Szell and Fleisher were perhaps the most harmonious couple in classical history, in any case the most perfect. The dynamic is imply unrivaled.
@user-yo5ju4pd3lКүн бұрын
うそつきは、朝鮮人のはじまりw
@ryangaertner16683 күн бұрын
23:49
@jkphonix7 күн бұрын
What a gem! 💎
@windstorm10009 күн бұрын
Elevated. Spiritual music.... love all his work calming
@Marcos-he7ee11 күн бұрын
Ferrier! The most Unic contralto voice that make me cry😢
@milesdockendorff15 күн бұрын
Ashkenazy has got to be one of my favorite pianists of all time. He always has a way of playing/interpreting the music in such a beautiful way, while still recording and accomplishing so much! I've been looking for this recording for a while now since I've been very curious about it because Valdimir apparently dislikes this concerto a lot. I was upset to find that it cant be found on Spotify but luckily KZfaq exists! This is absolutely amazing!
@thomasbarth490116 күн бұрын
Er war einer der ganz großen Pianisten
@Albertocarlis17 күн бұрын
Real Art , no sport. A caliper of musician extinct
@zaphbmail17 күн бұрын
Zvláštní příběh o poručíku Kije, a hlavně nádherná hudba ! Krásnou verzi části Troika měl i Keith Emerson
@MusicMan-dv7jg19 күн бұрын
I - Allegro con brio 0:01 II - Marcia Funèbre: Adagio assai 14:12 III - Scherzo: Allegro vivace 29:18 IV - Finale: Allegro molto 34:33
@MusicMan-dv7jg20 күн бұрын
0:01 I - Introduction 3:01 II - Jump 5:01 III - Scherzo I 6:28 IV - Blues 9:26 V - Scherzo II 11:18 VI - Boogie-Woogie 12:24 VII - Interludium 14:07 VIII - Mambo
@user-sk1pj2mx5o21 күн бұрын
The best, totaly inside the music.
@lloydbowers899724 күн бұрын
I bought this LP whilst still a poor university student. It seemed a down-market purchase at the time. Little did I know! Like Casals's Cello Suites, this never grows old.
@JulianHotaling25 күн бұрын
The beautiful piano concerto, written actually by Ottorino Respighi... no scam was involved, just a clerical error. Brahms, a Saint of the god Helios, could have written it; his First Concerto is very Branwen, the Celtic Saviouress; profoundly so- Brahms was from Levertys ancestrally, Saxon Celtic. This B flat concerto can be attributed with the god Ze, for us astrologically attributed with the planet Hulos. Such excellent piano playing, Rubenstein- Rubens Tein means Young Maiden; very early in the race a young maiden of the First Race could have a kid Parthenogenetically... he comes ancestrally from those who have been called Aramaean, Middle East, Second Race... Helios, in Cymric Kethureremeth...
@user-qo1fj1jt3o26 күн бұрын
Muy buena versión con coro como debe ser , gracias !!!!
@jackarcher749527 күн бұрын
I heard it played last night at Blossom, the Cleveland Orchestra's summer home. I had never heard it, and am grateful today to the CO for programming it, and to soloist Mark Kosower, conductor Hanna Lintu, and the players for a brilliant performance. (Marred slightly by a mourning dove in the rafters who wouldn't shut up.)
@jpbel127 күн бұрын
Can't get better than this
@johnpluta266629 күн бұрын
I too have the Phillips LP but it no longer sounds like this.
@TheMixtape11Ай бұрын
Thank you for sharing this, it is my favorite recording of this work, and I was having trouble finding it!
@philzmusic8098Ай бұрын
Toscanini had little respect for Beecham, who called Toscanini "an Italian bandmaster," but this performance rivals Toscanini's in transparency, incisiveness, and expression.
@philzmusic8098Ай бұрын
Enchanting!
@akifaliyev1886Ай бұрын
Это лучшее исполнение концерта Мендельсона, именно запись оркестр под управлением Кондрашина в исполнении Ойстраха. Впервые именно эту запись слушал в 1974 году, после этого слушаю только её. В интернете много отличных исполнителей концерта Мендельсона, но эталон исполнения это Давид Ойстрах. Я преклоняюсь перед его исполнительским гением
@valerieheinderyckx4506Ай бұрын
Époustouflant..!
@classicallpvault8251Ай бұрын
Arthur Grumiaux was hands down the best violinist of his generation and the reference artist for every single work he ever recorded including this one.
