"Sous le ciel de Paris" is a celebrated French song that beautifully captures the essence of Paris through its poetic and emotional lyrics. The song was originally composed by Hubert Giraud, with lyrics by Jean Dréjac, for the 1951 film of the same name directed by Julien Duvivier. Although it was initially performed by Jean Bretonnière for the film, Édith Piaf's rendition in 1954 became one of the most iconic versions, solidifying her connection to the song and its themes. For Édith Piaf, "Sous le ciel de Paris" was more than just a song; it was a lyrical love letter to the city she adored and called home. Paris was not only the backdrop of Piaf's life but also a significant character in her journey as an artist. The city's vibrancy, romance, and sometimes melancholy spirit mirrored Piaf's own life experiences. Performing this song allowed Piaf to express her deep affection for Paris and its people, capturing the city's unique blend of joy and sorrow. At the time Piaf recorded "Sous le ciel de Paris," she was already an established star, known for her powerful voice and emotive performances. This period in her life was marked by professional success but also personal challenges. The song's themes of love, resilience, and the beauty of everyday life in Paris resonated deeply with Piaf, who often sang about love and loss. The lyrics of "Sous le ciel de Paris" depict various scenes of Parisian life, from lovers walking under the sky to the river Seine flowing joyously. The song personifies the sky, attributing emotions to it, such as happiness, sadness, and jealousy, much like Piaf's own expressive style. The song concludes with a message of hope and renewal, symbolized by the offering of a rainbow, reflecting Piaf's belief in the enduring spirit of Paris. Piaf's rendition of "Sous le ciel de Paris" remains a timeless tribute to the City of Lights. It has been covered by numerous artists and continues to be a beloved anthem that evokes the charm and romance of Paris. For Piaf, this song was a testament to her deep bond with the city and its people, making it an integral part of her musical legacy. References: 1. [French Learner](www.frenchlearner.com/songs/sous-le-ciel-de-paris-lyrics-meaning-translation/) 2. [French Moments](frenchmoments.eu/sous-le-ciel-de-paris-the-story-of-the-song/) 3. [My Chanson Française](www.mychansonfrancaise.com/edith-piaf-sous-le-ciel-de-paris) 4. [Radio Call Me Fred](radio.callmefred.com/en/sous-le-ciel-de-paris-edith-piaf/)

"Sous le ciel de Paris" ("Under the Sky of Paris") is a celebrated French song first recorded for the 1951 film of the same name, directed by Julien Duvivier. The music was composed by Hubert Giraud, and the lyrics were written by Jean Dréjac. The song was initially performed in the film by Jean Bretonnière and has since been covered by numerous artists, including Juliette Gréco and Yves Montand. Édith Piaf's iconic version was recorded in 1954. The song is a vivid ode to the city of Paris, capturing its various facets through poetic imagery and emotional depth. It portrays Paris as a place where love, dreams, and life's hardships intermingle under the expansive Parisian sky. The lyrics speak to the joy, beauty, and romance of Paris, while also touching on the city's secrets and complexities. The song depicts lovers walking under the Paris sky, symbolizing the city as a backdrop to countless romantic stories. Their happiness is intertwined with the city's charm and ambiance. References to a philosopher under the Bercy bridge and musicians playing, highlight Paris as a center of cultural and intellectual activity. The song juxtaposes the city's beauty with its hardships, describing how the Seine River serves as a lullaby for the homeless at night, emphasizing the city's dual nature of splendor and struggle. "Sous le ciel de Paris" personifies the Parisian sky, attributing emotions to it, such as joy in good weather and melancholy when it rains. The sky is depicted as being deeply connected to the city, expressing moods that mirror the experiences of Paris' residents and visitors. The song concludes on an optimistic note, suggesting that even after moments of darkness, the sky (and Paris) offers beauty and hope in the form of a rainbow. Since its creation, "Sous le ciel de Paris" has become an enduring symbol of Paris. Its poetic lyrics and evocative melody have made it a beloved classic, frequently performed by artists worldwide. The song's enduring popularity underscores its ability to capture the essence of Parisian life and its emotional resonance for both residents and visitors. Source: 1. [French Learner](www.frenchlearner.com/songs/sous-le-ciel-de-paris-lyrics-meaning-translation/) 2. [Wikipedia](en.wikipedia.org/wiki/Sous_le_ciel_de_Paris) 3. [French Moments](frenchmoments.eu/sous-le-ciel-de-paris-the-story-of-the-song/) 4. [My Chanson Française](www.mychansonfrancaise.com/edith-piaf-sous-le-ciel-de-paris)

I think one of the words you said in French was "chanter". "Chanter" means to sing, " En chantant" means singing, but there are past tenses of these words as well. A singer (woman) is "chanteuse". She had a beautiful voice!

"Hymne à l'amour" is one of Édith Piaf's most famous songs, released in 1950. The song was written as a heartfelt tribute to her lover, Marcel Cerdan, a famous French boxer. Piaf and Cerdan met in 1947 and quickly fell deeply in love, despite Cerdan being married with children. Their passionate relationship faced a tragic turn when Cerdan died in a plane crash on October 28, 1949, while traveling to New York to see Piaf. This period in Piaf's life was marked by profound grief and loss. Cerdan's sudden death left Piaf devastated, and she channeled her sorrow into her music. "Hymne à l'amour" was born out of this intense emotional turmoil. The lyrics reflect Piaf's deep love and the immense pain she felt after losing Cerdan. The song encapsulates themes of unconditional love, loss, and longing, portraying her willingness to give up everything for her beloved. The song begins with a stark metaphor for the fragility of life: "Le ciel bleu sur nous peut s’effondrer" ("The blue sky above can collapse on us"). Piaf uses this imagery to convey the unpredictable nature of fate and her feeling of helplessness. Throughout the song, she expresses a love so profound that she would sacrifice anything, including her life, to be with Cerdan again. The line "Je donnerais ma vie pour qu’il revienne" ("I would give my life for him to come back") highlights the depth of her devotion and despair. Musically, the song was composed by Marguerite Monnot, a close collaborator of Piaf. The orchestration, arranged by Albert Lasry, enhances the emotional weight of the lyrics. The melody complements Piaf's vocal performance, which is filled with raw emotion and power, making "Hymne à l'amour" a deeply moving piece that resonates with listeners. Over the years, "Hymne à l'amour" has become a symbol of enduring love and heartbreak. It has been covered by numerous artists and remains a beloved classic in French music. The song's legacy is a testament to Piaf's ability to transform personal pain into universally relatable art. In 2015, following the terrorist attacks in Paris, the song was performed during a memorial service, highlighting its enduring emotional and cultural significance. Source: 1. [Old-time Music](oldtimemusic.com/the-meaning-behind-the-song-hymne-a-lamour-by-edith-piaf/) 2. [Wikipedia](en.wikipedia.org/wiki/Hymne_à_l%27amour) 3. [Radio Call Me Fred](radio.callmefred.com/en/hymne-a-lamour-edith-piaf/) 4. [Songtell](www.songtell.com/dith-piaf/hymne-l-amour)

