Goodevening Jytte !!!! And thank you for listening to part 2 of Bobbie's record !!!! And enjoy your film !!!! I am verry sleepy becouse of the beer and I go to bed !!!! So goodnight Jytte Sleep well have sweet dreams and till tomorrow !!!!! Yours forever faithful Henk !!!!!

*Karl Goldmark* (* 18. Mai 1830 in Keszthely, Königreich Ungarn im Kaisertum Österreich; † 2. Jänner 1915 in Wien) war ein ungarisch-österreichischer Komponist, Musiklehrer und Geiger. Sein Vorname wird nach der bis 1901/1902 gültigen Schreibung häufig Carl geschrieben, in seinem Geburtsland Ungarn ist Károly üblich. Leben Goldmark war Sohn eines Chasans, eines jüdischen Kantors. Seine Familie zog, als er vier Jahre alt war, in die Siebengemeinde Deutschkreutz im Burgenland, das damals zum ungarischen Teil des Habsburgerreichs gehörte. Die Familie lebte dort in ärmlichen Verhältnissen. Goldmarks älterer Bruder Joseph Goldmark schloss sich der 1848er Revolution an und musste in die USA emigrieren. Der Pianist und Komponist Rubin Goldmark ist Sohn seines ebenfalls in die USA emigrierten Bruders Leo Goldmark. Mit elf Jahren erhielt Goldmark den ersten Geigenunterricht, mit 14 Jahren zog er nach Wien und gab dort im Alter von 18 Jahren seine ersten Soloauftritte als Geiger. Über viele Jahre arbeitete Goldmark unbeachtet als Theatergeiger am Carltheater in Wien, wo er seine Einkünfte durch Klavierunterricht aufbesserte. Mit 27 Jahren fasste er erstmals den Entschluss, mit eigenen Kompositionen vor das Publikum zu treten, mit 28 Jahren gab er sein erstes Konzert mit eigenen Werken. Zu Beginn der 1860er Jahre war Goldmark als Bratschist eines jungen Streichquartetts tätig. Diesem Quartett übergab Johannes Brahms sein später mehrfach umgearbeitetes _Streichquartett in f-Moll_ zur Probe. In dieser Zeit entwickelte sich zwischen Brahms und Goldmark eine (nicht immer ganz problemlose) Freundschaft, die in zahlreichen Ausflügen etwa nach Baden oder Klosterneuburg und in einer gemeinsamen Italienreise zum Ausdruck kam. Goldmark gehörte daneben auch zu den regelmäßigen Gästen bei der Familie Johann Strauss. 1863 erhielt Goldmark ein Stipendium für Musik, das ihm von den drei Kommissionsmitgliedern des k.k. Ministeriums für Cultus und Unterricht, Eduard Hanslick, Heinrich Esser und Johann von Herbeck, zugesprochen wurde. Als Autodidakt schaffte er 1865 mit der Sakuntala-Ouvertüre den ersten Durchbruch, aufgeführt in Wien im 4. Philharmonischen Konzert der Saison 1865 / 1866. Der Kritiker Eduard Hanslick, der die Aufführung insgesamt wohlwollend kritisierte, nahm allerdings wie in vielen späteren Kritiken an seinem „Dissonanzenreichtum“ Anstoß. Zur Uraufführung von Goldmarks Ouvertüre Im Frühling stellte Eduard Hanslick die Frage, ob „der Dissonanzenkönig es über sich gewinnen wird, dem Mai zuliebe seine schneidenden Akkorde zu verabschieden“, und in Goldmarks Sappho-Ouverture brandmarkte er dessen „Dissonanzenurwald“. Gustav Mahler, der später drei Goldmark-Opern auf seiner Dirigierliste hatte, _Heimchen am Herd_ (1896), _Die Kriegsgefangene_ (1899) und die Neuinszenierung von *_Die Königin von Saba_* (1901), und Goldmark begegneten einander mit gewisser Reserviertheit. Dies wurde teilweise darauf zurückgeführt, dass Mahler es Goldmark stets verübelt hatte, dass dieser als Mitglied der Juroren-Kommission (bestehend aus Hanslick, Brahms, Hans Richter und Goldmark) in den Jahren 1878 und 1881 den „Beethoven-Preis“ der Gesellschaft der Musikfreunde in Wien nicht ihm, sondern Robert Fuchs und Victor von Herzfeld zugesprochen hatte. Goldmark wohnte zuletzt im Pratercottage im 2. Wiener Gemeindebezirk, Josef-Gall-Gasse 5, wo eine Gedenktafel am Sterbehaus an ihn erinnert. Goldmarks Grab befindet sich auf dem Wiener Zentralfriedhof (Alter jüdischer Friedhof, Tor 1). 1925 wurde ihm zu Ehren der Goldmarkplatz in Wien-Hietzing (13. Bezirk) benannt (in der Zeit des Nationalsozialismus trug er den Namen Walter-Flex-Platz). Im burgenländischen Deutschkreutz wurde 1980 das Haus, in dem Goldmark die Jahre 1834 bis 1844 verbrachte, von der Gemeinde angekauft und darin das Goldmark-Museum errichtet. Bedeutung Goldmark war zu Ende des 19. Jahrhunderts, in seinen späteren Jahren, ein sehr populärer Komponist, der mit Superlativen überhäuft wurde. Jean Sibelius, zeitweiliger Schüler von Goldmark ab 1890, schrieb 1892, dass er in Wien einen außerordentlichen Ruf habe und man vielerorts beneidet würde, sein Schüler zu sein. Julius Korngold, Nachfolger von Eduard Hanslick, sprach vom „Goldmark-Kultus“. Karl Kraus bescheinigte ihm, seit Richard Wagners Tod der größte lebende Musikdramatiker zu sein. Er wurde nach Brahms’ Tod gewissermaßen als der letzte Exponent des sich verlierenden spätromantischen Zeitalters angesehen, wobei die ungarische Musikwelt ihn als „Nationalkomponisten“ bis heute mit größerer Aufmerksamkeit bedacht hat. Sein bekanntestes Werk ist die 1875 uraufgeführte Oper _Die Königin von Saba,_ mit der er über Nacht berühmt wurde. Ihr opulentes Klangbild wurde damals als Gegenstück zu Hans Makarts Monumentalgemälden gesehen. Hanslick, der alles im Umkreis Richard Wagners Stehende befehdete, glaubte bei allen Opern Goldmarks eine zu große Nähe zu Richard Wagner feststellen zu müssen. Auch viele andere Kritiker stigmatisierten Goldmark als Wagnerepigonen. Am schonungslosesten mit seiner Kritik gegenüber Goldmark war Hugo Wolf. Die Oper _Die Königin von Saba_ war noch bis 1936 an der Wiener Staatsoper präsent, bis das Verdikt der Nationalsozialisten für das endgültige Ende der Rezeption sorgte. Nach 1945 bot der Musikbetrieb Wiens Goldmark praktisch keinen Raum mehr. Seine musikalischen Leitbilder waren Felix Mendelssohn Bartholdy, Robert Schumann und später auch Richard Wagner. 1860 ist seine einzige Begegnung mit Wagner dokumentiert. Um 1900 war er neben Gustav Mahler und Ludwig Bösendorfer Mitglied im Komitee zur Anschaffung einer neuen Orgel für den Wiener Musikvereinssaal. In seinen späten Jahren erhielt er neben zahlreichen Ehrungen die Ehrendoktorwürde der Universität Budapest. Neben Sinfonien, anderen Orchesterwerken, Kammermusik, Chorwerken und Liedern komponierte er eine Reihe von Opern. Wiederentdeckung Goldmarks frühes _Streichquartett B-Dur op. 8_ erfährt in letzter Zeit wieder eine gewisse Aufmerksamkeit und wurde vom Lajtha-Quartett (Hungaroton, 1993) und dem Klenke-Quartett (Classic, 1998) auf CD eingespielt. Opern _Die Königin von Saba._ Oper in 4 Akten (op. 27; 1871). Libretto: Salomon Hermann Mosenthal. UA 10. März 1875 Wien (Hofoper) _Merlin._ Oper in 3 Akten. Libretto: Siegfried Lipiner. UA 19. November 1886 Wien (Hofoper) _Das Heimchen am Herd._ Oper in 3 Akten. Libretto: Alfred Maria Willner (nach Charles Dickens: _The Cricket on the Hearth)._ UA 21. März 1896 Wien (Hofoper) _Der Fremdling._ Libretto: ?. (Fragment, unvollendet) _Die Kriegsgefangene (Briseïs)._ Oper in 2 Akten. Libretto: Emil Schlicht (= Alfred Formey). UA am 17. Januar 1899 Wien (Hofoper) _Götz von Berlichingen._ Oper in 5 Akten. Libretto: Alfred Maria Willner (nach Goethe). UA 16. Dezember 1902 Budapest (Nationaloper). Neufassung: UA 1910 Wien _Ein Wintermärchen._ Oper in 3 Akten. Libretto: Alfred Maria Willner (nach Shakespeare). UA 2. Januar 1908 Wien (Hofoper) Ouvertüren _Sakuntala op. 13_ (1865); erster großer Erfolg _Penthesilea op. 31_ (nach Heinrich von Kleist, 1884) _Im Frühling op. 36_ (1889) _Der gefesselte Prometheus op. 38_ (1889) _Sappho op. 44_ (1894) _In Italien op. 49_ (1904) _Aus Jugendtagen op. 53_ Sinfonien _Sinfonie Nr. 1 op. 26 (Ländliche Hochzeit,_ 1875/76) _Sinfonie Nr. 2 Es-Dur op. 35_ (1887) Orchesterwerke _Konzert für Violine und Orchester Nr. 1 a-Moll op. 28_ _Scherzo op. 45_ Chorwerke _Regenlied op. 10_ _Zwei Stücke für Herrenchor op. 14_ _Frühlingsnetz, für Herrenchor, 4 Hörner und Klavier op. 15_ _Meeresstille und glückliche Fahrt, für Herrenchor und Hörner op. 16_ _Zwei Stücke für Herrenchor op. 17_ _Frühlingshymne, für Alt, Chor und Orchester op. 23_ _Im Fuschertal, sechs Chorgesänge op. 24_ _Psalm CXIII, für Solostimmen, Chor und Orchester op. 40_ _Zwei Stücke für Herrenchor op. 41_ _Zwei vierstimmige Gesänge mit Klavier op. 42_ Werke für Violine bzw. Cello und Klavier Suite für Violine und Klavier E-Dur op. 11 (siehe Erstausgabe, Edition Schott) Suite für Violine und Klavier Es-Dur op. 43 Sonate für Violine und Klavier op. 25 Ballade für Violine und Klavier op. 54 Romanze für Violine und Klavier op. 51 Sonate für Cello und Klavier F-Dur op. 39 Violinkonzert a-Moll op. 28 (1878) Werke für Klavier _Sturm und Drang - Neun charakteristische Stücke, op. 5 Drei Stücke für Klavier z. 4 Hdn., op. 12 Ungarische Tänze f. Klavier z. 4 Hdn., op. 22 (später durch den Komponisten orchestriert) Vier Klavierstücke, op. 29 _Georginen_ - Sechs Stücke für Klavier, op. 52 Kammermusik Klaviertrio B-Dur op. 4 (1858/59) Streichquartett B-Dur op. 8 (1860) Streichquintett a-Moll op. 9 (1862) Klavierquintett B-Dur op. 30 (1878) Klaviertrio e-Moll op. 33 (1879) Klavierquintett cis-Moll op. 54 (1914) Lieder 12 Gesänge, Op. 18 Beschwörung, Op. 20 4 Lieder, Op. 21 7 Lieder aus dem ‘Wilden Jäger’, Op. 32 4 Lieder, Op. 34 8 Lieder, Op. 37 (Leipzig, 1888 oder 1889) Wer sich die Musik erkiest, Op. 42 6 Lieder, Op. 46