@UmbertoFerrandoАй бұрын
The first movement is musically very well composed, but suffers from two important problems: - a certain expressive uniformity; - if the first theme is excluded, the thematic elements are poorly characterized and their development, however well thought out, fails to give the work a "direction"... The second movement is thematically beautiful, but it is the quite literal transcription of the Andante op. 79 (completed and orchestrated by Taneev) and, as I know that piece, I often have the perception that the piano must enter at any moment, it would be necessary to have the sketches of the slow movement of the symphony available to know how much Tchaykovsky and Taneev adapted the original Andate as a concertante work for piano and orchestra but my feeling is that something is missing in this orchestral version. The scherzo isn't bad at all and after all it's the re-orchestration of a piano arrangement of the original scherzo of this symphony in E flat. The ending is a typical "pout-pourri" finale, made up of episodes, not all of which are of the highest structural and thematic quality, some things seem bordering on musical bad taste to me and I think it is more Tchaykovsky's fault than Bogatyrev's. Little to say about the performance: Ormandy was a great conductor, here he manages to give continuity and tension even where they are lacking (finale) and the Philadelphia Orchestra played in a superlative way.
@dennisdrud2078Ай бұрын
A nice and different rom Stravinskys hand.
@operaloverhro3407Ай бұрын
Phantastisch!!!
@ferguszade5594Ай бұрын
This is not Gilels. It is Andre Watts with Thomas Schippers and the NYPO.
@dejanstevanic5408Ай бұрын
Very serious one. I like it. TY
@tottorijapanАй бұрын
I wish I could have listened to the complete Bruckner symphonies conducted by Munch.
@calientakabezasАй бұрын
07:08
@matmm75006Ай бұрын
23:37
@pepehaydn7039Ай бұрын
Haydn's 88. Still unsurpassed!!
@MrRon-lw1riАй бұрын
Most listeners would prefer Weber's clarinet concertos due to their dazzling displays of virtuosity. It takes a mature mind to appreciate the subtle simplicity and the divine ingenuousness of Mozart.
@MrRon-lw1riАй бұрын
Brymer doesn't have to wow us with dazzling arpeggios and flights of fancy as do other clarinetists; his tone is enough to wow us.
@sammyal-doory5841Ай бұрын
If I am not mistaken, Strauss wrote this at the age of 17, for his father, Franz Strauss, who was a virtuoso horn player in the Munich court orchestra.
@user-de9si4cv9rАй бұрын
마스터피스닷! ❤
@user-jl9zr5vf8iАй бұрын
🇰🇷👍🙂😇🙏 고맙습니다0
@user-wz2gj9tx1hАй бұрын
優しい愛情に満ちたシューマン。
@richieadam2234Ай бұрын
This is the greatest recording of Mozarts Violin Concerto number 4. Absolute gem.
@Benjamin-bq7tcАй бұрын
i'm here ecause of Dave hurwitz. he's right. What a wonderful recording/performance!
@Ian24sАй бұрын
It's good, but Sawallisch surpasses by a country mile.
@richieadam2234Ай бұрын
I prefer Szell's .
@Ian24sАй бұрын
@@richieadam2234 Ludicrous
@chrislimnios9180Ай бұрын
What a sound!!!
@user-jl9zr5vf8iАй бұрын
🇰🇷🇰🇷🇰🇷😊😇🙏고맙습니다0
@crasuswolfАй бұрын
Muzica nu zgomot. Pamant si pasari din neant.
@ilirllukaci5345Ай бұрын
Lubermann?
@ohkokuanАй бұрын
視聴する際は倍速0.75がオススメ
@davemiller76332 ай бұрын
The greatest there will ever be
@parkthoven2 ай бұрын
성음에서 레코드 나오던 시절, 아쉬케나지, 프레빈, 런던심포니 조합으로 협주곡 1번, 2번 레코드 1장, 3번, 4번, 파가니니 랩소디 레코드 2장으로 구매했었는데 70년대초 녹음이라 조금은 올드한 사운드라서 아쉬움이 남았었는데 아쉬케나지가 2000년대로 와서 하이팅크과 로얄 콘세르트허바우 오케스트라 RCO 와 다시 녹음을 해서 과거 음질에 대한 약간의 아쉬움이 해소가 되었다고 느꼈던 기억이 납니다. 특히 파가니니 랩소디의 경우 오케스트라가 RCO가 아닌 필하모니아라는 점이 조금 특이하내요. 하이팅크는 런던심포니와도 오래 했었는데 필하모니아가 등장한 건 다소 의외긴 했내요. 그래도 제일 중요한 18변주가 연주 및 레코딩 모두 멋지기 때문에 다 용서됩니다~ㅎㅎㅎ