"Hymne à l'amour" is a poignant French song performed by Édith Piaf, released in 1950. The lyrics were penned by Piaf herself, while the music was composed by Marguerite Monnot. This song holds a deep personal significance for Piaf, as it was written as a tribute to her lover, Marcel Cerdan, a celebrated boxer who tragically died in a plane crash in 1949 while flying to visit her in New York. The song's lyrics convey a profound message of unconditional love and devotion. Piaf expresses that she would give up everything for her beloved, illustrating the depth of her feelings with lines about abandoning her country, friends, and even her own life if necessary. The recurring theme throughout the song is that true love can withstand any adversity and remains unshaken by the world's chaos and destruction. Musically, "Hymne à l'amour" is a ballad characterized by its emotive melody and Piaf's powerful vocal delivery. The orchestration, arranged by Albert Lasry, complements the lyrical intensity, creating a deeply moving piece that resonates with listeners. The song's composition was reportedly inspired by the lied "Frühlingsnacht" by Robert Schumann. Since its release, "Hymne à l'amour" has become one of Piaf's most iconic songs, covered by numerous artists including Celine Dion and Jeff Buckley. Its emotional depth and universal themes of love and loss have made it a timeless classic. The song's legacy extends beyond music; for instance, it was notably performed during a memorial service for the victims of the 2015 Paris terrorist attacks, symbolizing resilience and unity in the face of tragedy. "Hymne à l'amour" stands as a testament to Édith Piaf's enduring talent and her ability to channel personal grief into a universally relatable anthem of love. Its continued relevance and emotional power underscore its status as a masterpiece of French chanson. Source: 1. [Old-time Music](oldtimemusic.com/the-meaning-behind-the-song-hymne-a-lamour-by-edith-piaf/) 2. [Wikipedia](en.wikipedia.org/wiki/Hymne_à_l%27amour) 3. [Radio Call Me Fred](radio.callmefred.com/en/hymne-a-lamour-edith-piaf/) 4. [Songtell](www.songtell.com/dith-piaf/hymne-l-amour)

Édith Piaf, also known as "La Môme Piaf" (The Little Sparrow), wrote "La Vie en rose" during a significant period in her life. The song emerged in 1945, shortly after World War II, at a time when France, like much of the world, was recovering from the war's devastation. Piaf, known for her deeply emotional and often autobiographical songs, found herself in a moment of personal happiness and romantic fulfillment, which greatly influenced the creation of this song. The inspiration behind "La Vie en rose" is often attributed to Piaf's relationship with Marcel Cerdan, a French middleweight boxing champion.Their romance was passionate and intense, providing Piaf with a profound sense of love and happiness. This relationship played a crucial role in the development of the song's lyrics and emotional tone. Piaf's life was marked by hardship, including a tumultuous childhood, personal losses, and struggles with health. Despite these challenges, her romance with Cerdan brought her a sense of joy and hope, which she sought to capture in the song. "La Vie en rose" represents a stark contrast to the pain she often experienced, symbolizing a rare and cherished period of bliss. Piaf wrote the lyrics for "La Vie en rose" herself, infusing them with her personal emotions and experiences. The lyrics reflect an idealized view of love, portraying the world through a lens of affection and contentment. This was a deliberate choice to contrast with the more somber and reflective themes found in much of her other work. While Piaf penned the lyrics, the melody was composed by Louiguy (Louis Guglielmi). The collaboration between Piaf and Louiguy resulted in a song that perfectly blended her emotive lyrical style with a simple yet captivating melody. Piaf's performance of "La Vie en rose" was characterized by her distinctive voice and powerful delivery, which resonated deeply with audiences. The song quickly became a hit, capturing the hearts of listeners in France and beyond. For Piaf, "La Vie en rose" was more than just a song; it was an expression of her deepest feelings of love and happiness. The song's lyrics convey a sense of seeing the world through "rose-colored glasses," an idealized perspective brought on by romantic love. This was a significant theme for Piaf, whose life was often filled with turmoil. Writing and performing "La Vie en rose" allowed Piaf to escape from the hardships of her life and immerse herself in the joy of her relationship with Cerdan. The song became a personal anthem of hope and resilience, encapsulating a fleeting yet profound happiness. Beyond its personal significance to Piaf, "La Vie en rose" also served as a cultural symbol of post-war recovery and optimism in France. It resonated with many who were seeking solace and beauty after the devastation of the war. Source: 1. [Biography - Édith Piaf](www.biography.com/musician/edith-piaf) 2. [Songfacts - La Vie en rose](www.songfacts.com/facts/edith-piaf/la-vie-en-rose) 3. [National Public Radio (NPR) - Édith Piaf and La Vie en rose](www.npr.org/sections/allsongs/2015/12/21/460468746/edith-piafs-la-vie-en-rose) 4. [French Culture - Édith Piaf](frenchculture.org/music/10520-classic-french-song-la-vie-en-rose) 5. [The Guardian - Édith Piaf and Marcel Cerdan](www.theguardian.com/music/2015/dec/17/edith-piaf-love-life-marcel-cerdan) 6. [Time Magazine - The Story Behind La Vie en rose](time.com/4364565/la-vie-en-rose-edith-piaf/) 7. [Smithsonian Magazine - Édith Piaf's Legacy](www.smithsonianmag.com/arts-culture/edith-piafs-legacy-180955027/)

