Aaaahh. So lovely! Thank-you for posting this! 💐🌸💮🏵🌺😘

What an exhilarating performance. Szell characterizes the symphony in a way I've not heard before: brisk, purposeful and illuminated from within. And what an orchestra! And what a remastering! Listening, I am reminded that life is worth living.

Can't get enough of it! Just exquisite.

Comentário traduzido por Clovis Ribeiro Os meados do século XVIII foram um período de convulsão, deixando para trás a prática musical do barroco tardio que ainda marcou a criação do grande Johann Sebastian Bach. A nova direção estilística foi realizada com a geração de filhos compositores de Bach, que escreveram concertos para piano, e com Joseph Haydn, que, desde o início, dedicou muito interesse a novos desenvolvimentos estéticos. Apesar de uma certa inclinação para uma gravidade cheia de gravidade e um desenvolvimento opulento do som, Haydn começou desde a sua juventude a abandonar o ideal da composição contrapontística em busca de uma expressão musical que visse a sua conclusão na simplicidade e na naturalidade, mas sobretudo também na composição liderada por uma voz vinda de cima. Segundo os preceitos burgueses do Iluminismo, a música deveria ser "simples, bela e comovente", ideal que conduziu Carl Philipp Emanuel Bach a uma arte pianística de extrema expressividade, levada à perfeição por Haydn durante uma longa vida. cujo impulso criativo não conheceu ruptura O gênero do concerto para piano atingiu seu apogeu no último quartel do século XVIII, notadamente na pessoa de W. A. ​​​​Mozart, que admirava profundamente Haydn.

I am not very knowledgeable technically, but I am bowled over by the crisp, light-filled beauty of this set of 1962 performances. What enhancement am I listening to that was added by remastering? Thanks!

Now 80yo. Listening to both since 50s/60s. . Always thought that they were primo. Preferred Victoria to Callas. More depth/resonance/colourance. PS . Correct me at your peril.

Crespin and Ansermet a match made in heaven for this most wonderful work

Simply stunning!! Thank you!!

Wunderschöne und detaillierte Interpretation dieser spätromantischen und melodisch komponierten Meisterstücke im veränderlichen Tempo mit seidigem doch gut phrasiertem Ton der technisch perfekten Violine und zurückgehaltenem doch klarem Klang des Klaviers. Alles ist faszinierend!

Amazing.

Tully Potter: "The Kreisler recording was made at a time when the great violinist Ruggiero Ricci was retired and spending his days in his publisher's outer office, where visiting fellow fiddlers would pay court to him (some said he was getting away from his wife Harriet, who had a fearsome reputation). "Decca did a lot of promotion," Ricci said. "They put out a long-playing record - I don't think it was commercial, I think it was just promotional, and I still have a copy with an interview with me about Kreisler. They talked to me for about half an hour. I played an all-Kreisler concert in New York and he [Kreisler] said, 'I don't know why anyone would play a whole evening of my music' because he was very modest. He said a lot of crazy stuff. He would say: 'Now you mustn't pay any attention to my fingerings, because I never could play in the first position.'" "The Kreisler album was highly personal to Mr. Ricci," Gregory Zayia says. "He regarded Kreisler and Heifetz as his two primary influences, and this album was meant to be released around the same time as a tribute concert Mr. Ricci arranged in New York in Kreisler's honour (at which he played Tartini's 'Devil's Trill' sonata and Paganini D major Concerto in Kreisler's arrangements). Kreisler was in serious decline, having already survived a horrific street accident and being practically blind and deaf. He could not attend the concert, which Mr. Ricci deeply regretted. However, Mr. Ricci went to see him at the office of his publisher, Charles Foley, and played Kreisler's Recitativo and Scherzo-Caprice for him privately. They spent a long time in conversation that day; and several times during this meeting, Kreisler offered Mr. Ricci a piece of advice that stuck with him for the rest of his life: 'Always play as you feel.' Mr. Ricci interpreted this to mean that if you have a certain style, you have to stick with it. I believe the photo of Kreisler and Mr. Ricci that appeared on the back cover of the original vinyl release was taken that very day in Foley's office." " Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci 🎧 Qobuz bit.ly/447ceM7 Tidal bit.ly/3NxVAxY 🎧 Amazon Music amzn.to/46iUnmS Deezer bit.ly/3JvSUjt 🎧 Apple Music apple.co/46oFWhf Spotify spoti.fi/46p1tGA 🎧 SoundCloud - KZfaq Music bit.ly/3NTAoEo