*Costa Milona* or *Κώστας Μυλωνάς* (Konstantinos "Kostas" Mylonas; 1897, Crete - 1949, London): Costa was also known as the "Pocket Caruso". From 1908 to 1918 he studied singing at the Athens Conservatory and in 1917 started appearing in student concerts. He graduated in 1920 and went to Milan and perfected his vocal under the maestro Giuseppe Borghi. He sang at opera houses like the Monte Carlo Grand-Théâtre or the Deutsche Oper in Berlin. He made recordings for labels like: Parlophon (Berlin, 1922); Homokord (Berlin, 1924, 1925); Vox (Berlin, 1926); Kristall (Berlin, 1927); Odeon (Berlin, 1928); Parlophon again (Berlin, 1928, 1929, 1930); Kristall again (Berlin, 1930).

I know ! Buth 20 inch Pathe records are expencif !!! I always bought verry cheap records !

Helloooo my sweet Jytte !!! we are just arived at home !!!! We had a verry nice time !!!! And the food whas delicious And I have drunk a little bit to much beer !!!! I thank you for listening to Bobbie and I wish you a great time watching Your TV !!!! Warmest greetings from your always faithful Henk !!!!

Thank you for your nice words Tiga !!!! Greetings from Henk !!!!

dankjewel voor je leuke reactie Lies ! En doe kalmpjes aan en pas goed op jezelf !!!! Groetjes van Henk !!!!

Hoi Tonya !!!! Dankjewel voor het luisteren naar mijn plaatjes !!!! Een handshake voor Sir Hub en 3 dikke zoenen voor jou van Henkie Maas ! Houdoe !!!!

Hahaha !!! dank voor deze leuke herinnering aan je vader !!!!! Ik wens je een fijne avond Lies !!!! Groetjes van Henk !!!!

Wat leuk Maria !!!! Groetjes van Henk !!!!

Thank you for listening to Eileen Barton's sad song Jytte !!!!! And thank you for telling me about your unhappy love affair Jytte !!!! These things are part of life Jytte !!!! Nevertheless I wish you a beautiful afternoon !!!! Yours always faithful Henk !!!!

Hellooooo !!!! My dearest Jytte !!!! Welcome home !!!!! How nice that you have coffee together with the other singers !!!! And had a great time together !!!! I thank you for listening to Uncle Satchmo !!!! At two o' clock we are leaving to Gemert vissiting Elly's brother Willem ! It whas his birthday last week !!!! Greetings from your always faithful Henk !!!!

@@henkgloudemans8886 I wish you a nice trip to Gemert !!!!! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

Thank you my dearest Jytte !!!!! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤☺🤗🤠

@@jyttethagaardnielsen3568 ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤☺🤗🤠

Das vergnugen ist ganz meinerseits !!!!

@@henkgloudemans8886 Ach, Du Charmeur! 😍

Wie immer,gerne gemacht Henriette !