"La Vie en rose" is one of the most iconic French songs, performed by the legendary French singer Édith Piaf. Released in 1947, the song became immensely popular and has since been covered by numerous artists worldwide. The title translates to "Life in Pink" or "Life Through Rose-Colored Glasses," symbolizing a romantic and idealistic perspective on life and love. The music was composed by Louiguy (Louis Guglielmi), with lyrics written by Édith Piaf herself. Piaf's contributions to the lyrics encapsulate her personal views on love and life, making the song deeply personal. Piaf wrote the lyrics during a period of personal happiness, reflecting the joy she felt in her relationship with the French boxer Marcel Cerdan. The song was first recorded in 1946 and released in 1947, quickly becoming a hit in France. The song is classified under the genre of traditional pop and chanson, a genre that represents the classic French cabaret. The song features a slow tempo and a waltz-like rhythm. It is noted for its emotional delivery and the simplicity of its melody, which complements the lyrical content. Typical arrangements include piano, accordion, and strings, creating a nostalgic and romantic ambiance. The lyrics of "La Vie en rose" express the overwhelming feeling of love and the transformative power of romance. They describe how love can change one's perception of the world, making everything appear more beautiful. The central themes of the song are love, happiness, and the idealization of one's partner. It captures the essence of being in love and the euphoric state it induces. Upon its release, the song topped charts in France and later gained international success, including in the United States where it entered the Billboard charts. "La Vie en rose" has been featured in numerous films, television shows, and commercials, further cementing its status as a timeless classic. Piaf's recording received a Grammy Hall of Fame Award, recognizing its lasting significance and influence in the music industry. Many renowned artists have covered "La Vie en rose," including Louis Armstrong, Bing Crosby, Grace Jones, and Lady Gaga. Each version brings a unique interpretation while maintaining the song's original charm. There are also numerous instrumental versions, showcasing the song's versatile and enduring melody. "La Vie en rose" is often considered an emblem of French music and culture. Édith Piaf's performance of the song remains one of the most celebrated moments in the history of French chanson. Despite being a French-language song, "La Vie en rose" has captivated audiences worldwide, transcending language barriers with its universal message of love. Édith Piaf, born Édith Giovanna Gassion, was a French singer, songwriter, cabaret performer, and film actress. Known as "La Môme Piaf" (The Little Sparrow), she became one of France's most celebrated performers, renowned for her powerful voice and emotive performances. Piaf's career began in the 1930s and spanned several decades, during which she released numerous hits that are still beloved today. Her life was marked by personal tragedies, but she channeled her experiences into her music, creating deeply moving songs. Piaf's legacy endures as a symbol of French culture and music. Her life and music continue to inspire artists and audiences around the world. Source: 1. [Grammy Hall of Fame - La Vie en rose](www.grammy.com/grammys/awards/hall-of-fame#l) 2. [Édith Piaf - Biography](www.biography.com/musician/edith-piaf) 3. [Songfacts - La Vie en rose](www.songfacts.com/facts/edith-piaf/la-vie-en-rose) 4. [National Public Radio (NPR) - La Vie en rose](www.npr.org/sections/allsongs/2015/12/21/460468746/edith-piafs-la-vie-en-rose) 5. [French Culture - La Vie en rose](frenchculture.org/music/10520-classic-french-song-la-vie-en-rose)

Serge Gainsbourg, born Lucien Ginsburg, was a multifaceted French artist, known for his provocative lyrics, boundary-pushing music, and turbulent personal life. By the late 1960s, he had already established himself as a prominent figure in French pop music, known for his wit, subversive themes, and eclectic style. During the time leading up to the creation of "Je t'aime... moi non plus," Gainsbourg was involved in a high-profile relationship with Brigitte Bardot, a major French actress and singer. Their passionate affair inspired the original version of the song, which Bardot later requested to be shelved due to its explicit content and her marital status. The inspiration for the song came from Gainsbourg's desire to express the intensity and complexity of romantic and sexual relationships. His affair with Bardot provided the emotional fuel, but it was his relationship with Jane Birkin that brought the song to life for the public. Jane Birkin, an English actress and singer, moved to France in the late 1960s. She met Gainsbourg on the set of the film "Slogan" in 1968. Despite an initial language barrier and a tumultuous start, the two quickly became one of the most talked-about couples in Europe. Birkin had recently ended her marriage with composer John Barry and was navigating the Parisian art scene as a foreign actress. Her relationship with Gainsbourg marked a significant turning point in her career and personal life, as she embraced the French culture and language. Birkin's willingness to embrace Gainsbourg's provocative style and her ability to convey both innocence and sensuality made her the perfect partner for "Je t'aime... moi non plus." Their chemistry, both on and off-screen, translated into the recording studio, resulting in a song that captured the raw and unfiltered nature of their relationship. Gainsbourg and Birkin decided to re-record "Je t'aime... moi non plus" after Bardot's version was shelved. They wanted to capture their own passionate dynamic and challenge societal norms. The song's explicit nature and its portrayal of sexual ecstasy were deliberate choices to provoke and push artistic boundaries. The recording took place in 1968 at Fontana Studios in London. Gainsbourg's deep, murmuring vocals combined with Birkin's breathy whispers and moans created a unique and intimate sound. The intensity of their relationship is evident in every note, making the song an authentic representation of their love and desire. The song solidified Gainsbourg's reputation as a daring and controversial artist. It also marked the beginning of a highly creative period in his career, leading to more experimental and boundary-pushing works. His relationship with Birkin continued to inspire his music and public persona. For Birkin, the song and her relationship with Gainsbourg propelled her into the spotlight. She became a muse for Gainsbourg and a beloved figure in French pop culture. The song helped her establish a lasting career in music and film, transcending her initial image as an English actress in France. Source: 1. [BBC News - The story behind Je t'aime... moi non plus](www.bbc.com/news/entertainment-arts-10864582) 2. [The Guardian - Serge Gainsbourg: How the man and the myth were made](www.theguardian.com/music/2020/mar/02/serge-gainsbourg-how-the-man-and-the-myth-were-made) 3. [Rolling Stone - Jane Birkin Reflects on Her Life with Serge Gainsbourg](www.rollingstone.com/music/music-features/jane-birkin-serge-gainsbourg-legacy-1058881/) 4. [NPR - Serge Gainsbourg's Musical Legacy](www.npr.org/2010/03/25/125100895/serge-gainsbourgs-musical-legacy) 5. [Billboard - The Legacy of "Je t'aime... moi non plus"](www.billboard.com/articles/news/9648711/serge-gainsbourg-jane-birkin-je-taime-moi-non-plus/) 6. [France24 - Jane Birkin and Serge Gainsbourg's Iconic Romance](www.france24.com/en/20180701-jane-birkin-serge-gainsbourg-relationship-legacy) 7. [New York Times - The Enduring Legacy of Serge Gainsbourg and Jane Birkin](www.nytimes.com/2021/09/22/arts/music/serge-gainsbourg-jane-birkin.html) This provides a comprehensive look at the lives of Serge Gainsbourg and Jane Birkin during the creation of "Je t'aime... moi non plus," focusing on their personal contexts and motivations behind the song.