Album available // Fritz Kreisler: Violin Works by Ruggiero Ricci 🎧 Qobuz (Hi-Res) bit.ly/46hWxlm Tidal (Hi-Res) bit.ly/3ufYm5c 🎧 Apple Music (Lossless) apple.co/3SQo76a Deezer (Hi-Fi) bit.ly/46cfy97 🎧 Amazon Music (Hi-Fi) (Soon) Spotify (mp3) spoti.fi/3SHxPYA 🎧KZfaq Music (mp4) bit.ly/47y1HLl ❤🔊 Discover our Website (browse our catalog and download the world's best remastered editions) classicalmusicreference.com/ Fritz Kreisler (1875-1962) Violin Compositions & Arrangements 00:00 La Gitana (2023 Remastered, New York 1961) 02:46 Chanson Louis Xlll and Pavane in the style of Couperin (2023 Remastered, New York 1961) 06:45 Liebesleid (2023 Remastered, New York 1961) 10:16 Schön Rosmarin (2023 Remastered, New York 1961) Violin: Ruggiero Ricci Recorded in 1961, at New York New mastering in 2023 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ Support un on Patreon www.patreon.com/cmrr/about Tully Potter: "The Kreisler recording was made at a time when the great violinist Ruggiero Ricci was retired and spending his days in his publisher's outer office, where visiting fellow fiddlers would pay court to him (some said he was getting away from his wife Harriet, who had a fearsome reputation). "Decca did a lot of promotion," Ricci said. "They put out a long-playing record - I don't think it was commercial, I think it was just promotional, and I still have a copy with an interview with me about Kreisler. They talked to me for about half an hour. I played an all-Kreisler concert in New York and he [Kreisler] said, 'I don't know why anyone would play a whole evening of my music' because he was very modest. He said a lot of crazy stuff. He would say: 'Now you mustn't pay any attention to my fingerings, because I never could play in the first position.'" "The Kreisler album was highly personal to Mr. Ricci," Gregory Zayia says. "He regarded Kreisler and Heifetz as his two primary influences, and this album was meant to be released around the same time as a tribute concert Mr. Ricci arranged in New York in Kreisler's honour (at which he played Tartini's 'Devil's Trill' sonata and Paganini D major Concerto in Kreisler's arrangements). Kreisler was in serious decline, having already survived a horrific street accident and being practically blind and deaf. He could not attend the concert, which Mr. Ricci deeply regretted. However, Mr. Ricci went to see him at the office of his publisher, Charles Foley, and played Kreisler's Recitativo and Scherzo-Caprice for him privately. They spent a long time in conversation that day; and several times during this meeting, Kreisler offered Mr. Ricci a piece of advice that stuck with him for the rest of his life: 'Always play as you feel.' Mr. Ricci interpreted this to mean that if you have a certain style, you have to stick with it. I believe the photo of Kreisler and Mr. Ricci that appeared on the back cover of the original vinyl release was taken that very day in Foley's office." " Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci 🎧 Qobuz bit.ly/447ceM7 Tidal bit.ly/3NxVAxY 🎧 Amazon Music amzn.to/46iUnmS Deezer bit.ly/3JvSUjt 🎧 Apple Music apple.co/46oFWhf Spotify spoti.fi/46p1tGA 🎧 SoundCloud - KZfaq Music bit.ly/3NTAoEo

Puts Carlos Kleiber in the shade

Dziękuję za cudowna muzykę panie Perelman slazaczka półka jesteśmy rodziną człowiecza ❤❤❤❤❤❤❤❤

Вкючате,люблю его.

Oui. Les publicités font vraiment suer. J'ai la chance d'avoir l'oeuvre intégrale. Un sacré personnage cet homme qui donne

Эталон мастерство чудо!!

His music is absolutely mesmerizingly beautiful. He was indeed the greatest 20th century composer. I can listen to this all day long and never get tired of it.