@@henkgloudemans8886 🥰🥰🥰

Thank you my precious Jytte for listening to Mr. Milona !!!! And I wish you a verry nice time with your choir !!!! I'll wait for your return !!!!! Make something beautiful of this day Jytte !!!!! Your's forever, Henk !!!!!

Thank you my dearest Jytte that you like my record !!!! I know that ,,Singing in the rain is one of your favorite songs !!!! And I send you my warmest greetings out of a Sunny Netherland !!!! You are always in my heart !!!! Yours, Henk !!!!!

*Jack* K. *Pleis* (May 11, 1917 - December 5, 1990) was an American jazz pianist, arranger, conductor, composer and producer. He recorded on London and Decca Records in the 1950s, and Columbia Records in the 1960s. During the course of his career, Pleis worked with many artists, including Louis Armstrong, Harry Belafonte, Bing Crosby, Sammy Davis Jr., Benny Goodman, Earl Grant, Brenda Lee, and Joe Williams. Between 1950 and 1976, more than 150 songs were arranged by Pleis. His surname is pronounced "Pleece" (to rhyme with "fleece"). Early life and education Jack Pleis was born in Philadelphia on May 11, 1917. Starting at the age of four, he began his training in classical piano. He first performed in concert when he was seven. By the time he was eleven, he appeared on radio programs for children. Pleis enrolled in college intending to study medicine. To support his studies, he played piano in jazz and popular music bands. Eventually he left school and moved to New York City, where he began his musical career. Early days In New York, Pleis became successful as a pianist, arranger, conductor, and composer. He was one of Jan Savitt's Top Hatters, playing piano and doing arrangements, a position he left in 1942 to enlist in the Army during World War II. In 1947, the Jack Pleis Trio provided instrumental support for Larry Laurence (with The Quintones providing vocal harmonies). By 1948, Pleis was working at the RCA Victor studios on 24th Street, appearing on the cover of the January 1, 1949, issue of Billboard playing piano at the studio's holiday party. His orchestra backed Teresa Brewer and Bobby Wayne on their 1949 single "Copper Canyon"/"'Way Back Home". Pleis was also part of the Dixieland All-Stars group which backed Brewer's breakout hit (and signature song) "Music! Music! Music!" in late 1949.[13] London Records Pleis joined the American Society of Composers, Authors and Publishers (ASCAP) in 1950. He began work as arranger and composer at London Records under Tutti Camarata. The orchestra backed Ralph Young on his 1950 London single "Please Treat Her Nicer"/"I've Got the World on a String", and Pleis released his own single "Ragging the Scale"/"Story of the Stars", the B-side of which ranked at number 10 on "The Disk Jockeys Pick" in Billboard. In early May 1950, he accompanied his future wife, London recording artist Eve Young, on a promotional tour prior to her opening show. Pleis released several more singles, "Time Alone (Can Heal a Broken Heart)"/"What is There to Say", "I'll Always Be in Love with You"/"Caravan", and "Le Petite Valse"/"Ragamuffin", and the orchestra backed Snooky Lanson on his 1950 London single "You Wonderful You"/"Honestly I Love You". In June 1950, Pleis married Eve Young, and the March birth of their daughter Michelle was noted in an April 1951 Billboard. The Orchestra backed Eve on her single "Just for Tonight"/"Would I Love You?" In 1952, Pleis and orchestra worked with The Bell Sisters and continued working with Teresa Brewer. Pleis left London Records, and Eve signed a new contract with Coral Records, recording under her new name, Karen Chandler. Her debut for Coral, backed by Pleis' orchestra, was the song "Hold Me, Thrill Me, Kiss Me," and it became an enormous hit. Selling over a million copies, it peaked at No. 5 on the Billboard charts. In 1953, Pleis and orchestra backed her on her third Coral release, "I'd Love to Fall Asleep (And Wake Up in Your Arms)"/"Goodbye, Charlie, Goodbye" Decca Records In mid-1953 Pleis joined Decca Records under Milt Gabler. Pleis and Orchestra released "The Eighteenth Variation"/"Mr. Peepers" under the Decca label. The orchestra backed Karen Chandler again on "Why?"/"Flash from the Blue". 1954 saw the release of the orchestra's Decca singles, "Frenchman in St. Louis"/"Pagan in Paris", "Ah Ri Rung", and "For Always"/"Beyond the Blue Horizon", and the orchestra backed the Dinning Sisters on "Steel Guitar Rag", Eileen Barton on "And Then", and Teresa Brewer on her album A Bouquet of Hits. 1955 saw Pleis scheduled to be profiled in the April issue of The American Magazine. Pleis and His Orchestra began releasing singles of Disney film songs (also collected and released on the album Music from Disneyland), and also released "Lies"/"Hey There" and "Pauline"/"The Trouble With Harry", the title tune for Alfred Hitchcock's film, The Trouble with Harry. In 1956, Pleis and His Orchestra again backed Karen Chandler, this time on her first Decca release, and Pleis released another album, Strings and Things. The orchestra backed Bobby Darrin on his single "Rock Island Line"/"Timber". In October, Pleiss' song "Giant", theme of the film Giant, debuted on the Billboard Hot 100 at #93, peaking at #91 in December, and the song "I'll Always Be In Love With You" charted at #65, also in December. Pleis also produced Bing Crosby's album, Songs I Wish I Had Sung the First Time Around. 1957 saw the release of singles "(But As They Say) That's Life"/"Goodnight Waltz", "Search for Paradise"/"Serenade to Michelle", and "The Carefree Heart"/"Serenade in Soft Shoe",[52] and the Orchestra backed Georgie Shaw on "One More Sunrise", Sammy Davis Jr. on "The Golden Key", and Merv Griffin on "I'll Be Thinking of You". "(But As They Say) That's Life" charted at #69 in June 1957. In 1958, the Orchestra backed Carmen McRae on her album Mad About the Man, as well as Toni Arden and also backed The Four Aces on their album Swingin' Aces. He produced the Kalin Twins' song "When", which spent five weeks at No. 1 on the UK charts. In 1960, Pleis conducted for The Castilians' album, Valentino Tangos. Pleis and Orchestra backed Sammy Davis Jr. on a dozen tracks for Decca, including "What Kind of Fool Am I?" (which won the Grammy Award for Song of the Year in 1963), "The Lady Is a Tramp", "I Gotta Right to Sing the Blues", "Do Nothin' Till You Hear From Me", "I Got a Woman", "There Is No Greater Love", "Gee, Baby, Ain't I Good to You", "This Little Girl of Mine", "Till Then", and "Mess Around". Columbia Records The 1960s brought a move to Columbia Records. In 1961, Pleis and Orchestra backed Brazilian singer Maysa Matarazzo on her album Maysa Sings Songs Before Dawn,[62] he conducted for Billy Butterfield's album, The Golden Horn, and arranged several of the tracks on Lionel Hampton's album, Soft Vibes Soaring Strings. Pleis also produced Les Elgart's album, "It's De-Lovely" For Dancing and Listening, and released an EP, Medley from The Musical "Through rhe Years", and an LP, Stage Left, Stage Right. In 1963, he conducted for Peter Nero's album, Born Free, and Pleis and Orchestra backed Liza Minnelli on her single, "One Summer Love"/"How Much Do I Love You?". Film and television scores Pleis and His Orchestra performed the songs "Strange Feelings" and "The Blues I Got Comin' Tomorrow" for the soundtrack of the 1961 film, _Force of Impulse._ Pleis composed and conducted the music for the 1964 film, Diary of a Bachelor. He also composed music for the television shows _Family Affair_ (1966), _Gunsmoke_ (1967), _The Wild Wild West_ (1967-1969), and _Dusty's Trail_ (1973-1974). Later career Pleis arranged the songs on side one of Johnny Hartman's 1967 album, _I Love Everybody,_ including "If I Had You", "I Cover the Waterfront", and "For Once in My Life". Under the moniker The Sounds of Our Times, Pleis co-produced and penned two songs for the 1967 easy listening, psychedelic instrumental LP _Music of the Flower Children._ Pleis produced several of Harry Belafonte's albums, _Belafonte by Request_ (1970), _The Warm Touch_ (1971), and _Calypso Carnival_ (1971). Pleis also produced several of Jack Jones' albums, _A Jack Jones Christmas_ (1969), _A Time for Us_ (1970), and _Christmas with Jack Jones_ (1973). He produced Hugo Montenegro's album, _Colours of Love_ (1970). In 1976, Pleis put out what would be the last album released under his own name, _I Play the Songs the Whole World Sings,_ on Ranwood Records. Private life Pleis was married to singer Karen Chandler. He died on December 5, 1990, in Palm Springs, California, at the age of 73. Charted hits "Giant", Billboard Hot 100, #93 (10/20/1956), #91 (12/29/1956) "I'll Always Be In Love with You", Billboard Hot 100, #65 (12/08/1956) "(But As They Say) That's Life", Billboard Hot 100, #69 (6/17/1957)