"Je t'aime... moi non plus" is a French duet song composed by Serge Gainsbourg and originally recorded with Brigitte Bardot in 1967. The song gained notoriety and commercial success when re-recorded by Gainsbourg with English actress and singer Jane Birkin in 1969. The song's lyrics are a dialogue between lovers, expressing their passionate feelings for each other. The title translates to "I love you... me neither," reflecting a complex interplay of love and detachment. The song is known for its explicit sexual content and sensual whispers, making it controversial at the time of its release. The original version with Brigitte Bardot was recorded in late 1967 but was not released until 1986 due to Bardot's request. The iconic version with Jane Birkin was recorded in 1969 in a more explicit manner. Birkin's moans and whispered vocals, combined with Gainsbourg's deep voice, created a sensual and provocative atmosphere. Upon its release, the song was banned by several radio stations and condemned by the Vatican. Despite, or perhaps because of this, it became a commercial success, topping charts across Europe and selling millions of copies worldwide. "Je t'aime... moi non plus" is considered a milestone in pop music history. It paved the way for more open expressions of sexuality in music. The song has been covered and parodied numerous times and remains a symbol of the 1960s sexual revolution. The song has had a lasting influence on music and pop culture, often referenced or used in films, television shows, and commercials. Its provocative nature continues to spark interest and discussions about the boundaries of art and censorship. Source: 1. [BBC News - The story behind Je t'aime... moi non plus](www.bbc.com/news/entertainment-arts-10864582) 2. [The Guardian - How Serge Gainsbourg's 'Je t'aime' shook the world](www.theguardian.com/music/2019/feb/08/how-serge-gainsbourg-je-taime-moi-non-plus-shook-the-world) 3. [Rolling Stone - Serge Gainsbourg and Jane Birkin's Controversial Duet](www.rollingstone.com/music/music-news/serge-gainsbourg-and-jane-birkins-controversial-duet-197256/) 4. [NPR - Serge Gainsbourg's Musical Legacy](www.npr.org/2010/03/25/125100895/serge-gainsbourgs-musical-legacy) 5. [Billboard - The Legacy of "Je t'aime... moi non plus"](www.billboard.com/articles/news/9648711/serge-gainsbourg-jane-birkin-je-taime-moi-non-plus/)

JACQUES BREL wrote "Ne Me Quitte Pas" in 1959, during a tumultuous period in his life following the breakup with his lover, Suzanne Gabriello. Despite being the one to end the relationship, Brel experienced profound guilt and regret, which profoundly influenced the song's creation. The song is an emotional outpouring, a plea for his lover to stay, encapsulating the depth of his sorrow and despair. Brel's lyrics are filled with poetic imagery and extravagant promises, such as offering "pearls of rain from lands where it never rains" and creating a kingdom where his lover would be queen. These promises reflect Brel's desperate attempt to convey his willingness to do anything to win back his lover's affection. The repetitive refrain, "Ne me quitte pas" ("Don't leave me"), emphasizes the intensity of his plea and his fear of abandonment. At the time of writing this song, Brel was grappling with personal and professional challenges. His career as a singer-songwriter was on the rise, but he struggled with the pressures and expectations that came with fame. This period of his life was marked by emotional turmoil, which is evident in the raw and heartfelt delivery of the song. The song also reflects Brel's broader existential themes, exploring the complexities of love, loss, and the human condition. His ability to channel personal pain into his music resonated deeply with audiences, making "Ne Me Quitte Pas" one of his most enduring works. sources: - [Wikipedia](en.wikipedia.org/wiki/Ne_me_quitte_pas) - [French Learner](www.frenchlearner.com/songs/ne-me-quitte-pas/) - [Journey to France](journeytofrance.com/ne-me-quitte-pas-lyrics/) - [Last.fm](www.last.fm/music/Jacques+Brel/_/Ne+me+quitte+pas)

"Ne Me Quitte Pas" is a deeply emotional song by JACQUES BREL, first recorded in 1959. The song is a plea from a man begging his lover not to leave him, capturing the essence of heartbreak and desperation. Brel wrote the song after the end of his relationship with Suzanne Gabriello, although he was the one who left her. The song reflects his guilt and sorrow, embodying the themes of love, loss, and regret. The lyrics are rich with poetic imagery and metaphors. Brel offers extravagant promises to his lover, such as "pearls of rain from lands where it never rains" and creating a kingdom where she would be queen. The song's repetitive refrain, "Ne me quitte pas" ("Don't leave me"), intensifies the sense of despair and urgency. Brel's performance is noted for its raw emotional delivery, which has made the song a timeless classic. The song has been covered by many artists across various genres and languages. Notable versions include those by Nina Simone, Frank Sinatra (as "If You Go Away"), Celine Dion, and Barbra Streisand. Each artist brings their own interpretation, showcasing the song's versatility and universal appeal. "Ne Me Quitte Pas" has also been featured in films and television shows, including the series finale of "Mr. Robot," an episode of "Person of Interest," and the first season finale of "The Leftovers." The song's haunting melody and powerful lyrics make it a fitting choice for scenes of intense emotional impact. Brel himself recorded several versions of the song, including one in Dutch titled "Laat Me Niet Alleen." The song remains one of his most famous works and is considered a masterpiece of chanson, a genre of French music characterized by lyric-driven French songs. Source: - [Wikipedia](en.wikipedia.org/wiki/Ne_me_quitte_pas) - [French Learner](www.frenchlearner.com/songs/ne-me-quitte-pas/) - [Journey to France](journeytofrance.com/ne-me-quitte-pas-lyrics/) - [Last.fm](www.last.fm/music/Jacques+Brel/_/Ne+me+quitte+pas)

)Z

J'adore Mireille ❤❤❤❤❤❤❤

😂Muito muito bonito que Voz lindíssima . Emociona.❤

It's a wonderful song that makes you feel like you're surrounded by great love ❤️

