Schönes Stück. Das will ich auch bald spielen können. Aber bräuchte es nicht noch das Pedal?
@BorLumiereАй бұрын
Herzlichen Dank für den Kommentar und viel Freude beim Einstudieren. Zu Bachs Zeiten gab's halt noch keine Klaviere, wie wir sie heute kennen, da gab es Cembali und Spinette, da konnte man nicht laut und leise unterscheiden, und sie hatten gar kein Pedal. Daher gibt es hier kein Richtig oder Falsch, und ich finde es schön, unterschiedliche Varianten auszuprobieren. Am Tag zuvor hatte ich das Stück mit Pedal und Legato eingespielt, hier zum Vergleich: kzfaq.info/get/bejne/ppmFbNuC1JvZZoU.html
@pianodugiАй бұрын
@@BorLumiere Vielen Dank für die kurze Lehrstunde 😃
@fritzbohm3353Ай бұрын
Bravo Meister , großartige Interpretation!
@BorLumiereАй бұрын
Wie liebenswürdig, vielen Dank!
@vicentesaiz2 ай бұрын
Tocado con arte. Felicitaciones. ¿Qué teclado es? Suena bien.
@vicentesaiz2 ай бұрын
Ok. Roland F701
@lesasa2622 ай бұрын
Perfect performance 👍
@Ataturk.132 ай бұрын
🌹
@user-en8qd8lu9v2 ай бұрын
So läuft der Hase
@mn77773 ай бұрын
great performance, no need for a straight back like my teacher told me to be aware of it
@softpianorenditions3 ай бұрын
I think you were really feeling it at the end there!! ❤😢
@augustgmusic3 ай бұрын
beautiful
@francescosaveriocirillo56354 ай бұрын
Un sentimonto di condivisione nasce dal profondo dell'anima e si irradia su una terra luminosa di nevi, montagne e laghi ove tutti seppur diversi costituiscono un unico popolo
@francescosaveriocirillo56354 ай бұрын
❤
@user-qb5lo2uo3j7 ай бұрын
355
@hoglkarl9 ай бұрын
Live long and prosper!
@RolandComerSee10 ай бұрын
klasse 😊
@m.a.833511 ай бұрын
Wunderschön! Jetzt noch eine Version mit Jazzstimme wäre auch toll... es gibt diesbezüglich nichts Schlaues...
@allegriach11 ай бұрын
Sehr schöner Flugspot, sehr schön umgesetzt; Mein Kompliment!
@BorLumiere11 ай бұрын
Herzlichen Dank! 👍
@mariomondragon729521 күн бұрын
Buenas noches espero que me puedan comprender espero o si no apriétale introducir en qué país es eso saludos y buenas noches desde México
@EpicMLMoments11 ай бұрын
Magnífico 👍🎧🌿
@ruzickaw11 ай бұрын
kaum zu glauben
@ruzickaw Жыл бұрын
brav vorgetragen
@Bloodsplash Жыл бұрын
Wunderschön vorgetragen und grandios übersetzt! 100 Punkte 😊 du hast die schwermütige Melancholie hervorragend eingefangen.
@BorLumiere Жыл бұрын
Herzlichen Dank!
@lyna5151 Жыл бұрын
Toll, ich war da, ist aber in echt nicht so toll, wie ich mir das vorher vorgestellt habe. Trotzdem sehenswert.
@ritastockmar9467 Жыл бұрын
Das Musikstück zeigt welchen Einfluss eine Landschaft auf eine Komposition hat.
@christi4420 Жыл бұрын
Completttt
@Foto-PoesieUndMusik Жыл бұрын
Berührend schön. Von Herzen mein Dank lieber Borys.. Liebe Abendgrüsse aus Basel, Hans-Peter
@Foto-PoesieUndMusik Жыл бұрын
Wow, so, so wunderschön und fantastisch. Danke vielmals liebe Borys... Herzlichst aus Basel, Hans-Peter
@Foto-PoesieUndMusik Жыл бұрын
Wow, so GREAT
@Foto-PoesieUndMusik Жыл бұрын
WOW, GROSSARTIG UND GRANDIOS.... Danke vielmals... Herzlichst aus Basel, Hans-Peter
@Foto-PoesieUndMusik Жыл бұрын
Oh, so, so wunderschön und berührend. Von Herzen mein Dank... Liebe Abendgrüsse aus Basel, Hans-Peter
@Foto-PoesieUndMusik Жыл бұрын
Oh, so, so wunderschön. Ein grosses BRAVOOOOO... Liebe Abendgrüsse aus Basel, Hans-Peter
@Foto-PoesieUndMusik Жыл бұрын
Oh ist das schöööön. Wow, so GREAT, fantastic and so wonderful, danke vielmals... Liebe Abendgrüsse aus Basel, Hans-Peter
@BorLumiere Жыл бұрын
Danggschenvilmol! 🙂 Ich habe einige Jahre in Basel gelebt und habe es sehr genossen in dieser schönen Stadt!