정말 일사천리, 답을 알고 시험치르는듯한 막힘없는 자신감…루찌에로 리치의 대가성을 느끼게한다. 게다가 로맨틱하며, 훌륭한 악기의 보이싱과 현란한 연주 테크닉이 시대를 뛰어넘는 영원성을 확인시켜주는 훌륭한 연주다.

Merci de tout cœur pour cette découverte !!! Thank you with my hart for this discover !!!!

ああ、美しい ありがとうございます

that 3rd sonata, wonder what the Schumann's made of it? the work of a young 19 year old,!! extraordinary, the birth of a Titan.

a wonderful music that gives you strength💪💪

Lovely - TY

EXCEPCIONAL 😂

Tully Potter: "The Kreisler recording was made at a time when the great violinist Ruggiero Ricci was retired and spending his days in his publisher's outer office, where visiting fellow fiddlers would pay court to him (some said he was getting away from his wife Harriet, who had a fearsome reputation). "Decca did a lot of promotion," Ricci said. "They put out a long-playing record - I don't think it was commercial, I think it was just promotional, and I still have a copy with an interview with me about Kreisler. They talked to me for about half an hour. I played an all-Kreisler concert in New York and he [Kreisler] said, 'I don't know why anyone would play a whole evening of my music' because he was very modest. He said a lot of crazy stuff. He would say: 'Now you mustn't pay any attention to my fingerings, because I never could play in the first position.'" "The Kreisler album was highly personal to Mr. Ricci," Gregory Zayia says. "He regarded Kreisler and Heifetz as his two primary influences, and this album was meant to be released around the same time as a tribute concert Mr. Ricci arranged in New York in Kreisler's honour (at which he played Tartini's 'Devil's Trill' sonata and Paganini D major Concerto in Kreisler's arrangements). Kreisler was in serious decline, having already survived a horrific street accident and being practically blind and deaf. He could not attend the concert, which Mr. Ricci deeply regretted. However, Mr. Ricci went to see him at the office of his publisher, Charles Foley, and played Kreisler's Recitativo and Scherzo-Caprice for him privately. They spent a long time in conversation that day; and several times during this meeting, Kreisler offered Mr. Ricci a piece of advice that stuck with him for the rest of his life: 'Always play as you feel.' Mr. Ricci interpreted this to mean that if you have a certain style, you have to stick with it. I believe the photo of Kreisler and Mr. Ricci that appeared on the back cover of the original vinyl release was taken that very day in Foley's office." " Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci 🎧 Qobuz bit.ly/447ceM7 Tidal bit.ly/3NxVAxY 🎧 Amazon Music amzn.to/46iUnmS Deezer bit.ly/3JvSUjt 🎧 Apple Music apple.co/46oFWhf Spotify spoti.fi/46p1tGA 🎧 SoundCloud - KZfaq Music bit.ly/3NTAoEo