One Ok Rock is a Japanese rock band that has gained a massive following both in Japan and around the world. One Ok Rock's lyrics are known for being relatable and emotional, with themes of love, loss, and personal struggles. Many fans appreciate the band's ability to express their own feelings through their music and relate to the experiences shared in the songs. One Ok Rock is known for their high-energy live performances, which feature dynamic stage presence, powerful vocals, and impressive instrumental solos. Fans love the band's ability to bring their music to life and create an unforgettable concert experience. One Ok Rock's music spans across various genres, from rock and pop to emo and post-hardcore. The band has been able to create a unique sound that is easily recognizable while still experimenting with new styles and sounds. One Ok Rock has been active since 2005, and throughout their career, they have consistently worked hard and dedicated themselves to their music. Fans appreciate the band's passion and dedication to their craft and admire their commitment to improving and evolving as artists. One Ok Rock's combination of catchy and relatable lyrics, dynamic live performances, versatile musical style, and passion for their craft has captured the hearts of many fans and made them one of the most popular rock bands in the world. Sources: 1. [Wikipedia - One Ok Rock](en.wikipedia.org/wiki/One_Ok_Rock) 2. [JROCK NEWS - ONE OK ROCK inspires yet again with “Wasted Nights” music video](jrocknews.com/2019/02/no-wasted-nights-one-ok-rocks-music-video.html) 3. [ONE OK ROCK official website](www.oneokrock.com/en/news/615/)

Thank you for real reaction! Dimash deserves! Hi have elements of suprize, even in to a same song, when hi sings. Super master!

Adagio is said to be an arrangement on the Albinoni incomplete composition

Try her rendering of Yentl Wedley at the live at centre Monsol in Canada . Stunning stage presence and vocal Story singing

Too much unnecessary echoes in this performance but she was delivering this extremely well as usual.

😇😇😇🥰🥰🥰🎵🎶🎵🎶🎤

If I'm not mistaken, this “Ave Maria” by composer and conductor Igor Krutoy is a work in vocalize format, completely unpublished, although it seems to be a variation of the initial theme (not the introduction but the singing part) of the melody by Schubert adapted to Dimash's voice in order to explore just as three initial notes and changing the fourth note to a higher note (From B4, A4 D#4 C#4 and B4 to G#4, G4, G4, D#5): Like a leap from "dark to light" which is the same contrast as Dimash's outfit (from dark to light)! It also seems to refer to the Russian V. Vavilov's version of "Ave Maria" (wrongly credited to Caccine) and work by JS Bach - Prelude No. 1 in C major, BWV 846, with arrangements by Gounod, which Maetro Igor Krutoy has a predilection for!

Esse Festival New Wave 2021 foi incrível! Música maravilhosa do Maestro Igor krutoy! Orquestra e coral maravilhosos! Dimash e sua oração sem letra, mais muito intensa! Celestial! Dimash é Simplesmente Extraordinário! Transcendental! Incrível! Apaixonante! 👏🏽👏🏾👏🏾👏🏾👏🏼👏🏿👏🏿👏🏻👏🎶🎶♥️♥️🇧🇷🇧🇷

❤❤❤❤❤❤AISI LINDA

This song gives me an existential crisis every time I hear it lol loved your reaction ❤

Diana Navarro Ocaña was born on 21 April 1978 in Málaga, Spain. She is a renowned Spanish singer who gained fame in 2005 with her single "Sola" from her debut album "No te olvides de mí". Her music is a unique blend of various genres like copla and flamenco, combined with different rhythms like Arabic or classical music. Her discography includes the following albums: "No te olvides de mí" (2005) "24 rosas" (2007) "Camino verde" (2008) "Flamenco" (2011) "Género chica" (2012) "La esencia" (2013, compilation album) "Resiliencia" (2016) "Inesperado" (2019) Navarro's music has been well received, and she was nominated for a Latin Grammy as Best New Artist in 2005¹. She has been touring non-stop in her native Spain, gaining a following that has propelled sales of her debut album¹. Her music has been described as ethereal - like Enya- and flamenco-driven. Source: (1) Diana Navarro - Wikipedia. en.wikipedia.org/wiki/Diana_Navarro. (2) Diana Navarro - Wikipedia. en.wikipedia.org/wiki/Diana_Navarro. (3) Diana Navarro - Wikiwand. www.wikiwand.com/en/Diana_Navarro. (4) Diana Navarro Ocaña - Viquipèdia, l'enciclopèdia lliure. ca.wikipedia.org/wiki/Diana_Navarro_Oca%C3%B1a. (5) Diana Navarro - Wikipedia, la enciclopedia libre. es.wikipedia.org/wiki/Diana_Navarro. (6) Getty Images. www.gettyimages.com/detail/news-photo/singer-diana-navarro-arrives-at-the-13th-annual-latin-news-photo/156458195.

I would like to inform my viewers that, sadly, some of the members featured in this video, "Chit Chat with Oysters, December 1971," are no longer with us. Specifically, Richard Wright, the keyboard player, and Syd Barrett, the original lead vocalist and guitarist, have passed away. I honor their memory and contributions to music.

Hi everyone, I wanted to take a moment to explain my reaction to Dimash's performance of "Ave Maria." When I heard him sing, the beauty of his voice and the emotion in the song moved me so deeply that I kept saying "Hallelujah." I know "Ave Maria" and "Hallelujah" are different songs, but my reaction was all about expressing how amazing I felt while listening to it.Thank you for understanding and for appreciating Dimash’s incredible talent with me.

