Simply genious. Finally I get it! Thanks! :D

Thanks!

Brilliant, now this is how theory should be taught 🤣. But seriously, wow,. Best lesson yet and for where I'm at atm. Thanks Brian, you've just made sense of everything I'm doing atm but now I know why and how to take it further. You got me through lock down and 4 months ago I sat with the pianist on the terrace where I work and did 15mins with him, yesterday I did just over an hour of guitar and blues harp in front of my daughter and grand kids that are here on holiday, thank you 🍻

Fantastic... Thanks for sharing..

I never thought that I could understand the circle of fifths or music theory but it starting to sink in finally. Thanks Brian.

Thank you for this video. Confusion is everywhere.

My man... That's beautiful. What's your cash app?

The 3 pattern approach has been my go-to since you taught it to me a few years ago. Love it!!! Thanks Brian

Is the membership fee renew annually?

OK, this looks brilliant, definitely going to begin next week on Monday! I'll do an AM session, and a PM session.

Thanks Brian, so well explain, let's practice that now🙏🙏🙏🤓

i know enough theory, to get pretty close to what i want, it's the knowing what effects to use and how to mix it, to make it pop

had to pause and listen to my favorite song by the legend we just lost, Greg Kihn

Do you have this in gpro or midi? the Bb part there were phrases i wanted, and notes i didn't

near the end, where you talk about playing all the chords in one scale? that's how i play bass..i hear a melody, in my head, and play it in the key of the other instruments

i have watched a lot of your videos, and shared them... but for some reason, around the 12 mark. where you show the neck while playing? i was wondering why on the neck, you didn't show the notes, as you played so people could see the emphasis ?

Still my favorite instructor...the best

the Bb had that 90's early naught feel, like the grunge and alt rock

Excellent!

oooh, that key of A was beautiful

the first one gave me an idea for something i am working on

👍

Very helpful and clearly explained.

Thanks!

The door has been opened wider again! Thanks BK!

With your 3 patterns of diatonic scale, I play very aisely the first solo of Comfortably Numb ( D major and D mixolydian: notes C and C#). Thanks for this new lesson.

He is a personification of intelligence. Saved one year of my life which otherwise would have spent in looking for a right one.

Great info. Ty for all Your dedication and patience ✌️💙🎶

Thank you very much Brian it helped me to understand the big picture But how does the pattern repeat itself after the 12th stitch

I love what you been doing for years How about taking solo phrases from popular rock songs that we all like And analyzing them from scale perspectives Melody, Harmony and how the artist was thinking when he wrote it examples would solidify the theory instead of repeating how many modes ,positions,scales , etc there are thanks again

I think saying the note names when playing the scale is helpful. Took me way too long to realize I should be doing that. Great video!

I just need melodic back tracks

Dude another excellent class❤❤

Thanks, Brian. My issue seems to be phrasing. I can locate the shapes and even the chords (CAGED) underneath. Yet I still sound lousy. I've come to realize that it is timing and phrasing. Any suggestions or tips on how to address these issues? Thanks again and God Bless.

Super🔥🔥🔥

I am so glad that I found your program Brian.

Lol thanks now I see the wrong way being taught all over the place. And if you say anything about it and people freak out. Get bent out of shape. Your right it ends up being the blind leading the blind and your right you don't know what you don't know. I see this very thing on a FB group about guitar music theory someone giving this very diagram connecting a shape to a scale it was in C major.

Great lesson, it helps me a lot. Would you mind, if you haven't already done so, do a video using the major scale first and then the minor scale. If you have already done so, could you point me to that video please. Thank you very much. Keep up the great work. God bless.

'This is a chord, this is another, here is a third...NOW FORM A BAND' ('Play'in in the Band, first and last in the series', 1976?). 'Here's one pattern, here's another, here's a third...NOW GO PLAY IN A BAND' (Brian Kelly 2024?). Limitation can be a great source of creativity. Not 'overthinking' it, but trying things and using your ear to gauge what works.

COOOLLLL

TRUELY THE BEST GUITAR TEACHER . BRIAN DOSENT HIDE ANY SECRETS EVERYTHING IS SET OUT OPENLY & SIMPLY. THANKS 4 ALL UR LESSONS.

Really love the simplicity of that you provide! I can watch you and then play along and become inspired again! Thank you!

Very clear thank you

"You don't hear this talked about a lot because there is nothing to confuse it with" !!! One of the most profound things I have heard in a long time! Brilliant.

Great lesson.

Great lesson, I subbed up and noticed you’ve uploaded 369 videos at this point . Anyhoo, Thanks for your amazing insight and sharing your knowledge . Really cool lesson ❤

Thanks, I prefer the five pattern approach because they spells caged also the pentatonic scale patterns I weaved within them and refer them to the aeolian/Ionian, Phrygian/mixolydian etc and I never get lost on the fret board. If the key is E Phrygian or A Lydian etc I find that I don’t get lost on the fret board either but the three pattern version of the diatonic scale might be simpler. Only been playing for just under two years and have decades of learning ahead but I am finding that it all is one big pattern called the diatonic scale that’s to your teachings but I’m finding that learning the intervals puts everything into perspective. (Probably doesn’t make sense what I wrote, but just believe me when I say that you are making everything I learned in bits and pieces from everywhere make sense.)

Thank you Brian! Personally, I like using Box 1 with the upper and lower extensions and Box 4. This covers the whole fretboard. I like taking a page from Count Basie, play with economy . Thanks again.

Why is there ominous ambience in the background😂

The progression with the major third instantly reminded me of Space Oddity by David Bowe. I checked the chords and it goes from a dark-sounding I to iii in the verse and a 'happier' I to III in the chorus ("though I'm passed one hundred thousand miles")