Dankjewel voor het jaar van de plaat Henri !!!! En voor het prachtige en uitgebreide verhaal over Eileen Barton !!! Het was een genot om het te lezen !!!! En natuurlijk ook mijn dank voor de lijst met haar hits !!!! dankbare groetjes van Henk !!!!

Dank voor deze adembenemend mooie biografie van Jack Pleis en alle verdere info !!!! Groetjes van je altijd trouwe Henk !!!!!

Dear Henri, thank you for telling about Eileen Barton and her hits !!!!!!! 😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍

Dankjewel Jos !!! En een fijne Woensdag !!!!

@@henkgloudemans8886 dankjewel, jullie ook een fijne woensdag

Goodmorning my most precious Jytte !!!! I have slept verry well and I hope that you did the same !!!! Thank you that you like Sonneveldt's song !!!!! And I think we gonna share the same weather !!!! And I wish you a magnificent Wednesday !!!!! Your forever faithful Henk !!!!!

Goedemorgen Henri !!!! Dank voor het jaar van de plaat en de namen can Armstrong's personeel !!! En voor het interessante verhaal over het nummer ,,Dark Eyes" ! Ik wens je een prachtige dag en dankbare groeten van Henk !!!!

Dear Henri, thank you for telling about "Dark Eyes" !!!!!! You are amazing, and I wish you a lovely Wednesday !!!!!!! Warm greetings from Jytte

Goeiemorgen Jos !!!! We hebben hier 16 graden met wat Zon !!!!

Goedemorgen ! Wat leuk Rutger !!!! Nee ik doe alles nog op mijn oude pickupje !

@@henkgloudemans8886 dan komt het goed uit. ook op plaat zag ik.

Goodevening my most precious Jytte !!!! Thank you that you you like webers record !!!! I'm just watching a movie with George Hammilton and Leslie Nielsen ! You have watched a lot of films today Jytte !!!!! I think you will be tired !!!! As my film is ended I go straight to bed because I'm sleepy !!!! So I wish you goodnight !!!! Sleep well have sweet dreams and till tomorrow !!!! Your always faithful Henk !!!!!

@@henkgloudemans8886 No my sweet Henkie, I have watched antique and quiz programs. The films, I mention, are films, I haven`t seen yet !!!!!!!! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

@@jyttethagaardnielsen3568 ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤☺🤗🤠

Danke fur deine schone worten Henriette !!!!

@@henkgloudemans8886 Ist mir stets ein Vergnügen, lieber Henk! 😍

@@hrbooksmusic7878

Helloooo !!!! My precious Jytte !!!! Thank's that you like my Weber record !!!!! How nice that you can watch all the programs that you have missed during the vacation !!!! the modern technic is Superb !!!!! We had a great time Jytte !!!! And I wish you a verry nice evening !!! Till lateron and I keep thinking on you !!!! Yours forever, Henk !!!!

Dankjewel Tonya voor de complimenten over mijn muziekje !!!! Hier schijnt de Zon nu ook maar we hebben eerst vanmorgen een hoop regen gehad !!!! Een handshake voor Sir Hub en 3 dikke zoenen voor jou van Henkie Maas ! Houdoe !!!!!!

Ja, Lies ! En dit nummer was ook heel bekend van Doris Day !!!! Gr. Henk !!!!

Hier hebben wij ook zware regen Lies !!!! Dat wordt binnenblijven !!!! Dus zoek ik een leuke film op KZfaq !!!! Groetjes van Henk !!!!

Merci mon chere Henri pour le annee du disque et pour le info du Pauline Freiin von Hoffmann !!!! Salut de Henk avec ses compliments !!!!!!