Dimash es un ser excepcional por no decir un ángel en la tierra para para él no existen las divisiones de fronteras ni de religiones el abrazo a todo el mundo canta en 1213 idiomas diferentes para llegar a todo el mundo tienes que reaccionar a historia de un cielo eso es su Obra maestra culmina Yo diría que primero reacciones al videoclip y luego a la versión de concierto en vivo es algo alucinante❤ Gracias por reaccionar a este hombre que hoy ya es leyenda

👉 Just a few notes and Dimash's angelic voice... and people all over the world melt away. An angel does not need words to convey his message... Everyone understands! I have never heard anything more beautiful. This is a magical new classic masterpiece that people are sure to hear in 300 years. For Christians, Mary is the Mother of God. But Mary is also revered in other religions: in Judaism she is considered the greatest daughter of the people, in Islam she is the mother of the prophet (not God's son) Jesus. The Ave Maria (Eng.: Hail Mary) is one of the most commonly said prayers in Christianity. A Muslim and a Jew created a new grandiose masterpiece. It needs no words and therefore a prayer for all people in this world... breathtaking, touching and simply beautiful. When Dimash asked Master Krutoy to compose a new Ave Maria for him, he imagined an angel... Dimash said in an interview... and the two are overearthly wonderful. I'm lost for words. For me, Dimash is the difference between the music business and true art. Over the past 15 years, the soprano and producer Andrea Chudak has collected over 200 compositions 'Ave Maria' from all eras of music history. A compilation of 68 selected 'Ave Maria' versions gives 'a striking overview of a repertoire that can hardly be grasped in its entirety', says Andrea Chudak. 'From Gregorian chant to arrangements of successful folk songs, to occasional works by composers who have been successful in other genres, and contemporary pieces..."(operetta-researchcenter) Wow, 68 Ave Maria settings from 7 eras... but now 69! I mean, this song is on the same high level as Schubert's or Vavilov's (Caccini's) Ave Maria... also beyond all spirituality, just wonderful music. * Igor Krutoy ( piano), *1954 in Ukraine SSR. He lives and works in Moscow/Russia. He is singer, a world- famous composer and music titan in Russia (billionaire). His family lives in the US. Krutoy came out of retirement to write songs for Dimash. The maestro and Dimash have been working together from time to time since 2018. They are friends and have a father-son relationship. Maestro Igor Krutoy shared the story of the creation of the work 'Ave Maria' for Dimash. When writing a hit, Krutoy is guided by the Italian principle: every composer is worth exactly what his latest work is worth, which means that all previous successes and achievements do not count. “On one of the nights, about three months before New Wave, Dimash called and asked if I could write 'Ave Maria' for him and he explained that he wanted to sing something in that style... Coincidentally, I had a spare evening, and I happily sat down at the piano and, inspired by the memory of the Italian formula of responsibility, worked until I achieved the desired result. It took me a few days to 'let' the composition 'lay' in my ears, soul and heart, and sent it to Dimash, who replied literally within half an hour that: ‘This is exactly what I wanted to hear', said Krutoy. It is not without reason that his friend and teacher, the maestro Igor Krutoj, predicts: “Believe me, in the future the world will be at Dimash’s feet.” (www) * Dimash and Stepan Hauser - Ave Maria - kzfaq.info/get/bejne/qrCVapqnnMrOfok.html You should watch a video of a world class ice skater from Russia dancing to Ave Maria sung by Dimash: * Anna Shcherbakova ice dancing to - Ave Maria - Europeans 2022 - kzfaq.info/get/bejne/nsdipLt00c_FmJs.html * Dimash as a vlogger. He sees Anna Shcherbakova dancing ice - kzfaq.info/get/bejne/Z9Glm91izKeUhmg.html (Thanks to all Dears who helped to complete the information)

💙💙💙🌸

I've loved you since the first reaction I saw 🎈) Now even more because you also love Dimash. He's the best, isn't he!? And today you also love my homeland (Croatia). You mentioned it twice. Greetings and thank you🎈 9:54

Maybe it doesn't matter to us, but for the Kazakhs it´s important that they are not Russians and therefore Qudaibergen is not pronounced Russian in his home country. 😀

Thanks you Claudio I was in this concert in new wave 2021 he was a judge for new singers he such a humble man 30 years ago all this life study music he swims a lot so his lungs get stronger yes his range is 7.7 octavas his whistle is of the piano D8 thanks a lot I been to time to see dimshas he always takes you to another world 😊😊 greetings from Spain

Thank you👍👍👍

Thank you!

Thank you so much for a lovely reaction to this heavenly piece 👍😊

Maestro Igor Krutoy is a renowned Ukrainian-Russian composer, music producer, and performer born on July 29, 1954, in Haivoron, Ukraine. He has made significant contributions to the music industry, particularly in Russia and the Commonwealth of Independent States (CIS). Krutoy's musical journey began in his childhood when he taught himself to play the accordion and later performed in his school band. He studied at the Kirovograd music college, graduating with distinction in 1974. Despite initial setbacks, he eventually entered the Saratov Conservatory in 1986, where he studied composition. Krutoy's career took off in the late 1980s when he collaborated with popular Russian singer Aleksander Serov, producing hits like "Madonna." Over the years, he has written more than 100 popular songs and composed soundtracks for various films. His notable works include "The Snow Queen" (2003) and "Hostages of the Devil" (1993). Igor Krutoy has worked with many prominent artists, including Alla Pugacheva, Dimash Qudaibergen, and Lara Fabian. His collaboration with Dimash Qudaibergen is particularly notable, with Krutoy composing several pieces specifically for the Kazakh singer, highlighting his unique vocal abilities. In addition to his musical achievements, Krutoy has been active in the business side of the music industry. He became the chairman of Music1.ru and a shareholder of Net Element in 2012, launching an online music platform aimed at leading the CIS music market. He also heads ARS, a management agency that organizes the New Wave competition for young performers. Krutoy has been married twice, first to Yelena Krutaya and later to Olga Krutaya. He has three children: Nikolai, Victoriya, and Aleksandra. He splits his time between the United States and Russia due to his family and business commitments. Krutoy has received numerous accolades, including the Lenin Komsomol Prize and titles such as Honoured Artist of the Russian Federation and People's Artist of Ukraine. His contributions to music have made him a celebrated figure in the industry. Source: [Wikipedia page](en.wikipedia.org/wiki/Igor_Krutoy) or check out his profile on [IMDb](www.imdb.com/name/nm0472207/). Additionally, updates on his latest projects and collaborations can be found on [DimashNews](en.dimashnews.com).

