Infinitas gracias por compartir esta maravillosa versión.
@XPRT10R6 күн бұрын
10 times more assured than just three previous year, in the same venue. Better conducting too.
@Gabriel-hs9mv6 күн бұрын
51:54 to 52:08 is pure passion, unheard of from any other artist
@moistlaugh8 күн бұрын
Thank you for sharing such a wonderful recording.
@tutankamon19759 күн бұрын
Callas 51 is the imposible being posible.
@partituravid11 күн бұрын
Thank you for this! I have always shied away from this recording, though I love Callas, and worked with Rescigno for years at the Dallas Opera. I normally can listen to a less-than-perfect acoustic recording, but there's something about the majesty of the drama, and of Callas' characterization, that made me not want to listen to an acoustically 'corrupt' recording, even for the excitement of the live occasion. THIS IS GREAT!!!!!
@Duquedecastro13 күн бұрын
Viva Callas!! Viva México!!
@deloor17116 күн бұрын
This is the great artist and woman Maria Callas. 💯
@josedomingosgiffonirosa836217 күн бұрын
Callas sempre arrebata e marca de forma indiscutível tudo o que canta. Única. Perfeita e, até hoje e para sempre, insuperável. Ninguém, antes, durante ou depois chegou perto de suas memorav6 performances. Callas é Eterna.
@paullewis241318 күн бұрын
Wow, what a cast. Callas, Vickers, Carlyle, Zaccaria, Cossotto, Rescigno conducting. Maria’s middle register is a phenomenon, totally unique. Try matching that today 😊
@partituravid11 күн бұрын
Indeed. I would have sat to listen them sing Dido + Aeneas.
@faridharfouche293919 күн бұрын
Belle musique elle nous aide pour la journée
@JackAka-le8cz22 күн бұрын
Thank you so so much for this.
@brunopicaude309226 күн бұрын
C'est cette ambiance électrisante qui manque cruellement aux représentations d'opéra actuelles qui, en comparaison, sont souvent bien fades.
@gaynomadic28 күн бұрын
Has anyone ever done this better than Callas? I listen over and over again and I just don’t think it’s possible.
@gaynomadic16 күн бұрын
It’s not possible. Maria herself was almost incredulous that it was so perfect.
@Orfeus8028 күн бұрын
Callas in one of her best roles, no artificial sounds, just easy singing and melancholic interpretation.
@der_Allsehende_Seher28 күн бұрын
There were other beautiful women; there were nearly perfect voices. They all pale in comparison to Maria Callas: the Lady and the Art! She BECAME the roles she sang: Norma, cutting the sacred Mistletoe with the Athamé, leading her congregation of Druids in devotion to the Casta Diva, chaste goddess, the moon; Lucia the bride of Lammermoore; the exotic, ethereal Lakmé of the India of legend, or the Princess Aïda! Rest in peace, beautiful, unforgettable Maria Callas, best Daughter of Greece via the USA. You are dearly missed.❤
@user-fw3el4gr3o29 күн бұрын
Maria sempre será o meu ídolo e a minha heroína! Pela sua voz fabulosa e única e pela sua vida sem amor mas que muito amou e desejou ser amada!
@alessandrocarpi989829 күн бұрын
Thanks to "La Divina" Callas,Medea is a Masterpiece.
@Chichen-fh2bwАй бұрын
ME EMOCIONA MUCHISIMO!
@alainanticoli5785Ай бұрын
And the winner is ... Maria Callas!
@ritagirometta2438Ай бұрын
Voce metallica ?Si se si intende dire Oro Puro ❤❤❤ mai nessuna come Lei e mai più 😢😢
@mariangelacatto1460Ай бұрын
Da pelle d'oca
@RikVermont8Ай бұрын
Incredible! This is what opera should be. Thanks for posting this.
@user-ho2wq6dj7nАй бұрын
Спасибо, что не стали сильно чистить от щелчков. Звук классный прозрачный.
@AWS2210Ай бұрын
Callas, as always, at its best!!
@burkestephens2862Ай бұрын
Callas- a force of nature, no wonder people were cheering! The sheer energy and power of her voice, the emotion in it, the perfect match to Verdi’s score.
@user-fw3el4gr3oАй бұрын
Maria Callas foi um milagre produzido pela Natureza.Na sua breve passagem sobre a Terra, nunca poderia ser compreendida por ninguém.Nao houve tempo para que se pudesse entender uma tão grande excelência!❤❤❤❤❤❤❤❤❤🇵🇹
@rosekokose2031Ай бұрын
❤❤❤😊😊😊🎉🎉🎉
@kurtgarmaker3719Ай бұрын
I love this recording. I do not like the 1953 recording of a live performance .. i hate bernsteins conducting
@giannagloriamanetti8795Ай бұрын
Una illusione sostenuta da chi voleva dire cose non vere
@ivelinanikolova9457Ай бұрын
Sublime!❤
@tsquare076Ай бұрын
It's probably true that Callas could produce quite a lot of sound early on, judging by statements of her colleaues. But I'm of the opinion that her voice is not a natural dramatic soprano in the vein of Nilsson, Varnay or Flagstad but rather a higher tessitura voice that was exceptionally well-produced. Bel canto and higher repertoire lie more naturally in her voice. I always have the feeling that Callas had to force the middle voice a little bit to sing heavier roles, but people might not agree with me on that. Whatever the true fach of her voice is, she has that transcendental musicianship that I haven't heard in anybody else. There are certain phrases that Callas made her own and when I listen to them, I don't think they could ever be done any better.
@stefanodepeppoАй бұрын
Great job! By the way, the "Son geloso" final high note is a high C. In 1955 Callas was slightly sharp.
