“Your day breaks, your mind aches…” 😉

0:40 confused on this part

Where you get these metronome hip hop beat?

Kya baat hai ❤❤❤❤👏🏾👏🏾👏🏾👏🏾

Dziękuję i pozdrawiam

Great job but how about wooly bully watch it now 😮

Awesome, thank you for the slash chord explanation! Understand the concept now, thanks Doc.

Very cool sounding.

Wilshire if it was on bastard

Nice! How do I know when to use a slash chord though? I really want to use one but I don't know when the right time is.

When you move to the E and the G notes in the last chord, are these notes that appear within the last chord structure? Does it have a name? because I've been hearing this kind of thing in songs where the chord stays the same but the quality changes back and forth

It reminds me of a Studio Ghibli movie or something - I know Joe Hisaishi likes to use 4ths

I’m finally beginning to grasp music numerals with my eyes

Beautiful ❤️

The Em7 adds anticipation vs the Cmaj7/E. But both have the E,G,B so it's a bit of a coin flip. What I like even better is an Em9 or preferably Em9(no 5). That F# adds some emotional complexity and leads into the G in the ensuing Dm9. Yes I know I'm messing with the vibe but I don't want things quite so harmonious.😎

Throw in C7s before going to F?

That's honestly really cool

Suspensions were traditionally resolved in a stepwise motion down - in this case the G would resolve to F (9-8 suspention). The traditional 2 suspension is when the dissonance lies in the lowest voice

Great work - thank you!!!!

Hi, Guy. I wouldn't say Dm is the one. If so, the G should be G minor. For me, the key center of the vamp is C major. Dm to G7. I always play around D Dorian there, and sounds OK. They key center of the A section is D major, with those brilliant Jobim twists. Greetings from Argentina!

Thanks for keeping it simple, concise. Appreciated.

You don’t need to put a mirror on your keyboard as a visual aid to grasping what negative harmony is. There are already two conceptual mirrors sitting on your keyboard. One’s called “D” and the other is called “Ab”. In reality, they’re the SAME “mirror” - which is one of 12 axes along which the octave can be divided symmetrically. But unlike all the other axes, this one divides the octave in such a way that not only IS symmetrical, but LOOKS symmetrical, making it a much more intuitive way for those new to the concept to wrap their heads around it.

Fifth in the base sounds great!

Very nice 👍

This music is full of magic, full of positive power, love it so much.

Thank you so much!

I could listen on loop all day...wowza, lovely stuff

Can you send a pic of the whole sheet music?

All chords are passing chords

I love how Pat and Lyle are always making a small adjustment that at first listening isn’t obvious until you realize how that adjustment is what gives the song unique beauty.

Love this but, you’re messin’ with us 😁 …I followed along thru the whole thing several times because your left hand and the red highlight shows you playing B♭ *2* but the *sound* is clearly B♭ *1* This happens on the final F, just before the video loops and it also happens in one of the middle bars I know it’s a test to see if we’re paying attention 😉 Thank You for all this amazing & beautiful content-it is very educational for beginners like me So helpful to *hear* as well as *see* 👍

new subs

tyler always has the best chord picks

Ocarina of time vibes

Thanks Dr for the work ! I love you as much as my wife 😅

Another great video! Is putting the 5 in the bass al the time one of Bill Evans main moves that gives him his sound?

I actually disagree I don’t think that’s why he chose those chords. I think it’s in c Phrygian with the C chord changed to major. Just like they do in pyramid song (which is in F# but uses modal interchange and uses chords from F# minor major and Phrygian). Then EIIRP modulates to F major and uses some more modal interchange. It’s definitely more that C is the key of the song for the verses in my opinion. But of course there’s usually no “right” answer especially for most Radiohead chord progressions. Great video!

Nice!

Simple notes that guide harmony and excellent explanation. About chords applied in the part of piece, I liked of Em7. It is a little difference, but it sounds good to the final sequence.

Приветствую Вас, Доктор! Ах, как же много букв и цифр в названии аккордов! Но, если посмотреть внимательнее, то всё не так уж сложно! И звучит великолепно! Благодарю Вас! 🤝

What a great song and interesting point on the pickup notes

Sublime!! Best on KZfaq hands down!!!

For some creative input for your excellent shorts, might you enjoy _JazzSolal_ (1986, Boosey & Hawkes) by Martial Solal ? Cheers, from Ottawa, Canada.

Thanks again. I always learn from your posts.

Close enough

Cmaj7/3 is more sophisticated. :-) Btw, loved your longer video about Close to Home (Lyle Mays).

perfect thank you keep up the good work

Damn! I didn't know that you can be Chinese