Elaine Delmar and Friends 1980 Reilly & Maloney 1980 Joan Morris - William Bolcom 1981 Maxine Sullivan 1981 Hideko Okiyama 1981 Kei Marimura 1982 Iris Williams 1982 Romano Mussolini E I Suoi Solisti (Romano Mussolini) 1983 Unverified Rosemary Clooney 1985 Linda Ronstadt September 16, 1986 Laila Dalseth & Al Cohn 1986 The Nolans 1986 Diana Ross & The Supremes June 1987 Susannah McCorkle 1987 Sonya Hedenbratt 1989 Medley Carly Simon March 13, 1990 Frederica Von Stade - London Symphony Orchestra - Ambrosian Chorus - John McGlinn 1990 Cristi Black 1990 Margaret Whiting, Gerry Mulligan Special Guest 1990 Medley Karen Akers October 22, 1991 Sinéad O'Connor September 22, 1992 Jane Duboc 1992 Laura Fygi 1992 Charlie Watts Quintet October 26, 1993 Nnenna Freelon 1993 David Staller January 1994 Frank Sinatra & Patti LaBelle November 15, 1994 Marilyn Horne 1994 Meta Roos 1994 Live Dick Maloney 1994 Hayati Kafe with The Metropole Orchestra 1994 Julie Andrews - Ian Fraser - London Musicians Orchestra 1994 Weslia Whitfield June 20, 1995 Chris Farlowe 1995 Kerrie Biddell 1995 Ralph Peña [US2] August 10, 1996 Harlem Jazz Camels 1996 Katrine Madsen 1997 Peaches [NZ] 1997 Ann Woodfield January 1, 1998 Azure McCall September 22, 1998 Barbro Svensson 1998 Amy Treitel 1998 Barry Crocker 1998 Carle Wooley and The Groove Masters ‎ 1998 Counterparts [US] 1998 A cappella Joanne O'Brien and Lee Lessack 1998 Medley Diane Schuur March 2, 1999 Judy Collins September 21, 1999 Bewitched Yoko Sikes 1999 Carol Kidd with The Robert Farnon Orchestra 1999 Dawn Chubai 1999 Emily Saxe 1999 Joni Janak 1999 Karin Zimny & Herbie Klinger Quartet 1999 Michael Civisca 1999 Natalie Douglas 1999 April 11, 2000 Silje Nergaard June 5, 2000 Quinn Lemley August 22, 2000 Jill Seifers / Michael Kanan September 26, 2000 Holly Shelton & John Colianni October 31, 2000 Leslie Kendall 2000 Lina Nyberg 2000 Bewitched, Bothered and Bewildered Maureen Christine 2000 Nouvelle 2000 Rob Parton's Jazztech Big Band 2000 Stefanie Schlesinger Group 2000 Smoking Popes September 2001 Ana Martins 2001 Bryan Anthony 2001 Catherine Hickland with Marsh Hanson and Craig Rubano 2001 Cecilia Dale 2001 Charlie Landsborough 2001 Cheryl Porter 2001 Cynthia Kaay Bennett 2001 Enda Markey 2001 Kristjana 2001 Mychelle Colleary 2001 Rebecca Martin 2001 Wendy Foam Jesús 2001 Stacey Kent January 28, 2002 Denise Perrier April 9, 2002 Benoit Jazz Works June 4, 2002 Al Cohn, Laila Dalseth / Totti Bergh Quintet (Totti Bergh, Al Cohn, Laila Dalseth) 2002 Cotton Club Singers 2002 Live Elizabeth Curtis / George Parish 2002 Janet Villas 2002 Misty Bade 2002 Boz Scaggs May 2003 Daryl Sherman June 3, 2003 Vicki Burns August 22, 2003 Des de Moor and Russell Churney October 6, 2003 Medley Rod Stewart & Cher October 14, 2003 Céline Dion November 21, 2003 Maja Christina November 24, 2003 Trisha O'Brien 2003 Barbara Levy Daniels 2003 Claudette Stone with Dick Johnson's Mardi Gras Band 2003 Eavesdropper 2003 Christiane Weber February 2004 Johanne Blouin, Vic Vogel April 20, 2004 Ronnie Milsap September 4, 2004 Simone Kleinsma 2004 Live Debbie Harwood 2004 Deborah Latz 2004 John Trones 2004 Martha Lorin 2004 Rosie Carlino 2004 Steve Tyrell feat. Dave Koz November 8, 2005 Stephy Haik, Regis Huby November 2005 Alberto Traversi Quartet 2005 Blackwood 2005 Chantal Chamberland 2005 Deanna Reuben 2005 Wanda Sá 2005 Kozue Saito August 23, 2006 Tony Hadley October 2006 Cat's Pajamas! Trio 2006 Isabelle Georges - René Urtreger 2006 Andrew Heller 2006 George Evans 2006 Jane Norman 2006 Joey McIntyre 2006 Rufus Wainwright 2006 Samuel Barnett & Richard Sisson 2006 Ann Savoy & Her Sleepless Knights May 15, 2007 Mindi Brizendine June 6, 2007 Jane Parker Quartet July 17, 2007 Julie Anne August 14, 2007 Cynthia Crane November 9, 2007 Live Lyra - Menescal - Valle - Donato November 30, 2007 Medley Andrea Marcovicci 2007 Camila Meza 2007 Hanna Elmquist - Björn Jansson Quartet 2007 Kayla Taylor Jazz 2007 Perry Wood 2007 Robert Matthews 2007 Vigdis Wisur 2007 Ira Gonzalez January 10, 2008 Martha J. & Francesco Chebat April 22, 2008 Pamela Luss June 10, 2008 Suss von Ahn December 10, 2008 Cantor Deborah Jacobson 2008 Medley Doug Ferony 2008 Lars Vercelli 2008 Mary Lowe 2008 Rondi Charleston April 21, 2009 David Harris [AU] September 2009 Chris Calloway 2009 Margie Notte featuring Don Braden & Cecil Brooks III 2009 Live The New Hampshire Gay Men's Chorus 2009 Live Alice Claire Ranieri Quartet 2009 Lara Fabian 2009 Simone Kopmajer 2009 Shayna Steele, Jordan Ballard, Kamilah Marshall May 25, 2010 Anne Ducros September 23, 2010 Cliff Richard October 11, 2010 The Tribute Co. (Planet Music Studio Artists) December 7, 2010 Débora Watts December 14, 2010 Ben Vereen 2010 Jacqui Hicks 2010 Susan Blair 2010 Yvonne Roome 2010 Marika Aubrey June 8, 2011 Bewitched Novie June 22, 2011 Anne Walsh September 21, 2011 Alexia Gardner September 30, 2011 Live Twiggy [GB] November 21, 2011 Bewitched Ali McGregor 2011 André Schwartz 2011 Henry & Reinhardt 2011 Mona Caywood 2011 Jeff Lynne October 5, 2012 Netnakisum & Matthias Schriefl 2012 Carter Calvert and The Roger Cohen Trio 2012 Sydney Claire 2012 Heather Masse and Dick Hyman February 12, 2013 Rhonda Lehman August 1, 2013 The King's Singers September 30, 2013 A cappella Donna Vivino December 10, 2013 Bewitched Noelle Vaughn 2013 Rachael Beck & David Hobson April 4, 2014 Hetty Kate June 6, 2014 Lady Gaga September 23, 2014 Myrczek & Tomaszewski October 21, 2014 Amy Burton and John Musto 2014 Perry Beekman 2014 Mayte Alguacil September 2015 Simona Molinari December 4, 2015 Hubert & Ewa meet Thubanon 2015 Matt Belsante 2015 Travis Moser February 2016 Live Ike Moriz April 7, 2016 Kristin Chenoweth September 23, 2016 Cath Tyldesley November 11, 2016 Donny Most February 14, 2017 Jessica Young February 15, 2017 Ledisi featuring Zaire Park April 14, 2017 Carol Welsman September 1, 2017 Claudia Morris October 6, 2017 Kyle Riabko October 27, 2017 Debbie Gravitte November 6, 2017 Jennifer Martin 2017 Maria Schafer January 19, 2018 Lucy Durack - Amanda Harrison - Helen Dallimore - Jemma Rix April 13, 2018 Lia Booth, Will Brahm 2018Unverified Lisa Fox August 1, 2019 Asha-Louise November 12, 2019 Sylvia Vrethammar 2019 Rita Payés 2019 Sugarpie and The Candymen 2019 Angela Turone & Chris Platt June 19, 2020 Zoë McLaughlin October 1, 2021 Belle-Skinner October 23, 2021 Angela Vella Zarb November 10, 2022 Nicki Parrott February 2023

