the decorative case for the printer on top, I put the tablecloth we use for the prop table over the printer and under the decorative cover to stop it from moving around and stop them from scratching each other in transport- Inside the luggage bag, I put the baseplate first on the bottom, then 3 pieces of foam (about 1/4” thick each- thicker foam would only need 1- this protects the top part from the studs that stick up about an inch out of the baseplate) followed by the camera section with the one upright still attached, which is just about the length of the luggage, some foam around that, and the other 2 uprights stow nicely on either side of the still attached upright in the bag- I had my doubts about a soft case- but now with 2+ years of gigging on it it’s held up really well- only scratch on it was the one time that an attendant packed the whole thing up without any foam and the studs from the baseplate scratched the camera part- not a big scratch and was easy to fix but still the only damage in 2+ years of weekly - ish gigs. Have not had the need to add an external flash to the booth, it really gets great pictures in all lighting conditions- I found that having the modeling light a little dimmer and letting the flash do its job has been the best way- I run the camera in full auto - but even in completely dark rooms, I still get excellent picture quality. Let me know if you hav me any other questions!

Hey Rufus Crowder! Happy to answer what I can about your questions. Preset 4 on the dv12 gives you max output/volume and does indeed cross it at 100hz. As far as the gain structure, I generally try to get things set so that the meters on the Midas are at peak just as the speaker starts to blink the limiter- for the dv12 0db straight 12oclock usually achieves this- when running them straight out of a dj controller or sometimes a different desk, I do need to add a little to get things to limit all at the same time. We typically run the subs in an “aux send” configuration using the mono channel of the L/R/M of the main bus in the Midas- the subs can take pretty much anything you can throw at them, so we usually run the gain wide open all the way clockwise- The design of this sub is very well suited to live sound and I very much prefer bass guitar and kick drum out of these cabinets over a double 18” , constantly smile when we fire it up for sound check and start with the kick. Really is incredible. The Exo is abbreviated for “effective cross over” and does indeed act as the crossover for the sub. All the way clockwise gets you 100hz, all the way counter clockwise gets you 80hz. They refer to it as effective cross over because there is more going on than just a simple low pass filter. What we’ve found now with a good amount of shows on them, is 100hz works really well with the dv12 box and 80hz generally with the at212- there’s some variation to this depending on rooms, but that’s a good general rule of thumb. Not sure where you are located but If you have the opportunity to listen to them in live music setting- they really do speak for themselves. Playing down to 25hz @-3db is just a bonus!!! Thanks for watching and thanks for the comment! Let me know if I can answer anything else!

thecoolestlace I added a usb 3.0 hub inside the booth, haven’t had any issues with it or printer in just about a year now, the hub is necessary also to plug in the flash drive we use to put the photos on for the client at the end of the event.

We have yet to get a good clear and thorough outdoor and indoor test of an arrayed dv12 Pair vs an at212- we pick which setup to use based on desired coverage - they have a very different dispersion and throw- working on getting a good side by side comparison and when I do will post a link- thanks for watching!

Oscar Cruz ¡ El Mejor !

W.A.B mobile entertainment all of the first bands were from the local “school of rock” and are all students with only a few years of experience- and mostly kids under 16- the only professional band in the video is country comfort towards the end which we only got a tiny clip of due to the camera/memory card error

diego jesus sanchez orihuela all pricing is on www.bassboss.com

isettech that’s exactly what we have our eyes open for. Got the feelers out always for it. At this point if it’s totally necessary it will be rented for the event. Luckily this specific gig had plenty of power for what we were doing. Thanks for watching and thanks for the comments!

salin gualotuna I prefer the sound of bassboss over the rcf speakers, I find that rcf response graphs aren’t always real world numbers, and they tend to use a lot of compression to try to squeeze out every last Db from them. Wattage wise the bassboss tops have more each than a pair of hdl20a , also have 20° more horizontal coverage. When you compare pricing the 4 hdl20 would be about $10k new and a pair of dv12 would be $6k new. I do think that would be a good match up though to hear side by side

😂😂😂 yes that is country line dancing !! 🕺🏻

We ran 2 qsc k12.2 and 2 Yamaha dsr112 for monitors on this show. We own a bunch of ev zlx 12’s and 15’s also that see a lot of monitor duty although those definitely don’t have the same kick as the k12.2- qsc’s do require a good amount of eq on them to really get them loud without feeding back, especially under a tent like this

djlobb that phone was old and has since been replaced- iPhone X!!

@@highoctaneproductionsllc7380 I don't think the X seems that much better really. (I have one lol) and it still records in mono :-(. What does impress me is the Galaxy S9 camera audio quality (and to a lesser extent the now-stereo XS.) The S9 is one of the best as far as smartphones go, not as good as the Canon tho!. That thing is ridiculously good for onboard audio recording.!!!

djlobb I’m an apple guy through and through- I hate the things i need windows for, but can’t see myself moving to an android phone at any point. Possibly an external mic for the cannon may be a possibility though, although you are right it does a pretty good job- we also have a zoom q2n that records awesome stereo audio- but doesn’t do video as well as the cannon- a friend just picked up their newest version in 4K so I’m curious to see how that one works

@@highoctaneproductionsllc7380 I can't imagine someone would completely switch platforms merely for improved audio recording in videos lol. I was just pointing out my experience. But still, I don't thnk any phone can compare to a dedicated video camera's generally larger, more dynamic microphones :-) This set up is beautiful btw! I just wish there was a BassBoss reseller here in Australia...

djlobb agree completely! And I took it the way you meant it- and thanks for the kind words! We’ve had the system out a bunch in the last couple months and received nothing but compliments on it- I would reach out to Bassboss directly they may be able to make something happen!

djlobb the cannon g7x has been doing a great job on events , it didn’t seem to like the heat that we had on this day but has been good since then-

Maybe money Wash. Here in México theres a Lot of guys that come from nowhere and from a day to another the have truck. Lots i mean LOTS of PA and lights. And yes we all Say Wtf ???

dantonliam we financed the system over a 5 year period. In our market, one full system (8 subs 4 tops) rental covers 1 month payment- so anything more than that is revenue - we’ve been fortunate that it has made a name for itself and is currently seeing a lot of use!

@@highoctaneproductionsllc7380 Wow, i'm very happy for you and your company. I wish people in my country spend what its nessesary to have a Quality production. Unfortunatly almost 90% of the people hire cheap "DJ's" or low Quality chinesse speakers. Just telling you my friend, i have a full top Yamaha active rig. Quality lights and i have been in the bussiness since 20 Years ago. These days are dark, one and another guy comes whit super cheap $ 200 dlls A PAIR chinesse Crap speakers, a laptop and a $ 50 Dlls set of lights to take our Job to the Point that people think that a "Dj " is a cheap guy who puts músic trought KZfaq in your parties. Hope you have an excelent week dude. Greetings !

Alex Martinez those guys are here too. They are everywhere, and we’ve lost work to them before, but usually wind up getting them back the next year once they experience a gig with the “cheap” guy 😂😂😂 have an excellent week too!

Bryan Rosado thanks for the support bro!