Lucas Arruda his paintings I crossed by chance when looking at Mendez Wood DM galeria in São Paulo about 7 years ago. Immediately the feeling I got was “this person knows how to paint”… I am myself a painter and I paint both in São Paulo and the south of France… I keep looking around to see what is going on and seeing these small paintings very calm paintings, painted with a mix of contemporary and Dutch 18thCentury…reminded me of a painter I had seen at the Paris Fiac in the mid 1970’s called Armando Morales from Nicaragua 🇳🇮, whose paintings of South American forests with indian natives I immediately liked. I had the feeling this is good. Looks like it is good.
@antonioromao416117 күн бұрын
Seus pretos e brancos são majestosos
@antonioromao416117 күн бұрын
Os seus pretos e brancos são majestosos
@antonioromao416117 күн бұрын
É um marco na pintura moderna. A partir de aqui os pintores têm que procurar novos caminhos
@patricshaw20 күн бұрын
great work, time to have a show in the MOMA 💎
@Bapalooza22 күн бұрын
Interesting work, thanks for this video. Video closeups are often so much more revealing than all but the best photo documentation
@rosamariaparrotta548823 күн бұрын
😊
@joebillionaireguillen4749Ай бұрын
Sin of man
@martinanoppeney8591Ай бұрын
❤❤❤pur beauty
@RonaldGossesАй бұрын
AWESOME ! Thanks for showing.
@jrsmith1414Ай бұрын
Beautifully curated show and the person on the video camera did an excellent job.
@davejones732Ай бұрын
you move the camera way too much this is about us viewing her brilliant work. but thanks anyway.
@chriserskineartistАй бұрын
Great filming. You really got the texture, brushstrokes, and rich colours to reveal themselves. Dana is an amazing artist.
@PixelatedCanvasesАй бұрын
🔥🔥🔥
@poggiodipoggioАй бұрын
waow Thank you for sharing this 🙏
@judehayashi5892Ай бұрын
Thank you!
@Chron_Dawg78Ай бұрын
So much below the surface. Thanks for posting
@lindakerlin8526Ай бұрын
Thank you
@franciskodankandath210Ай бұрын
❤❤❤Artist Francis Antony Kodankandath, Kerala, India 🎉
@onart4602Ай бұрын
emperors new clothes
@thewaythingsare8158Ай бұрын
Being the other side of the pond I really appreciate the walk around. Just the natural ambient sound in the space would be a million times better though. I have to mute it to see the work ❤
@newyorkgallerywalk8005Ай бұрын
Thank you! Feel free to mute it if it bothers you to see this wonderful show 😊
@nigelbanksart2 ай бұрын
Goodness! Please tell me: what is this music?
@carlkligerman19812 ай бұрын
Thanks for sharing. Wish you’d gotten us a better look at the large pale paintings that were impasto though
@kieranflynn75822 ай бұрын
Is this a joke
@danalvear79772 ай бұрын
Louis Fratino’s organic, tactile style makes viewing it feel like a warm embrace. The music in this clip is an excellent match. Could we get information about it, please?
@Johnconno2 ай бұрын
Der Meister.
@sjmeyersdesign50392 ай бұрын
What is the music accompanying this video?
@suzanscottartistobserver72252 ай бұрын
powerful.
@fritz43452 ай бұрын
I love Dana Schutz's work.
@albertinsinger74432 ай бұрын
More Baroque in abstraction. Not my thing.
@ximenaabarzua80622 ай бұрын
Really really good
@mercedesaquino-zx5oe3 ай бұрын
😊ME GUSTA VERLO PINTAR. ME DAN GANAS DE LLORAR...❤DESDE ARGENTINA.😊
@mercedesaquino-zx5oe3 ай бұрын
❤AMOOOO SUS PINTUAS.
@valentinsantovena35693 ай бұрын
Congratulations... fantastic fall down full of color and mysterious magic. thank you for your beautiful work
@carolynmullet17263 ай бұрын
Beautiful, energetic brush work! And the colors--fantastic.
@suileniluizontrombetta63173 ай бұрын
Lindoooooo👏👏👏👏👏👏👏
@cowgirlpictures80883 ай бұрын
Wondering who filmed this video and therefore who owns the copyright on this video? I'd like to use a second or so of it in a film I am making.