@user-fw3el4gr3oАй бұрын
A estrela celestial em que Maria Callas se tornou, brilha mais e mais a cada dia que passa!❤❤❤❤❤❤❤❤❤❤🇵🇹
@user-fw3el4gr3oАй бұрын
Maria Callas será para sempre um marco na história da arte operística ❤❤❤❤❤❤❤❤❤🇵🇹
@user-fw3el4gr3oАй бұрын
Se o timbr da voz de Callas não é o mais bonito, contudo é o unico que me fala ao coracao!E sim, é lindo e penetrante. Callas sempre será a minha rainha!A Divina!
@eliaskounelisАй бұрын
Eternamente Maria Callas...!!! Diva Assoluta Eterna...!!! La Unica Divina Greca...!!! 🎼🎵🎶🎵🎶🎵🎶🎵🎶🎵 👏👏👏👏👏👏👏👏👏👏 ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
@user-vm3nr1dd8yАй бұрын
Ευγνώμονες για το εξαιρετικά περιληπτικο βίντεο! Από Αθήνα Ελλαδα
@art7695Ай бұрын
She has been the best singer of her time and till now she remains the best. Others can have a more beautiful voice, better agility.... but she is the character she sings. The emotion I get every time hearing Callas cannot be compared in hearing nobodyelse
@elisasartori6581Ай бұрын
Qui la sua VOCE è perfetta è musica canto interpretazione.
@veramayer9571Ай бұрын
We can only be grateful that such immense talent was shared with us.
@davidmolina7543Ай бұрын
Callas truly, was an operatic monster.
@pointofnoreturn3103Ай бұрын
She was a miracle. She had so much musicianship! I have often thought that if I could only listen to one singer for the rest of my life, it would be her! Does anyone else think that she was too hard on herself about her weight? I think that prior to her weight loss, she was statuesque. There is nothing wrong with going with your own natural body type. Just my opinion... Thanks for making this video! I am looking forward to the next part! Susan
@veramayer9571Ай бұрын
Agreed - on every point. She craved love and acceptance, and while I believe she never doubted her worth as an artist, she was insecure as a human being. To her great misfortune, she didn't have the right person in her corner, someone who could give her the unconditional love she deserved.
@veramayer9571Ай бұрын
Though of course even then her perfectionism may have pushed her in the same direction, if she truly felt losing weight would give her more tools as an actress.
@pointofnoreturn3103Ай бұрын
@@veramayer9571 It is sad. I wish that she could have met her soulmate! She had a lot of love to give! You would only have to hear her sing one note to know this with every fiber of your being! *sad smile*
@pointofnoreturn3103Ай бұрын
@@veramayer9571 I suppose that back in the 1950's there was a lot of pressure on women to measure up to impossible standards of beauty, as there is now. Me and my husband have 11 year old twins! Sometimes Baby Girl asks me if a certain outfit makes her look fat. I tell her the truth. She is absolutely beautiful the way that she is!
@TedATL14 күн бұрын
Who can blame her for wanting to be beautiful and glamorous. Giulini said when he first saw her after the weight loss, he didnt recognize her. Not just because of the weight but because, as he said, she was "another woman." She did it through sheer willpower, like everything else she did. And she did indeed make herself the most glamorous woman in opera. To add to all her other attributes.
@pedrotorreslaureda1134Ай бұрын
Topo. lo mas sublime del arte musical es la voz de María Callas.
@asklepios6780Ай бұрын
Remarquable et élégant ! Bravo Merci
@stefanodepeppoАй бұрын
Great job! Very well put together for everybody, especially for who is no SO familiar with her as we are :)
@yuehchopinАй бұрын
Diese schöne Goldene Zeit ist vergehen
@MrQbenDannyАй бұрын
Maria had great art, but she also had CRAFT.. She was a great student, according to De HIDALGO, who created the blueprint for her fame, resurrecting the Bellini masterpieces plus the others known on this forum. She reinvented how to sing grand opera and knew how hit with abundant luxury the tour de force notes. You can't have art without Craft. La CALLAS had both. The fat years in Mexico and Brazil were her feast days. Thank God and SERAFIN for everything we enjoy together today. I'm looking forward to seeing part 2!!! Thank you.
@TedATL14 күн бұрын
De Hidalgo said Maria --- then 14 or 15 --- would attend all the lessons for all the OTHER students as well as her own.
@davidanne4518Ай бұрын
Hi! Where can I get the full performance? Also, have you restored any other that you consider must haves? Like the 55 Traviata? :)
@KajiVocalsАй бұрын
Maria's high E-flat in Aida isn't so penetrating because of the volume of the note. Purely acoustical reasons. It is loud of course, as any ful head note will be up there but it is not why it rings out as well as it does.
@stefanodepeppoАй бұрын
And what would the reason be, according to you?
@KajiVocalsАй бұрын
@@stefanodepeppo The acoustic strategy. The volume actually does not matter all that much in regard to operatic projection. It is entirely possible to be extremely loud in terms of sheer volume of the voice yet not be audible past the first few rows properly. The so-called squillo is an acoustic strategy in how you adjust your harmonics and formants. In terms of Maria and her squillo. Her utilising as much twang (narrowing of the aryepiglottic sphincter) as she did in the higher range, her vowels and simply the height of the note were what made the note so large. This isn’t uncommon live to be honest above high D. I regularly see opera live and people who actually have a very balanced technique for their high end tend to have this effect on the very top. Except most people use less twang and rounden their vowels more in the higher range. Callas’ use of her vowels is what made her sound almost ‘brassy’ in the upper end.
@TedATL14 күн бұрын
@@KajiVocals Well, that is impressively technical. But I would just say, as have others, that she had a naturally heavy voice, but unlike most others with heavy voices she also had great range and agility, partially through ferocious practice and discipline.