*Instrumental* David Rose and His Orchestra June 1948 *Bill Snyder and His Orchestra February 1950* Andre Previn with Bob Bain, Lloyd Pratt, Ralph Collier April 1950 Felix King - With His Orchestra July 1950 Roy Ross and His Orchestra 1950 "Big" Dale Scott 1950 Luis Arcaraz and His Orchestra 1951 Morton Gould at the Piano and Conducting His Orchestra 1951 Frankie Carle, Piano with Rhythm Accompaniment 1952 Oscar Peterson August 1954 Benny Carter 1954 Eddie Davis acc. by Bill Doggett 1954 Rud Wharton and His Quartet 1954 Erroll Garner January 10, 1955 Emery Deutsch and His Orch. 1955 Mantovani and His Orchestra 1955 Robert Maxwell and His Orchestra 1955 Dave Pell Octet 1956 Marty Gold and His Orchestra 1956 Billy Rowland & His Trio 1956 Billy Vaughn and His Orchestra 1956 Dick Contino 1956 Jerry Murad's Harmonicats 1956 listen on Internet Archive i Bewitched Lou Snider 1956 Terry Gibbs with His Orchestra 1957 Art Pepper Quartet 1957 The Don Elliott Quartet 1957 Winifred Atwell 1957 Medley André Previn & His Pals (Shelly Manne & Red Mitchell) January 1958 Ray Anthony and His Orchestra March 1958 Don Shirley May 1958 The Kenny Drew Trio October 1958 Victor Silvester and His Silver Strings October 1958 Chamber Jazz Sextet 1958 101 Strings 1958 Bobby Sherwood and His Orchestra 1958 Claude Bolling et son orchestre 1958 Edmundo Ros and His Orchestra 1958 Jimmy Deuchar 1958 Ray Martin and His Orchestra 1958 Skitch Henderson 1958 Stan Getz and The Oscar Peterson Trio 1958 Medley Stanley Applewaite & Orch. 1958 The Australian Jazz Quintet 1959 Cyril Stapleton and His Orchestra 1959 George Romanis and His Orchestra 1959 Liberace with Orchestra directed by Gordon Robinson 1959 Werner Müller and His Orchestra 1959 George Shearing with String Choir conducted by Billy May December 1960 George Siravo & Orch. 1960 Al Grey and The Basie Wing 1960 Earl Bostic 1960 Living Strings 1960 Roger King Mozian 1960 Winifred Atwell 1960 Ferrante and Teicher April 1961 Earl Grant June 1961 Henry Jerome and His Orchestra 1961 Humphrey Lyttelton 1961 Bobby Hackett with Johnny Seng at the Wurlitzer Pipe Organ 1961 Eric Johnson and His Orchestra 1961 Juarez 1961 The Command All-Stars 1961 Guy Lombardo and His Royal Canadians Presenting Al Conte 1962 Maurice Vander - Orchestre Johnny Gregory 1962 Paul Piot et son orchestre 1962 Pepe Jaramillo with His Latin American Rhythm 1962 Sonny Red with Grant Green and Barry Harris 1962 Toshiko Mariano (Toshiko Akiyoshi) 1963 Sid Ramin and Orchestra 1963 Paul Desmond 1965 George Wright 1965 Claus Ogerman and His Orchestra 1966 Ronnie Aldrich and His Two Pianos 1966 The Four-Score Pianos February 1968 Les & Larry Elgart 1969 Wilbert Longmire 1969 Bobby Timmons Trio 1970 Medley Tony Mottola 1970 iThe StereoAction Orchestra 1971 Rudi Brink 1973 Bobby Crush 1973 Marcio Montarroyos e Orquestra 1973 Pino Calvi 1973 Gordon Huntley and His Steel Guitar 1974 Barney Kessel 1975 Rostal & Schaefer 1975 Bengt Hallberg 1976 The World's Greatest Jazz Band 1976 Freddy Anthony 1977 Art Lande 1977 Teddy Wilson 1977 Guido Basso 1978 Ichiroh Masuda Quintet 1978 Al Grey & Tony Coe 1979 Live Carl Burnett Quintet 1980 Bill Goodwin [US2] 1981 Robert Wolfe 1982 Medley Ted Heath and His Music 1982 Eric Rosser 1983 Dick Berk and the Jazz Adoption Agency 1984 Simon Gledhill 1986 Araken Peixoto 1986 Bucky Pizzarelli 1986 Richard Clayderman 1986 Phil Kelsall 1987 Medley Ralph Moore 1987 Bert Weedon 1990 Antonio Hart July 9, 1991 The Ralph Sharon Trio 1991 The Stefan Scaggiari Trio 1992 Ron Affif December 1993 Medley New York Swing 1993 Contemporary Piano Ensemble 1993 Medley Van Craven 1994 Slava Preobrazhenski & Nisse Sandström (Nisse Sandström) 1994 Unverified Sammy Rimington 1994 Gary Schnitzer 1994 Pat Crumly Quartet Septet 1994 Eric Alexander May 1995 Joanne Brackeen Quartet September 1995 Keystone Trio 1996 Johannes Herrlich 1996 Joe Augustine 1996 Carl Doy January 1997 Jesse van Ruller 1997 Martin Taylor 1997 George Coleman Quartet May 1998 Brad Mehldau September 15, 1998 Steve Hall [US2] 1998 Medley Julien-François Zbinden 1998 Stan Tracey & Bobby Wellins 1998 Alguimia 1999 Martin Taylor / David Grisman Acoustic Jazz Quartet 1999 The Bob Draga Sextet & Orchestra 1999 Xavier Richardeau Quintet 1999 Denis Solee January 2000 Phil Wilson [1] and the NDR Big Band 2000 David Hazeltine 2000 Elise Wood / John Hicks 2000 Mads Bærentzen feat. Eric Alexander 2000 Pete Christlieb, Jim Hughart, Tom Ranier, Charles Harris (12), Slyde Hyde 2000 Jane Ira Bloom March 2001 Eddie Higgins Trio December 18, 2001 Alden David 2001 James Sherlock Quintet 2001 Magnolia Jazz Band [NO] 2001 Charlie Shaffer March 2002 Erik van der Luijt May 2002 Beegie Adair 2002 Fumio Yasuda 2002 Live Paul Potyen 2002 Houston Person, Stan Hope, Paul Bollenback, Per-Ola Gadd, Chip White September 9, 2003 Jessica Williams [US1] 2003 Jazz Orchestra of The Concertgebouw 2004 The William Ash Trio 2004 Manfred Junker & German Klaiber April 18, 2005 Adam Czerwiński & Darek Oleszkiewicz 2005 Andy LaVerne / Gary Versace / Billy Drummond ‎ 2005 Dick Hyman 2006 Nulle & Verdensorkestret February 28, 2007 André Previn 2007 Jon Michael Ogletree 2007 Medley The Phil Woods Quintet 2007 Wendell H. Mills II 2007 Larry Ham 2008 Tsuyoshi Ichikawa 2008 Jan Kåre Hystad Kvartett ‎ 2009 Jim McDonough 2009 Mark Lowrey 2010 TRE [IT] 2010 Barry Tuckwell with the Tony Gould Trio 2010 Jean-Pierre Como 2010 One for All 2010 Trio Amsterdam Jazz Connection + Benjamin Herman 2010 Live Marc van Roon July 2011 Marcus Printup 2011 Ayumi Koketsu July 18, 2012 Steven Rogers and Lars Aukrust December 24, 2012 Murley, Bickert, Wallace 2012 Josh Brown with Randy Napoleon & Neal Miner April 17, 2013 Luigi Martinale Trio June 2013 Anton Delecca Quartet November 2013 Martin Speake 2013 Paolo Alderighi Trio 2013 Medley Trio Legacy 2013 Houston Person October 21, 2014 Kaori Nakajima Quartet 2014 Gene DiNovi 2014 Stephen Riley 2014 Enrico Intra April 2015 Acoustic Sessions May 4, 2015 Acoustic Enrico Intra November 2015 Medley Susan Egan November 2015 Connie Han December 11, 2015 Jesper Thilo Quartet 2015 Relaxing Piano Covers January 26, 2016 Albare May 2016 Richard Lennox Trio March 2018 Bill Anschell / Jeff Johnson / D'Vonne Lewis May 2018 John Stetch 2018 Yuichiro Aratake Trio March 1, 2019 Jan Thompson-Hillier April 2019 Ari Hoenig Trio May 2019 Tom Kubis December 14, 2019 Jeff Wahl July 31, 2020 Rossano Sportiello November 2020 Alan Pasqua 2020 oshiaki Yamada Trio September 10, 2021 Gidon Nunes Vaz Quartet October 20, 2021 Leon/Muscalu/Boardman/Verdecchia Quartet 2021 David Larsen June 23, 2023 Christian McBride, Edgar Meyer (Christian McBride, Edgar Meyer) 2024 *Mám strach* written by Zdeněk Borovec *Czech* Jiří Popper - Taneční orchestr Čs. rozhlasu - řídí Josef Vobruba 1966 First release *Fermished* written by unknown author(s) *English* Allan Lieberman 2005 First release *Vous auriez bien pu* written by Boris Vian *French* Diane Tell October 2009 First release Magali Noël June 6, 2011 *Kazo ani* written by Amos Ettinger *Hebrew* Edna Goren 1974 First release *En slump* written by Tage Danielsson *Swedish* Monica Zetterlund March 1967 First release Viba Femba 2002 A cappella Helena Eriksson 2007 Monica Borrfors 2007 Bobby, Ako och Grosse 2013

Dank voor deze prachtige biografie van Bill Snyder en voor de zeer interessante informatie over het nummer en natuurlijk voor de Mega lijst met de andere versie's en natuurlijk ,,last but not least" voor het jaar van de plaat !!! Dankbare groeten van Henk !!!!