Album available // Fritz Kreisler: Violin Works by Ruggiero Ricci 🎧 Qobuz (Hi-Res) bit.ly/46hWxlm Tidal (Hi-Res) bit.ly/3ufYm5c 🎧 Apple Music (Lossless) apple.co/3SQo76a Deezer (Hi-Fi) bit.ly/46cfy97 🎧 Amazon Music (Hi-Fi) (Soon) Spotify (mp3) spoti.fi/3SHxPYA 🎧KZfaq Music (mp4) bit.ly/47y1HLl ❤🔊 Discover our Website (browse our catalog and download the world's best remastered editions) classicalmusicreference.com/ Fritz Kreisler (1875-1962) Violin Compositions & Arrangements 00:00 Praeludium and Allegro in the style of Pugnani (2023 Remastered, New York 1961) 04:38 Tambourin chinois (2023 Remastered, New York 1961) 08:07 Recitativo and Scherzo-Caprice, Op. 6 for solo violin (2023 Remastered, New York 1961) 12:09 Siciliano and Rigaudon in the style of Francœur (2023 Remastered, New York 1961) Violin: Ruggiero Ricci Recorded in 1961, at New York New mastering in 2023 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): bit.ly/3Mraw1r 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): bit.ly/370zcMg 🔊 Follow us on Spotify: spoti.fi/3016eVr ❤ Support un on Patreon www.patreon.com/cmrr/about Tully Potter: "The Kreisler recording was made at a time when the great violinist Ruggiero Ricci was retired and spending his days in his publisher's outer office, where visiting fellow fiddlers would pay court to him (some said he was getting away from his wife Harriet, who had a fearsome reputation). "Decca did a lot of promotion," Ricci said. "They put out a long-playing record - I don't think it was commercial, I think it was just promotional, and I still have a copy with an interview with me about Kreisler. They talked to me for about half an hour. I played an all-Kreisler concert in New York and he [Kreisler] said, 'I don't know why anyone would play a whole evening of my music' because he was very modest. He said a lot of crazy stuff. He would say: 'Now you mustn't pay any attention to my fingerings, because I never could play in the first position.'" "The Kreisler album was highly personal to Mr. Ricci," Gregory Zayia says. "He regarded Kreisler and Heifetz as his two primary influences, and this album was meant to be released around the same time as a tribute concert Mr. Ricci arranged in New York in Kreisler's honour (at which he played Tartini's 'Devil's Trill' sonata and Paganini D major Concerto in Kreisler's arrangements). Kreisler was in serious decline, having already survived a horrific street accident and being practically blind and deaf. He could not attend the concert, which Mr. Ricci deeply regretted. However, Mr. Ricci went to see him at the office of his publisher, Charles Foley, and played Kreisler's Recitativo and Scherzo-Caprice for him privately. They spent a long time in conversation that day; and several times during this meeting, Kreisler offered Mr. Ricci a piece of advice that stuck with him for the rest of his life: 'Always play as you feel.' Mr. Ricci interpreted this to mean that if you have a certain style, you have to stick with it. I believe the photo of Kreisler and Mr. Ricci that appeared on the back cover of the original vinyl release was taken that very day in Foley's office." " Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci 🎧 Qobuz bit.ly/447ceM7 Tidal bit.ly/3NxVAxY 🎧 Amazon Music amzn.to/46iUnmS Deezer bit.ly/3JvSUjt 🎧 Apple Music apple.co/46oFWhf Spotify spoti.fi/46p1tGA 🎧 SoundCloud - KZfaq Music bit.ly/3NTAoEo

Гениально!!!!!

After too long a time I listen again at the outstanding elegant performance by Tortelier if these miracle works. Thank you !!

Divina. Un secondo movimento sublime.

Beautiful ❤❤❤

A sensitivity like his is not often heard.

Magnífico repertorio musical de Antonin Dvorak, exelente director Constantin Silvestri en las obras de esta compositor y las orquestas de primer nivel..❤ muchas gracias.

♥️♥️♥️♥️♥️

Exelente colección,las bellas sinfonías del genial Rschumann, gracias 👌❤🎉

Ésto es música ❤, Bella colección de s.rachmaninov y la dirección de Y.Svetlanov maravillosa orquestación 🎉🎉🎉❤.

当時のアナログ・オーディオでは、今のように収録後あれこれイジって欠陥のない完成品を作るようなこともなかったはず。 「ジャンルを超えたコラボ」のような、音楽業者のマーケティングで作られたような中途半端なカテゴリーもなかっただろう。 巨匠二人による記念碑的な作品。一回、一回完璧にキメるのが当たり前だった時代の気迫とプライドを感じる。

Wao, maravillosa colección que sonido mas perfecta para estas sinfonías, tenía que ser el gran director ruso Evgeny Mravinski y la ideal orquesta sinfonca de Leningrado,bravisimo.🎉❤❤

One of the important aspects of these Sonatas and Helene Schmitt's rendering is the impact the performance has on the players, especially on herself. When reading the notes she describes the mysticism and the trial that she experienced. Her sensory imagination expanded and drew her into the experiences of the Sonatas. The belief that music could transform through devotion, purification and passion was created by the mistuned strings that unknown, never heard before, sounds drove her personal emotions.

Un placer oír cuando Wilh.furtwangler conduciendo la filamonica.magnifica colección de estas sinfonías de Brahams y la variación de Haydn ❤.

Bass/ baritone Gustav Niedlinger was renowned for his portrayal of the evil dwarf Alberich, which he sang on the epic Decca recording of the RING conducted by Sir Georg Solti and produced by John Culshaw.

Bravo

Ilirdflrhbigidutcrliuvrlgnyqurlpoznidgrrillroeytoujutdziyraht

What software do you use for making the album covers?

クープランの墓は繰り返しがないととてもつまんない