The song "Ave Maria" performed by DIMASH KUDAIBERGEN and composed by IGOR KRUTOY was created to highlight Dimash's exceptional vocal range and ability. This collaboration was part of a larger ongoing partnership between the two artists, with Krutoy specifically tailoring compositions to suit Dimash's unique talents. IGOR KRUTOY and DIMASH KUDAIBERGEN decided to create "Ave Maria" during a period of prolific collaboration. Krutoy was inspired by Dimash's immense vocal abilities and his international appeal. The song was first performed at the New Wave 2021 music festival in Sochi, Russia. For Krutoy, the composition represents a blend of classical and modern elements designed to showcase Dimash’s voice as an instrument. For Dimash, performing "Ave Maria" allows him to express deep emotions and connect with a broad audience through a piece that transcends traditional lyrics, focusing on vocalization to convey its spiritual essence. This song came at a significant moment in both artists' careers, as Krutoy was celebrating his 65th anniversary and Dimash was solidifying his place as a global musical phenomenon. Their collaboration highlighted the synergy between a seasoned composer and a rising star, aiming to create timeless music that appeals across different cultures and genres "Ave Maria" in this rendition does not follow traditional lyrics but is a vocalise, meaning it is performed using vocal sounds instead of words, allowing Dimash to explore the depth and range of his voice. The piece is intended to evoke a sense of reverence and spiritual reflection, capturing the essence of the traditional "Ave Maria" prayer in a contemporary format. For Krutoy, composing "Ave Maria" was a testament to his admiration for Dimash's talents and his desire to create music that could resonate deeply with audiences worldwide. For Dimash, performing this piece is a way to demonstrate his vocal prowess and emotional expression, further establishing his reputation as a versatile and powerful performer. Source: - [Dimash Fandom](dimash.fandom.com/wiki/Ave_Maria) - [Dimash Universe](dimashuniverse.com) - [Astana Times](astanatimes.com/2023/12/kazakh-singer-dimash-kudaibergen-performs-with-croatian-cellist-stjepan-hauser) - [Dimash News](en.dimashnews.com) - [Wikipedia on Dimash Kudaibergen](en.wikipedia.org/wiki/Dimash_Qudaibergen)

"Ave Maria" performed by DIMASH KUDAIBERGEN is a piece composed by IGOR KRUTOY. This song was specially crafted to showcase Dimash's extraordinary vocal range and ability, and it was first performed at the New Wave 2021 music festival in Russia. The song was composed by IGOR KRUTOY, a renowned Russian composer known for his work with many prominent artists. He wrote "Ave Maria" specifically for Dimash, aiming to highlight his unique voice and musical talents Dimash's performance of "Ave Maria" is noted for its emotional depth and technical precision, capturing the audience with his powerful voice and the song's intricate composition. The song does not have traditional lyrics but rather serves as a vocalise, allowing Dimash to use his voice as an instrument to convey emotion and meaninf. "Ave Maria" traditionally refers to the Catholic prayer "Hail Mary," which is a devotion to the Virgin Mary. Although Dimash's version does not follow the traditional lyrical structure, it embodies the spirit of reverence, purity, and transcendence often associated with the prayer. The piece aims to evoke a sense of spiritual reflection and emotional resonance through its melodic lines and Dimash's expressive performance The song features a blend of classical and contemporary elements, showcasing Krutoy's ability to compose music that bridges different musical genres and eras. "Ave Maria" has been widely praised for its beauty and the remarkable way it highlights Dimash's vocal abilities. It has become a significant part of Dimash's repertoire, often leaving audiences in awe during live performances. Source: (1) Ave Maria - KZfaq. kzfaq.info/get/bejne/ataFhqWgrNuZY2g.html. (2) Ave Maria - song and lyrics by Dimash Qudaibergen, Igor Krutoy - Spotify. open.spotify.com/track/3mcQVGSLnLHaedGHXW6Blt. (3) Ave Maria - música y letra de Dimash Qudaibergen, Igor Krutoy - Spotify. open.spotify.com/intl-es/track/3mcQVGSLnLHaedGHXW6Blt. (4) Dimash - AVE MARIA | Новая Волна 2021. kzfaq.info/get/bejne/o7J3a8pj1NWqg3U.html. (5) Димаш Кудайберген - Знай. kzfaq.info/get/bejne/n9-hm5tyqdTTiGg.html. (6) Ave Maria - Dimash Qudaibergen & Igor Krutoy: Song Lyrics ... - Shazam. www.shazam.com/song/1598927543/ave-maria. (7) undefined. band.link/Dimash_Qudaibergen.

In December 1971, Pink Floyd found themselves at the Europa-Sonore studio in Paris. This period was crucial as they were refining the multi-track mixing for the film "Live at Pompeii," a project shot by Adrian Maben. This session involved overdubbing music and sound effects to enhance the original soundtrack. It was an important phase in their career as they were transitioning from their early experimental phase into the more polished and conceptual style that would characterize their later works. The primary motivation for this session was to improve the quality of the sound for "Live at Pompeii." The band aimed to expand the eight tracks recorded at Pompeii into twenty-four tracks, which would allow for richer and more complex soundscapes. This was part of their broader effort to push the boundaries of what was technically possible in music production at the time. At the time of this recording, Pink Floyd was on the cusp of releasing "The Dark Side of the Moon," which would come out in March 1973. The band was already well-known for their innovative music and live performances, but "The Dark Side of the Moon" would soon catapult them to unprecedented levels of fame and commercial success. This session in Paris was part of a particularly productive and creative period for the band. During this session, they worked on overdubbing parts of the song "Echoes." David Gilmour and Richard Wright doubled their voices for "Echoes," part I and II, while Roger Waters and Nick Mason were involved in the booth. The session was marked by a humorous and relaxed atmosphere. The band shared oysters and beer, which added to the convivial spirit of the recording. They engaged in light-hearted banter about various topics, including their music, the role of technology in music, and reflections on their journey as a band. This session highlighted their camaraderie and the strong personal bonds that existed within the group. Sources: 1. [KZfaq - Chit Chat with Oysters](kzfaq.info/get/bejne/qZZgqch115jYdqc.html) - The video of the session. 2. [KZfaq - Alternate Source](kzfaq.info/get/bejne/kMqFi7d0p6jTdnk.html) - Another part of the session video. 3. [Guitars101](www.guitars101.com/threads/pink-floyd-1971-12-xx-paris-fr-chit-chat-with-oysters-interview-in-studio-sessions-pompeii.203607) - Forum discussion with detailed background information. 4. [Cinémathèque française](www.cinematheque.fr) - Information about the preservation of the session footage.