WAAAAAAWWWW !!!!! Dat zijn er een partij !!!!!!

En dank voor deze eindeloze rij met instrumentale versie's !!!!!! Dankbare groetjes van Henk !!!!!

*The Famous 1938 Carnegie Hall Jazz Concert* by Benny Goodman, Columbia Records catalogue item SL-160, is a two-disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938. First issued in 1950, the landmark recording captured the premiere performance given by a big band in the famed concert venue. The event has been described as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." The title, mastered from preserved acetates, was among jazz's first double albums, first live recordings, and first to sell over a million copies. One of the earliest records of Benny Goodman music issued on the new long-playing format, the concert recording was also sold in a set of nine 45 rpm records in 1950 by Columbia. The subsequent discovery of the aluminium studio masters made from the original recording resulted in several high-quality CD reissues beginning in 1998. The concert itself In late 1937, Benny Goodman's publicist, Wynn Nathanson, suggested that Goodman and his band should play at the Carnegie Hall in New York City. If such a concert were to take place, then Goodman would be the first jazz bandleader to perform there. "Benny Goodman was initially hesitant about the concert, fearing for the worst; however, when his film Hollywood Hotel opened to critical and commercial success, he threw himself into the work. He cancelled several dates and insisted on holding rehearsals inside Carnegie Hall to familiarize the band with the lively acoustics." The concert was held on the evening of January 16, 1938. It began with three contemporary numbers from the Goodman band- *"Don't Be That Way",* "Sometimes I'm Happy", and "One O'Clock Jump". They then played a history of jazz, starting with a Dixieland quartet performing "Sensation Rag", originally recorded by the Original Dixieland Jazz Band in 1918. Once again, the initial reaction of the audience, though polite, was tepid. Then came a jam session on "Honeysuckle Rose" featuring members of the Count Basie and Duke Ellington bands as guests. The surprise of the session: Goodman handing a solo to Basie's guitarist Freddie Green, who was never a featured soloist but earned his reputation as the best rhythm guitarist in the genre-he responded with a striking round of chord improvisations. As the concert went on, things livened up. The Goodman band and quartet took over the stage and performed the numbers that had made them famous. Some later trio and quartet numbers were well received, and the vocal by Martha Tilton on "Loch Lomond" provoked five curtain calls and cries for an encore. The encore forced Goodman to make his only audience announcement for the night, stating that they had no encore prepared but that Martha would return shortly with another number. By the time the band reached the climactic piece "Sing, Sing, Sing (With a Swing)", success was assured. This performance featured playing by the tenor saxophonist Babe Russin, the trumpeter Harry James, and Goodman, backed by the drummer Gene Krupa. When Goodman finished his solo, he unexpectedly gave a solo to the pianist, Jess Stacy. "At the Carnegie Hall concert, after the usual theatrics, Jess Stacy was allowed to solo and, given the venue, what followed was appropriate," wrote David Rickert. "Used to just playing rhythm on the tune, he was unprepared for a turn in the spotlight, but what came out of his fingers was a graceful, impressionistic marvel with classical flourishes, yet still managed to swing. It was the best thing he ever did, and it's ironic that such a layered, nuanced performance came at the end of such a chaotic, bombastic tune." The concert sold out weeks in advance, with the capacity 2,760 seats going for a top price of US$2.75 a seat (equivalent to $60 in 2023). Preservation There is much confusion about how the live concert was recorded for posterity. At least three studios were involved in making a synchronized pair of acetates (at two, working together) and a set of aluminium masters (at the third). Although it had long been believed the sound was captured by a single overhead mic at the hall, the notes to the 1998 release by Phil Schaap claim it was not working that evening and "at least three other mics were used." The acetates became the basis for the original 1950 double-LP album release. The higher quality metal masters were used for subsequent remasters. CD reissues based on the metal masters were released in 1998, 2002 and 2006. The original 1950 long-playing double-album was very well received. As technology improved the material was re-released in digital format, with new versions produced both in the 1980s and 1990s. The 1999 reissue received critical acclaim. Bruce Eder, writing for AllMusic, generally praised it, while noting the compromise between clear reproduction of sonic detail and retaining surface noise from the source material. The Penguin Guide to Jazz Recordings includes the release in its "Core Collection," in addition to giving it a perfect four-star rating. Penguin authors Richard Cook and Brian Morton describe the release as "a model effort, masterminded by Phil Schaap, whose indomitable detective work finally tracked down the original acetates and gave us the music in the best sound we'll ever get; with powerful, even thrilling, ambience." Side one 1. *"Don't Be That Way"* Edgar Sampson, Benny Goodman, Mitchell Parish 2. "One O'Clock Jump" Count Basie 3. "Sensation Rag" Edwin "Eddie" Edwards 4. "I'm Coming Virginia" Will Marion Cook, Donald Heywood 5. "When My Baby Smiles at Me" Bill Munro, Andrew Sterling, Ted Lewis, Harry Von Tilzer 6. "Shine" Cecil Mack, Ford Dabney, Lew Brown 7. "Blue Reverie" Duke Ellington, Harry Carney 8. "Life Goes to a Party" Harry James, Benny Goodman Side two 1. "Honeysuckle Rose" Thomas "Fats" Waller, Andy Razaf 2. "Body and Soul" Johnny Green, Edward Heyman, Robert Sour, Frank Eyton 3. "Avalon" Vincent Rose, B.G. DeSylva, Al Jolson 4. "The Man I Love" George Gershwin, Ira Gershwin Side three 1. "I Got Rhythm" George Gershwin, Ira Gershwin 2. "Blue Skies" Irving Berlin 3. "Loch Lomond" Traditional 4. "Blue Room" Richard Rodgers, Lorenz Hart 5. "Swingtime in the Rockies" Jimmy Mundy, Benny Goodman 6. "Bei Mir Bist du Schoen" Scholom Secunda (music), Jacob Jacobs (lyrics) adapted by Sammy Cahn, Saul Chaplin 7. "China Boy" Dick Winfree, Phil Boutelje Side four 1. "Stompin' at the Savoy" Edgar Sampson, Benny Goodman, Chick Webb 2. "Dizzy Spells" Benny Goodman, Lionel Hampton, Teddy Wilson 3. "Sing Sing Sing (with a Swing)" Louis Prima 4. "Big John's Special" Horace Henderson

Thank you for the year of recording Henri !!!! And for the names of Goodman's personnel !!!! And for the verry interessting story's about Edgar Sampson and the number !!!! And for all the other informations !!!! Greatful greetings !!!! Yours, Henk !!!!!