@Foto-PoesieUndMusik Жыл бұрын
@@BorLumiere 💖🙏 ich danke Dir. Ja, es gibt sie noch, die schönen, idyllischen. Winkel und Gässchen...
@Foto-PoesieUndMusik Жыл бұрын
Oh, so, so wunderschön, eine traumhafte Interpretation... Von Herzen vielen Dank... Liebe Abendgrüsse und ein Abo aus Basel... Herzlichst, Hans-Peter
@SickNick1998 Жыл бұрын
So… How do you know, 435 Hz was the “original tuning/pitch-hight” at the time when Ludwig van Beethoven lived? The Pitch of 435 Hz (better: 870 single-beatings) was well-defined in the late 19th century at the Vienna Congress - more than 50 years after Beethoven’s death. Before this definition there wasn’t a specified pitch-hight. It was all about 392 and 415 Hz. So, it was all about a semitone --- or more --- lower. That’s the reason, why the “Ode an die Freude” or “Die Arie der Königin der Nacht“ (Mozart) is quite too high for the artitst in our time. If they had composed at a pitch nearly 435 Hz, the passages weren’t as high as they are today. And towards to this consideration it could be possible that “Ode an die Freude” (9th Symphony) would have been composed a coarse-tone lower (c minor, orig: d-minor). The composers did not have the intention to torture the singers/artists. And often the Symphony is -- because of this torture -- performed at least a semitone lower - following the approach of the historical pitch-high; far, far away from 435 Hz. And not only the pitch-hight is important - but the kind of tuning an instrument, espc. a piano. Beethoven didn’t play in an equal temperament, we know today. It was tempered, yes: well-tempered, but not equal. Beethoven’s main-temperament was the Valotti-Tuning. So: If you’ll pitch your Digital-Piano to 415 or about 392 Hz and if you are able to adjust your DP to another (esp. historic) tuning (like Valotti, Werckmeister, Kirnberger, Neidhardt etc.), then you are quite nearer to Beethoven than with this performance. Your performance is great, but it is not - in anyway - near to the time when Beethoven lived. Many greetings.
@BorLumiere Жыл бұрын
Kennst du diesen Artikel schon? Bestätigt zumindest das, was ich mir über Chopin gemerkt hatte, Beethoven not so much: www.mozartpiano.com/articles/pitch.php
@SickNick1998 Жыл бұрын
@@BorLumiere Lese ich die Tage mal durch. Ich freue mich immer über neuen Input, über meine "Tellerrand" hinausguckem zu können.
@akselikehusmaa2649 Жыл бұрын
Never thought this could sound that beautiful... such a sweet, etheric and eerie atmosphere, all at once!
@BorLumiere Жыл бұрын
That's really kind of you, thanks a lot! The difference is: the original here is still played by a real person and not some mechanical, robotic MIDI-versions you might have heard before in this context.
@cassius_eu5970 Жыл бұрын
Sehr schön! Welche Hintergrundmusik verwenden Sie?
@BorLumiere Жыл бұрын
Danke, die Musik hatte ich am Keyboard selbst improvisiert.
@Matthew-re9pb Жыл бұрын
This is latin?
@BorLumiere Жыл бұрын
sic est 😉
@Picapiedras144 Жыл бұрын
Love this!
@DroneGrapher Жыл бұрын
Sehr tolle Aufnahmen, der Hetbst ist da besonders schön. Dafür Like und Abo, freu mich auf mehr. Hab auch ein Herbstvideo gemacht, schau gerne mal rein. Gruß Jörg
@camilalisi373 Жыл бұрын
Seus olhos são como o céu estrelado com um toque de solidão... ~Juscy eerie~
@charlesodonnell2993 Жыл бұрын
Beautiful poem that I want as an epitaph for myself.
@danielamesserschmidt2997 Жыл бұрын
Ein wunderschönes Gedicht und sehr schön vorgetragen!
@barbaraliechti35992 жыл бұрын
Super
@karinliane5472 жыл бұрын
Blumig ~ flauschig ~ zart Ich blühe im Verborgenen ~ Es kann niemand mir das Stänglein brechen ~ ausser es wäre ein Hase 🛬🏔🛬
@1775red2 жыл бұрын
This piano piece was composed by Korean composer Ji Su-hyun to commemorate the death of Pasha Lee, who was killed in Russian bombing. May the war in Ukraine end soon and peace will come! kzfaq.info/get/bejne/mJZnZdxmltqocpc.html.....