@davidhunternyc13 ай бұрын
Much of contemporary painting has reverted back to foreground, middle ground, and background tropes. Representation, figuration, and subject matter reign. Issues matter. Yes, Clement Greenberg was fiction but is what we have now any better? The problem is our eyes see fast. We instantly assimilate images and quickly become bored. Rehashing visual conventions are often unsuccessful and, to be fair, most abstraction is a regurgitation of the past too. Art is no longer the zeitgeist it once was. Besides Jackson Pollock, the closest the art world had to putting an artist on the cover of Time Magazine was either Jeff Koons or Matthew Barney. That time has past. Beeple stirred a bit of controversy but, for most people, it's more engaging to swipe left and swipe right. In this sea of the new normal, painting doesn't care. Painting is still, quiet, and anachronistic. Even so, the paintings of Thomas Nozkowski's make quite a noise, the antithesis of Rothko's vibrating hum. Spirituality is replaced by transgression, uncertainty, and the chattering of teeth. If art mirrors our times, Nozkowski's pulse was prescient, aligned more with the existential angst of Jordan Wolfson and Neo Rauch than with his own generation. Thomas Nozkowski's paintings are not "a celebration of form and color." He plows through abstract expressionism and minimalism with a sneer. He's inspired by the slippage between thoughts, images, things, and patterns. Nozkowski's paintings do something. They function. Some paintings exhibit a perverse humor. Their enigmatic presence is remarkable considering they're directly and simply painted on a small scale. In an age of oversized art in oversized galleries, Nozkowski's honest work shuns grandiosity, like Vemeer's, "The Lacemaker" mocking David's histrionic, "Coronation of Napoleon". One of Nozkowski's predecessors is Myron Stout, whose black & white paintings cohabit a space between abstraction and non-representaion. Google search Stout's "Untitled", 1957 - 1968, at the Yale University Art Gallery. Like Nozkowski's work, it's a small oil painting, consisting of a white "V" shaped figure on a black ground. Myron Stout's "Untitled", is simple in form but, "What is it?" "What's it doing?" The white shape is simultaneously flat and deep, receding and advancing, every rounded corner different from the next. Stretching. Pulling. Doing no-thing. Its graphic simplicity resists assimilation. At 5:20, Nozkowski's, "Untitled", takes Stout's "V" and turns it into a right angle swimming pool in the middle of a Van Gogh wheatfield. Disagree and you'd be correct. The painting just sits there, neither affirming nor denying your thoughts because, of course, painting does none of these things. It's neither a representational take on Myron Stout's "V" nor an abstraction. Like the shutter of a camera lens, it closes, resisting interpretation. Not to be outdone, at 3:20, is a simple lime green shape on a grey background. Empty of detail and minimal in construct, it is perhaps the most vexing painting in the show. Is it a pixelated artichoke? Nothing coalesces. Questions beget more questions. Like many of Nozkowski's paintings, the image is unpinnable and is frankly, odd. In another "Untitled" painting at 3:08, the painting is both a cartoonish take on Hokusai's, "The Great Wave of Kanagawa" and a character from Dr. Seuss... 'Clark' in the park. There are other painters whose work shares an affinity with Nozkowski. Albert Pinkham Ryder, Forest Bess, and Gertrude Abercrombie were artists who also worked on a small scale outside the mainstream. Their internal dialog with the world couldn’t care less about the official canon of art history. Thomas Nozkowski's vision was no less singular. We were lucky to have him.
@stevegove-humphries78963 ай бұрын
What a superb artist Tapies is. This exhibition would have been a ‘must-see’ for me. His innovative & meaningful comments on the world suggest so many ways of ‘seeing’ that they lood one’s brain. To see it in person would have been such a pleasure. I do not think UK has had an Antonio Tapies exhibition for some time ( or even ever ) or in last few decades. We should resolve to ensure we rectify that. Thank you for a good video. And sharing with us .
@bozboz44143 ай бұрын
Not usually a fan of the abstract stuff, goes right over my head but these paintings are INCREDIBLE...I hope im lucky enough to see at least one in person sometime
@user-cx8zs5cz8u3 ай бұрын
❣
@sergioluongo763 ай бұрын
Which is the music playing,during this video please...thank you!!!
@olivernjoku31103 ай бұрын
Amazing! Does the artist use canvas or wood-board for his paintings?
@newyorkgallerywalk80053 ай бұрын
@olivernjoku3110 Thank you. He used wood boards for these works.
@olivernjoku31103 ай бұрын
@@newyorkgallerywalk8005 thanks for the info 👍🏿
@trancedrifter3 ай бұрын
This comment won't be liked, but still the bitter truth is obvious. Humanity, like never before, is blinded by hypocrisy. The ones who were oppressed became oppressors. How could they make suffer innocent people the same way as they suffered in ww2? Hundreds of thousands genocided, entire country turned into rubble, with children buried underneath it. If this art, by the intention of author, is supposed to make us feel for the people who were became victims of ww2, if this art is supposed to make us think about the depth of horror mankind can create and try to become better and never allow that horror to happen again, then what does this author have to say today, seeing that the people he tries to portray as victims of millennium, are genociding entire nation today, and the ones who were in those c.camps support this genocide? None of these paintings or art, or words, have any sort of meaning if they don't portray the truth. And the truth is obvious, no sane person will hail ss army for their courage and portray them as victims, the same way no sane person will feel for ''exodus nation'', that literally organized holocost in 2023-2024.
@kontakt58d4 ай бұрын
I ask you for your support! Art is my passion and some years ago I decided making pictures. It would mean so much to me if you help me promote my exhibition in Zoopark Düsseldorf from 17 to 24 May 24. Entrance is free and will present large format pictures and smaller work kzfaq.info/love/CVYghys63xmua3a5wTxgLw
@thevet20094 ай бұрын
Any of this stuff for sale?
@cristinamalumbres49594 ай бұрын
Fantastic
@cristinamalumbres49594 ай бұрын
Amaizing… increíble!! Perdón mi inglés.. no tengo palabras para este arte de impronta
@Ralphsearsart4 ай бұрын
It’s been a long time coming where I have seen great art in this realm. Thanks for sharing!