"Pink Floyd - Chit Chat with Oysters" video from December 1971, recorded at the Europa-Sonore studio in Paris. In December 1971, Pink Floyd was at the Europa-Sonore studio in Paris to enhance the multi-track mixing for their film "Live at Pompeii." This session involved overdubbing music and sound effects on the original soundtrack, with David Gilmour and Richard Wright doubling their voices for the song "Echoes," while Roger Waters and Nick Mason remained in the booth. The main goal was to improve the quality of the multi-track mixing for "Live at Pompeii," a film shot by Adrian Maben. The band worked with recording engineer Charles B. Raucher. From the original eight tracks recorded at Pompeii, they managed to expand them into twenty-four tracks. The session was filmed using a Coutant camera on 16mm black and white reversal stock. The rushes were rediscovered by filmmaker Adrian Maben and are now preserved at the Cinémathèque française. The footage provides a candid look at Pink Floyd more than a year before the release of their seminal album, "The Dark Side of the Moon." The video captures the band's playful interactions and dry humor, with Roger Waters being particularly noted for his sharp wit. The recording session included a spontaneous oyster and beer feast brought in by their roadie, Chris Adamson, from the Brasserie Lorraine. This led to lively and humorous conversations about various topics, including their music, the future of technology, and their internal band dynamics. The band made fun of themselves, journalists, and the clichés surrounding rock musicians, providing a glimpse into their personalities and the strong bond between them. This session is significant as it shows Pink Floyd during one of their most productive periods, right before they became internationally renowned with "The Dark Side of the Moon." At the time, Pink Floyd rarely gave interviews or engaged with the media, making this footage a rare and valuable document. Sources: 1. [KZfaq](kzfaq.info/get/bejne/qZZgqch115jYdqc.html) - Original video of "Chit Chat with Oysters." 2. [Guitars101](www.guitars101.com/threads/pink-floyd-1971-12-xx-paris-fr-chit-chat-with-oysters-interview-in-studio-sessions-pompeii.203607) - Detailed discussion and background information about the session. 3. [KZfaq - Alternate Source](kzfaq.info/get/bejne/kMqFi7d0p6jTdnk.html) - Another part of the video session available online. ---

🇷🇺❤️🇷🇺❤️💪💪

kzfaq.info/get/bejne/aalhZrN5yr7bcac.htmlsi=QMvDWuYj7AzBGpOk Lara is an incredible coach and teacher.

Céline Marie Claudette Dion, born on March 30, 1968, in Charlemagne, Quebec, is a Canadian singer known for her powerful and technically skilled vocals. She is the best-selling Canadian recording artist and the best-selling French-language artist of all time. Her music incorporates genres such as pop, rock, R&B, gospel, and classical music. Dion has recorded in English, French, Spanish, Italian, German, Latin, Japanese, and Chinese. Dion emerged as a teen star in Quebec with a series of French-language albums during the 1980s. She gained international recognition by winning the 1988 Eurovision Song Contest, representing Switzerland with "Ne partez pas sans moi." After learning English, she signed with Epic Records in the United States. Her debut English-language album, *Unison* (1990), established her as a viable pop artist in North America and several English-speaking markets. *The Colour of My Love* (1993) brought her global superstardom. Throughout the 1990s, Dion released several of the best-selling English-language albums in history, such as *Falling into You* (1996), *Let's Talk About Love* (1997), *These Are Special Times* (1998), and *A New Day Has Come* (2002), each certified diamond in the US with more than 30 million sales worldwide. She released numerous international number-one hits, including "The Power of Love," "Think Twice," "Because You Loved Me," "It's All Coming Back to Me Now," "My Heart Will Go On," "I'm Your Angel," and "I'm Alive." She continued to release French albums between each English record; *D'eux* (1995) became the best-selling French-language album of all time, while *S'il suffisait d'aimer* (1998), *Sans attendre* (2012), and *Encore un soir* (2016) were all certified diamond in France. During the 2000s, Dion built her reputation as a successful live performer with *A New Day...* on the Las Vegas Strip (2003-07), the highest-grossing concert residency of all time, and the *Taking Chances World Tour* (2008-09), one of the highest-grossing concert tours of all time. Dion has been named one of the greatest singers in music. She is one of the best-selling music artists of all time, with record sales of more than 200 million worldwide. Seven of her albums have sold at least 10 million copies worldwide, the second-most among women in history. She has won five Grammy Awards, including Album of the Year and Record of the Year. She has received two Honorary Doctorates in Music from Berklee College of Music and Université Laval. Billboard named her the "Queen of Adult Contemporary" for having the most number-one adult contemporary songs for a female artist. Dion is the second-best-selling female artist in the US during the Nielsen SoundScan era, the eighth all-time best-performing top female artist in the United States, and the sixth all-time best-performing female soloist in Billboard 200 history. In 2003, she was honoured by the International Federation of the Phonographic Industry (IFPI) for selling over 50 million albums in Europe. In 2008, Dion was recognized as the best-selling international artist in South Africa. At the end of 2009, Dion was recognized by the Los Angeles Times as that decade's top-earning artist, with combined album sales and concert revenue exceeding $747 million. Sources: - [Britannica](www.britannica.com/biography/Celine-Dion) - [The Canadian Encyclopedia](www.thecanadianencyclopedia.ca/en/article/celine-dion) - [Simple Wikipedia](simple.wikipedia.org/wiki/C%C3%A9line_Dion) - [Celine Dion Official Website](www.celinedion.com/) - [Celine Dion on Facebook](facebook.com/celinedion) - [Celine Dion on Instagram](instagram.com/celinedion/) - [Celine Dion on Twitter](twitter.com/celinedion) - [BBC - Celine Dion](www.bbc.com/news/topics/c7lzpgd1m1rt/celine-dion) - [Rolling Stone - Celine Dion](www.rollingstone.com/music/music-news/celine-dion-new-album-courage-885732/) - [Billboard - Celine Dion](www.billboard.com/music/celine-dion) ---

Dziękuję Claudio.Pozdrawiam😢

Thank you for your reaction of this two great singer.We should never forget this wonderfull singer.

Nie mogę powstrzymać łez i nie mogę spokojnie,bez smutku oglądać tego występu. Był tu bardzo smutny,zmęczony,a nadal elegancki i wytworny. Mam ściśnięte serce.Dima❤

Dmitri Hvorostovsky was an outstanding baritone ! Here He was already gravely ill. Dmitri continued to perform in spite of His illness. He fought and sang for us until the end of His life. A Man with an indomitable spirit ! Thank you for reaction❤

At last, somebody reacts to tjis beautiful song! Thank you! ❤ from Romania