Simply wonderful, ran it three times.

Great music but why, oh why, those distracting and unrelated photo's of scantily clad ladies. Erken also finds this necessary - grow up for God's sake! I best turn this off and play my own copy of the Victor.

Love the dress, LOVE the shoes.

Thank you 😊!

The composers of the song look to be Dean Kincaide and Gil Rodin. The song was arranged by Glenn Miller and Dean Kincaide. Charlie Spivak and Eddie Miller and Ray Bauduc. It is an all-star line-up. Frank Tenille was the father of Toni Tenille of The Captain and Tenille fame. This orchestra did morph into the Bob Crosby Orchestra.

Great side an video - except I prefer to just see the label, not other unrelated stuff which only distracts from the music.

Very good and swinging!

Joe Haymes - 👍 📢🥇

❤❤❤❤😊

❤❤❤❤😊

❤❤❤❤❤😊

❤❤❤❤😊

Very good music and fantastic photos! Thank you! But what has Rudy Vallee to do with it? He was not even singing.....

The music is so sweet.

@11 seconds = Joan Bennett, as are all the other photos

That's "simple?"!

Great and rare recording by the early Goodman band but what are the unrelated and distracting photos of Glenda Farrell (who she??) in aid of???

Visuals: Grace Bradley (1913-2010)

Is this your work? It sounds excellent!

Most enjoyable!

Vibes are amazing! Never heard anything like it!

Roy Fox great British band. Later, sophisticated dance band.

How do you mix your music? Sounds like dynamite!

Great!!Is It possibile tò know the personnel?thank you!

Awesome side . I love the force the band puts out here .

Good music and wonderful photos! Who are the girls?

Astonishing trumpet playing..Love that muscular style

Steaming, boiling, stomping away …. Yeeehaaa 🎶🎵😘

Holy Moly - what a hot sh*t 🎶🎵🎶🥰🥰🥰

The clarity is amazing. Back when most people were thin!

According to Tom Lord’s discography, Hayton is on piano.

Wasn't Lennie Hayton with Whiteman then?

The Pepper Dance looks like rubbish to my eyes at least

Not bad for an acoustical recording!

There's that HOT syncopation that I'm utterly addicted to! Hey, you modern dimwits, don't judge....I just had to get my daily fix_that's all_! And how! Don't Stop The Music! = } hat's off, Bluebird37!💖

Now that's what I'm talking 'bout.... Let's grt the party going!

Ann Pennington. Born Anna Rebecca Pennington December 23, 1893 Wilmington, Delaware, U.S. Died November 4, 1971 (aged 77) New York City, U.S. Resting place Kensico Cemetery, Westchester County, New York City Other names PennyTiny Occupation Actress Years active 1911-1943 Height 4 ft 10 in (147 cm) Anna Pennington (December 23, 1893 - November 4, 1971) was an American actress, dancer, and singer who starred on Broadway in the 1910s and 1920s, notably in the Ziegfeld Follies and George White's Scandals. Early life Pennington was born in Wilmington, Delaware, on December 23, 1893, to John I. Pennington and his wife, Mary (Reeder) Pennington.[1] Early career There are differing accounts of Pennington's early career. She reportedly studied at Professor Walter G. Wroe's dance school in Philadelphia and performed in popular theaters as part of Wroe's Buds. She later studied with Caroline Littlefield and her daughter, future ballerina Catherine Littlefield, and became part of the Littlefield's dance group. It is said she was dancing with this group when Florenz Ziegfeld, Jr. recruited her for a Broadway show in 1911.[2] [3] In 1910, Pennington reportedly performed as part of the De Haven Sextet (composed of "the celebrated comedian Sydney Gibson and six young and pretty girls") at a Camden, NJ, theater.[4] The De Haven Sextet (with Pennington) performed on Broadway at Proctor's Theatre[disambiguation needed] in February 1911;[5] the group was on a national tour during 1910-1911.[6] Pennington's first press mention in connection with The Red Widow was in 1912.[7] Her first press mention associated with Ziegfeld was on May 31, 1913, announcing her casting in Ziegfeld Follies of 1913.[8] Broadway stardom Pennington achieved stardom in the Ziegfeld Follies of 1913 through her dancing, as well as her beauty, lively charm, and "dimpled knees." She tapped, did high kicks, and shook while doing classic tap and novelty dances.[9] She first introduced the Black Bottom in the 1926 edition of George White's Scandals. Her performance launched an international craze that quickly rivaled that of the Charleston. There is no consensus about the dance's origins, but some version of it existed before Pennington made it famous.[10] Pennington starred in the Ziegfeld Follies for many years and also headlined for George White's Scandals for several years. She had other roles on Broadway, including Miss 1917, The New Yorkers, and Everybody's Welcome. Her last Broadway credit was The Student Prince in 1943.[11] In summing up her career, one critic declared that "Pennington was the greatest of the solo female stage dancers who came to prominence in the Broadway revues of the 1910s and '20s."[12] Motion pictures Pennington appeared in over twenty films, from Susie Snowflake in 1916 to China Girl in 1943. While Pennington was already famous for her Broadway performances, Susie Snowflake succeeded in introducing her to a nationwide audience. Shannon Fife wrote the film to showcase her dancing and acting talents. The film received mostly positive reviews.[13] Singing Pennington often added songs to her dance routines. One of the highlights of the Ziegfeld Follies of 1914 was her song and dance routine Tango-Palace.[14] In her first talking film, Tanned Legs, she sang and danced You're Responsible with Allen Kearns.[15] Two recordings of her singing are notably available: Gold Diggers of Broadway with Nancy Welford, Conway Tearle, Winnie Lightner, and Nick Lucas, Lost Films-Trailers From The First Years Of Sound, Take-Two records, 1984] Samoa with Ted Lewis and his band, Columbia, 1929 Personal life While Pennington had several romances, she never married.[16] Later years Pennington kept performing later in life. At the age of 42, she appeared in George Jessel's Old New York show for the 1939 World's Fair,[17] But as years passed, her age became increasingly an issue. In 1946, she told a reporter that she was still dancing at age 53. He wrote, "Imagine Ann Pennington being 53! Oh, time, why do you march on the way you do? You're breaking my heart!"[18] In her final years, Pennington lived in poverty in New York City. She frequently visited local race tracks and spent any money she could acquire through loans or infrequent club performances. She became a familiar but unfortunate presence in the lobby of the Times Square Hotel and at the Horn & Hardart automat, often seen sitting alone with a cup of coffee.

This song is so underrated it’s better than like 90% pop music but it doesn’t even come up when you search it up

Ah, old music and old radios, two things so great.

What great photos. Music was nice too.

Have this one on my playlist!😁 Great one! Beautiful pictures too Bluebird37. Mentioning Miff Mole, I LOVE his version of, "Delirium"💖

Totally amazing "radio-photos"! What a fantastic picture quality"! And a very nice tune, too! Thank you!

Nice

Back when a radio was a piece of furniture.

Can we trace some local city fight here?

VHS copy?

Say, that sounds pretty good!

You Americans are lucky! Wish the British would do the same with restoration.