It might be my Lithuanian/Baltic blood that makes me so in love with Vask's music. Sol Gabetta perfomance is so beautiful. She makes the cello cry softly.
@zouhairchekhab486117 күн бұрын
السلام عليكم
@vincenzoveronesi7379Ай бұрын
Bello, davvero bello!!! Actually this hymn touches the soul!! Moreover I have to express my wholehearted thanks to "You Tube" since we are allowed by this company to know a composition which otherwise only a few people would have ever heard...
@adriaanbekman12372 ай бұрын
impressive, touches the soul
@anjahumbert16853 ай бұрын
Bravo!
@RitaTiltina3 ай бұрын
B😮😢
@mikemasterson70094 ай бұрын
It is a shame that Peteris Vasks remains a relatively unknown composer. However, the same is true for several of the greatest composers. Perhaps someday he will become well-known and highly respected.
@ameliawright69475 ай бұрын
The gentleman in the video who is clearly very moved, is the composer himself.
@initavilumsone445 ай бұрын
❤️🇱🇻🙏🙏🙏
@marcellodantedealmeidanune94455 ай бұрын
Cenário no interior da Igreja, lindo. Acústica perfeita!! Uma apresentação memorável da obra litúrgica de Vasks. EMOCIONANTE!!!!
@marcellodantedealmeidanune94455 ай бұрын
Vasks tem a religiosidade musical maravilhosa de Arvo Pärt e o coral apresenta-nos a sintonia perfeita com a Sinfonietta Riga. Parabéns.
@laine55946 ай бұрын
Visu cieņu. Skaisti, interesanti un iedvesmojoši!
@user-ch1sn2ob1s6 ай бұрын
Можно перевод на русский
@baibafibiga9596 ай бұрын
Jauki, tik priekš raidījuma būtu bijis vērtīgāk, ja dārza īpašnieki paši būtu veidojuši savu skaisto dārziņu nevis profesionāls dārznieks. Ir jau glīti... un par naudu var daudz ko. Paldies Ilmai par rožu padomiem! Cilvēks savā vietā.
@baibavanaga47725 күн бұрын
Ja tādu dārzu kā šis iekārto un uztur tikai pats, tad savukārt vajag kādu citu, kas pa to laiku tam priekam nopelna naudu.
@user-po9xv2ni3k6 ай бұрын
Pal dies!
@dairiesgilberts29747 ай бұрын
Loti skaisti!ka sauca darza veidotaju?
@Mr2Big2Tall7 ай бұрын
Absolutely the finest of composers in this era.
@SofiaRubinamusic8 ай бұрын
🎉🎉🎉🎉
@jonasjonava8 ай бұрын
Lietuva❤❤❤ Latvia москалей домой в мордор-сверхдержаву!!!
@MeghdadShahhosseinimusic8 ай бұрын
Very beautiful and excellent
@keithturner3639 ай бұрын
He is a perfect gentleman
@RichardT910 ай бұрын
It's not inaccurate to say that I love the presence and musicality of Sol Gabetta! Her every glance and movement are furtherance of the piece! After watching so many of her You Tube performances, I realize that I have suppressed my OWN breathing until she opens her eyes and takes a deep breath at the end of the performance! Bless this unique gift to the world!
@binggu901711 ай бұрын
Oh, my lord, so touched my heart
@franckcoinchelin986211 ай бұрын
la musique de Vasks n'est pas géniale mais donne bien du plaisir d'écoute, quoi exiger de plus?..
@robindale9352 Жыл бұрын
Peteris, how did you write this without fainting, Sol, how did you play it? It brings me to my knees.....
@robindale9352 Жыл бұрын
Can anyone tell me who the performers are. They are all brilliant.
@baibaandersson9454 Жыл бұрын
Bravo bravissimo Maestro Normunds Šnē. So sensitive and intensity and just like paintig a big pictures. Super profesional.
@baibaandersson9454 Жыл бұрын
Great personality Sol Gabetta. Great cellist. Thank God so much for this video. For this passion and timing is everything. Super talented and togetherness.
@baibaandersson9454 Жыл бұрын
Who is condacter? Witch orchestra?
@sandrajanisa779 Жыл бұрын
Paldies, par dārziem, par padomiem..!! 🤗 Bet, ja video fonā ielikt lieks "muzikāls" 🙉troksnis, tad vairs klausīties negribās. ☹️
@mikec2660 Жыл бұрын
why do they keep showing the composer ? it seems uncomfortable
@sedatakkas8427 Жыл бұрын
Amazing....
@sandraupite-bibere9905 Жыл бұрын
kā jūs aplaistat? ar smidzinātāju?
@davidp.4177 Жыл бұрын
There are some passages, mostly the slow lyrical ones that remind Barber's Adagio for strings. So beautiful. Sol is phenomenal.
@musiclassic1 Жыл бұрын
What's the repertoire? I am enjoying some of this a lot.
@ninaritchi7820 Жыл бұрын
Est ce que le gel prontosan et bon pour un ulsaire de variss
@martinsvalters2351 Жыл бұрын
miskastes impērija vēl joprojām nav atvainojusies un nožēlojusi represijas pret daudzām tautām
@sedatakkas8427 Жыл бұрын
What a beautiful...
@robertrussell263 Жыл бұрын
Bravo, great film here and THANK YOU for the English subs.
@vive564 Жыл бұрын
Sol Gabetta joue si bien que chaque fois que je l'entends je me demande si ce n'est pas en rêve ! :)
@sandrajanisa779 Жыл бұрын
Paradīze........!!! 🤗👏🌳🌲🌸Brīnišķīgi.....! 🙏
@agijapizika1580 Жыл бұрын
3.56
@karalismindaugs7400 Жыл бұрын
👍🌳
@imantsparadniks6329 Жыл бұрын
Un ruskij mir - atklājās - tāds kāds nu ir ...
@piernicofe2214 Жыл бұрын
una musica veramente "nuova"-
@santab8629 Жыл бұрын
Super jaunieši nevis baltrocīši
@stephenhall3515 Жыл бұрын
Gabetta is noted as a soloist who is most at ease playing alongside with other soloist standard musicians so Vasks was on a high risk project when he composed this phenomenal concerto for such a reticent artist. The soloist is even more exposed at the beginning and end than Elgar risked with Harrison and the percussive bars on open strings must be tortuous, then we see the sun side of Sol when the (albeit spare) orchestra joins in. As if that wasn't enough Vasks asked her to sing a part of a Latvian folk tune as well but I guess that he and the great 'cellist agreed that it naturally flowed from the flow of the music. What is curious is that the tune could pass for an Iberian one. Standing away from the unique performance we have here with the composer seeming like a grandfather, does this second concerto stand up as music likely to enter the repertoire? I think YES because it is just so musical to anyone with ears despite some of the dissonance Vasks looks back to here from his earlier years. In this century we should be used to dissonance -- just as Vivaldi expected his audiences to be (especially in the 'cello concerti). Vasks also makes the work seem more like concerto grosso in parts unlike his 1st 'cello concerto. No 2 is harder work all round but more 'of humans' in nature than a lot of his pieces which are more removed from human beings all sharing a time and place together. It is packed with human physicality and frailty within the context of the drum beats of time and the universe and I fancy that we hear those beats at the opening of this astonishing work.