@allegriach2 жыл бұрын
A lot of things fits together in your footage. A very good measure if good or not is the feedback if someone skipped some parts or not. At the end I just wanted to look how near the end is. Well done!
@HansDunkelberg12 жыл бұрын
Altogether quite nice, but you have a shameful e-Schwa in the "den" of "mit allen den Wuerzlein". Also if the G of "Aeuglein" really should be voiced I'm not so sure. After all, here the voiced G sounds quite acceptable.
@BorLumiere2 жыл бұрын
Danke für dein ausführliches Feedback. Schwa: Möglich, dass da mein Schweizerdeutsch etwas durchgedrungen ist, das benutzen wir im Dialekt sehr häufig. Allerdings darf man "den" hier auch nicht zu stark betonen, sonst klingt es schnell nach einem Demonstrativpronomen, in diesem Fall finde ich es legitim, wenn die beiden "e" in "allen den" etwa gleich klingen. Äuglein: Ich wüsste nicht, wie man das g auf Standarddeutsch anders aussprechen sollte. Es ist ja nicht wie bei "König" oder "ewig", wo man gemäss Bühnendeutschregeln dieses g am Ende auch als [ç] sprechen kann (aber nicht muss). Danke jedenfalls, dass du dir Zeit genommen hast und so genau hingehört hast.
@HansDunkelberg12 жыл бұрын
@@BorLumiere It anyway sounds great with that e-Schwa, just a little as if a bilious-green blotch had emerged on some painting by Rembrandt. A poem set in a wood can easily allow for such a rural facet. Goethe himself seems to have pronounced many things rather like demanded by his native, Hessian dialect, so that you now don't obtain a proper rhyme when Margarete craves "Ach neige, / Du Schmerzensreiche, / Dein Antlitz gnaedig meiner Not!", between the "neige" and "Schmerzensreiche". He even writes _Maedchen_ as _Maedgen,_ so that you can draw a corresponding conclusion from it. Goethe allegedly has written the poem for the 25th jubilee of the day on which he had met Christiane Vulpius. The latter throughout her life has battled with orthography, so she likewise will have battled with pronunciation. But I wonder if it fits when a minister who returns from a cosmopolitan tour through Italy so bluntly takes over traits of a young maiden he adores in a poem, and on top of that only _one, erratic time_ in a poem. To assure a recipient of a trait being a deliberate artifice, the artifice generally will have to occur more often. That somebody should understand a properly pronounced article of _den_ as a demonstrative pronoun, there, would constitute entirely his own problem. The sentence contains no corresponding attribute. Goethe simply says "Wuerzlein", without additionally specifying whatever sort of them was meant. The _den_ also lies on an unstressed syllable, so that I really do not understand what an ambivalence you might be referring to. Concerning the G in _Aeuglein,_ voicedness to me suggests a membership of the sound in a complex comprising _-glein._ Irrespective of the possibility to say a [ç] in the end of _Koenig_ or of _ewig,_ you'd certainly never _voice_ one of the latter Gs. The same should apply to the G of the shortened _Aug'_ version of _Auge,_ of which _Aeuglein_ is a diminutive. _Aeuglein_ here appears as a plural so that it can feel tempting to derive a voicedness of its G from the one of the G in _Augen._ Still, I do not perceive _Aeuglein_ as a diminutive of _Augen_ so much and rather as a plural of a diminutive _Aeuglein_ of _Aug'._ And however this might be, my feeling at least longs for a terminal devoicing in the end of _any_ syllable with a corresponding candidate consonant.
@HansDunkelberg12 жыл бұрын
@@BorLumiere Oh, don't be too impressed when someone is intelligent enough to learn a thing or two, in the knowledge about how much money he uses up as a student of German language and literature while others are starving! I'm a creator of own fiction, meanwhile, after having dropped out of university nevertheless, because of certain difficulties. The difficulties have largely resulted from an unusually early reading also about other fields, which has put me into a moral conflict others, quite obviously, could not imagine. Apart from currently creating a novel on measures taken by people from the Solar System and by others on an invented planet of Altair on which an early-Christian-type sect is persecuted, I'm also still continuing investigations into similarities between historic figures I have begun to systematically conduct around a decade ago. Goethe, as you may have heard, has resembled Gerhart Hauptmann so much that Hauptmann was generally known in the 1920s as a (perceived) reincarnation of him. I compare such candidates biometrically, in the widest sense of the word. A recent find I've made on such a basis are parallels between Johann Peter Eckermann and Hauptmann's friend and secretary Erhart Kaestner. If you look into the subject a little, it will be easy for you to recognize how fruitful it is and hence, to understand how a dead poet of the 18th century can still fascinate me, as well as where much even of the official interest in him originally comes from. A trait I admire with you is your ability to give up a standpoint.