Thank You sir

I like my drums perfectly on a grid. With how i record my music... I suck at playing on beat. Idk how tho. Been playing for years. When I go to record my guitars with an imperfect drum track everything will just feel so off and annoying to me, I just hate that. Like I'll play to a metronome and everything will usually look pretty dead on most of the time with the click. Or I'll play and record my guitar first with a metronome perfectly but after i record the drums to it, it sounds so off. No lantacy issues at all either.. like it will sound great live but listening back sucks. I would have to go back and edit soo much of my midi hits...I may just need some quantization?

not sure how to do this in logic, any advice?

Well said. Don't like it? Don't listen and produce your stuff differently if you want a different result.

Nice👍🏻

Keren, aku mencoba nya. Memakai aplikasi lewat hp . Ternyata berpengaruh🎉🎉🎉🎉

This was me when I first started. I stumbled across your video and bam. I watch a good amount of your videos and man my mixes, while not perfect, are actually pretty decent now. One of my buddies who’s been mixing music, and does quite well, actually complimented me and pointed me towards your videos and other mixing materials. Thanks for what you do!

Thank you again!!!

Very good video! Those that complain about squashing or ruining the mix doing this, completely overlook that you have to be subtle! Over-compression, saturation, limiting, and soft-clipping WILL ruin your mix. The trick is to not be lazy and throw all your processing on a bus and hope it works. Take the time to attack the transient tracks individually, fatten the non-transient tracks subtly, and remove resonances to increase loudness while maintaining clarity. If you’re unsure you’re doing it right, GET A REFERENCE TRACK to check yourself! Don’t marry the meters and live by what they say. After you balance your mix (without plugins), you can focus on taming the transient information, but make sure you listen to your before-and-after to make sure you’re not straying away from the balance you’ve created.

You are a great master pro. Your are gifting knowledge. All your free guides are amazing!!!

Ohhh man, my mixes get better and better thanks to all your tutorials and guides!!! Underrated KZfaq Channel!!!

Thanks I needed this

Hello. What's the correct routing for print the amp sim tone from a DI signal?

Content here is a gold mine. Thanks for the formula as start point

THANK YOU！

Mix sounds great. Are the drums from toontrack? That snare is awesome

In a room or live performances u bring your sim and ill bring my fender twin with a kick ass distortion i promise u. That u will be laughed off stage

I don't know if I could agree to this. I just upgraded from the PreSonus Audiobox 96 to the new PreSonus Quantum HD2, and there's definitely a difference in sound quality!! 💯 Sounds way better!!

I refuse to get over it, they are wrong for enjoying it

I have this issue where the signal will go jagged for a partial second. I cant tell if its comin from my pick ups or bad frets, or my cpu falling behind. when i look at the actual signal you'll see it look all jagged like a lightning bolt . mayby its from recording direct into the interface and not with an amp thats mic ed .. I dont know

hey man i know its not your genre, but any chance you can talk about mixing/tracking/panning guitars for indie music or even just basic alt rock? Do the same hard panning rules apply and should i still edit guitars on time to some degree? maybe not as specific as prog metal but yk…

Panned fake room or mono though ? 🤔

I'd recommend if you want the room mics to sound like what the drummer is hearing, work out the distance and then delay the tracks to replicate the return journey to the drummer. Sound travels at just over 1ms per feet. The Haas effect occurs beyond 40ms, so ideally you will get the best results with room mics being greater than or equal to 20 feet away from the kit. A tip learned by watching videos of Steve Alibini recording.

If you have a whole song in perfect synch on the drums, that's okay. Unless there is a part with 16th notes on the bass drums. Then you should only edit them slightly to fix the obvious off parts. A ballad can be edited 100% and sound great.

i'll have to try this. my go to for making "fake" room tracks, is to actually record the drum sound from my daw in my mix room with a LDC and another LDC in the hall just outside the room, essentially creating a real drum room track, but it's more than work than just doing it withhin the daw

Another awesome and very simple video. Thank you. I was struggling with a mix and toying with changing the low end eq between bass and kick and watched your video. Literally followed your advice to a tee and now it sounds wayyyyyyy better. The bass is cutting through with clarity. So simple. Thanks again.

Thank you for addressing this. I had 127 going nonstop and it doesn’t sound realistic. I was getting a lot of clipping with snare and floor toms. Appreciate you!

I got an even better idea. I keep listening to what i like and don't listen to what i don't like. Ok but in seriousness i really don't dig that it's going in this direction i fear what we'll end up with is people making music with just AI because it's convenient for them but i hope i'm wrong 🤞

What about automation... the resolution is very small at those levels... with all due respect

Can i get some notes on my mix for my band?? We just released a deathcore/metalcore song written about Elden Ring kzfaq.info/get/bejne/d81paJZiuZreeZc.html

And when your guitar is recorded properly but you sound like crap still?

I has been 6 months trying to find this f*cking tone! I will stay with neural soldano and i will follow your advice

Thank you. That's exactly what I was looking for to give my guitars more clarity.👍

I'm struggling to make drum bus compression with ezdrummer. Can anyone explain it to me? I'm opening ezdrummer as a virtual instrument and I route every single drum sound on different track. Once I'm done, I create another track, which serve as folder for all other tracks including the one with ezdrummer. The problem is that when I apply compression on the folder fx track, I cannot solo it to hear it separately, because it's in dependency with the original ezdrummer track. If I mute the ezdrummer track, automatically I cannot hear the folder track with compression. Any ideas?

After one year I say thank you for this

Brother can I send you my tone and you can help me

hey!!! We have the same Mac hahaha! I do home recordings too and on my last "studio space" the room is very small. I kinda glued some acoustic panels to control a little bit the high freqs. loved the video!! cheers from Mexico!!

clickbait right? You could not be more wrong. nope, the sims are the waste of time. if you enjoy spending all your time clicking through infinite possiblities then go for it. but i actually enjoy playing my guitar not staring at a screen.

My master is a shadow hills compression very little iron setting. And a waves BB tubes with a touch of saturation. Then maybe depending on track a touch of amek 250 eq little moves. That's it.

Not related but what's the song?

great tips as always, very similar chain to what I use, looking forward to seeing the new studio and I see the beard is coming along nicely

I got the email that says you're in but never got another email with the course. Checked my spam, my promotion even the trash. Nada

Guilty. I’m gonna tinker tonight. Your videos have been great

Amen to the closing statement! And a great video, as always

What? You can't make a greenday riff sound like a suffocation riff?

I use a reaper mastering fx chain I got from a KZfaqr named @resington. It hasn't done me wrong yet.

im gonna buy that psp warmer for sure

been missin these videos

Something I was guilty of, and seen HEAPS of people do, is hit their master bus chain waaay too loud... or slamming a single compressor to try and be loud...