Thank you for the verry interessting info about the album Henri !!!! You are AMAZING !!!!!!

@@henridelagardere264 Dear Henri, thank you for all this information !!!!!! You are amazing !!!!!! I wish you a lovely evening !!!!!!!! Warm greetings from Jytte

Hahaha !!!! De nieuwe regendans !!!!

@@henkgloudemans8886 🤭

Graag gedaan Henkus !!!!!

Thank you my dearest Jytte !!!! I think this is the only record I have of them ! Thank's that you like it !!!! Enjoy your day and take good care of yourself !!!! till lateron and in the meantime I keep you closed in my heart !!!! Yours always faithful Henk !!!!

Hahahaha !!!!! thank's for the great joke my dearest Jytte !!!! And thank you for listening to Benny !!!!! Make something beautiful of this day Jytte !!!!! I keep thinking on you !!!!! Yours forever, Henk !!!!!

Thank you my precious Jytte !!!! For your nice words about my record !!!!! Have a splendid day !!!!! You are forever in my heart !!!! Your faithful Henk !!!!

Hellooo !!!! My dearest Jytte !!!! we have plenty of rain overhere !!!!! The little boy will be become a sailor Jytte !!!! and I send you my warmest greetings !!!! Yours always, Henk !!!!

Dankjewel dat je het leuk vindt Jos !!!!

Benny is veelvuldig te horen in de komende weken Rutger !!!

Goodmorning !!!! My precious Jytte !!!!! Thank you that you like my record !!!! i have also the version from Doris Day buth I don't know if I did the upload alreddy ! And look for the the Bathmobil Jytte !!!! hahaha !!!!! I wish you a magnificent Tuesday !!!! Your always faithful Henk !!!!

Goeiemoggel Jos !!!! Ik zou maar een parapluie bij de hand houden !!!!!!

Goodevening my precious Jytte !!!!! Thank you that you like my Weber record !!!! I have also in the evening didden uploads in the barn ! So I have a little bith of munition !!!! how nice that you have watched Frost and a Swedish program about Antiques !!!!! I go also soon to bed Jytte !!! I'm still a bith tired ! So I wish you Goodnight !!!! Sleep well and have sweet dreams !!!!! And till tomorrow !!!! your always faithful Henk !!!!!

helaas heb ik geen muziek van haar !!! nog een fijne avond Gerard !

Hoi Tonya !!!!! We hebben een prachtige vacantie gehad in Denemarken bij Jytte en haar familie !!!! binnenkort een paar video'tjes van dit mooie land !!!! een handshake voor Sir Hub en 3 dikke zoenen voor jou van Henkie Maas !!!!! Houdoe !!!!!

Thank you my dearest Jytte !!! I'm just back out of the barn !!!! Sarie Marys is a South African girl Jytte !!!! I'm sorry for you that it rained the way back home from the supermarket !!!! Take good care of yourself and don't catch a cold !!!! Thank you for listening to Bobbie and have a verry nice evening !!!! I keep thinking on you !!!! Your faithful Henk !!!! ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤☺🤗🤠

Congretiolations my friend !!!!

Dankjewel Jos !!!!

Sir *Henry Lauder* (4 August 1870 - 26 February 1950) was a Scottish singer and comedian popular in both music hall and vaudeville theatre traditions; he achieved international success. He was described by Sir Winston Churchill as "Scotland's greatest ever ambassador", who "... by his inspiring songs and valiant life, rendered measureless service to the Scottish race and to the British Empire." He became a familiar worldwide figure promoting images like the kilt and the cromach (walking stick) to huge acclaim, especially in America. Among his most popular songs were "Roamin' in the Gloamin'", "A Wee Deoch-an-Doris", "The End of the Road" and, a particularly big hit for him, "I Love a Lassie". Lauder's understanding of life, its pathos and joys, earned him his popularity.[6] Beniamino Gigli commended his singing voice and clarity. Lauder usually performed in full Highland regalia-kilt, sporran, tam o' shanter, and twisted walking stick, and sang Scottish-themed songs. By 1911 Lauder had become the highest-paid performer in the world and was the first British artist to sell a million records; by 1928 he had sold double that. He raised vast amounts of money for the war effort during the First World War, for which he was knighted in 1919. He went into semi-retirement in the mid-1930s, but briefly emerged to entertain troops in the Second World War. By the late 1940s he was suffering from long periods of ill-health. He died in Scotland in 1950. Early life Lauder was born on 4 August 1870 in his maternal grandfather's house in Portobello, Edinburgh, Scotland,[9] the eldest of seven children. By the time of the 1871 census he and his parents were living at 1 Newbigging Veitchs Cottages, Inveresk. His father, John Lauder, was the grandson of George Lauder of Inverleith Mains & the St Bernard's Well estate, Edinburgh. He claimed in his autobiography that his family were descendants of the feudal barons the Lauders of the Bass; and his mother, Isabella Urquhart MacLeod née McLennan, was born in Arbroath to a family from the Black Isle. John and Isabella married on 26 August 1870. Lauder's father moved to Newbold, Derbyshire, in early 1882 to take up a job designing porcelain but died on 20 April from pneumonia. Isabella, left with little more than John's life insurance proceeds of £15, moved with the children to be with her family in Arbroath.[14] To finance his education beyond age 11, Harry worked part-time at a flax mill. He made his first public appearance, singing, at a variety concert at Oddfellows' Hall in Arbroath when he was 13 years old, winning first prize for the night (a watch). In 1884 the family went to Hamilton, South Lanarkshire, to live with Isabella's brother, Alexander, who found Harry employment at Eddlewood Colliery at ten shillings per week; he kept this job for a decade. Career Miner On 8 January 1910, the Glasgow Evening Times reported that Lauder had told the New York World that, during his mining career: I was entombed once for 6 long hours. It seemed like 6 years. There were no visible means of getting out either - we had just to wait. I was once right next to a cave-in when my fire boss was buried alive. As we were working and chatting a big stone twice as big as a trunk came tumbling down on my mate from overhead, doubling him like a jack-knife. It squeezed his face right down on the floor. God knows I wasn't strong enough to lift that rock alone, but by superhuman efforts I did. This gave him a chance to breathe and then I shouted. Some men 70 yards away heard me and came and got him out alive. A chap who worked beside me was killed along with 71 others at Udston, and all they could identify him with was his pin leg. I wasn't there that day. - Harry Lauder Lauder said he was "proud to be old coal-miner" and in 1911, became an outspoken advocate, "pleading the cause of the poor pit ponies" to Winston Churchill, when introduced to him at the House of Commons and later reported to the Tamworth Herald that he "could talk for hours about my wee four-footed friends of the mine. But I think I convinced that the time has now arrived when something should be done by the law of the land to improve the lot and working conditions of the patient, equine slaves who assist so materially in carrying on the great mining industry of this country." Performer Lauder often sang to the miners in Hamilton, who encouraged him to perform in local music halls. While singing in nearby Larkhall, he received 5 shillings-the first time he was paid for singing. He received further engagements including a weekly "go-as-you please" night held by Mrs. Christina Baylis at her Scotia Music Hall/Metropole Theatre in Glasgow. She advised him to gain experience by touring music halls around the country with a concert party, which he did. The tour allowed him to quit the coal mines and become a professional singer. Lauder concentrated his repertoire on comedic routines and songs of Scotland and Ireland. By 1894, Lauder had turned professional and performed local characterisations at small, Scottish and northern English music halls but had ceased the repertoire by 1900. In March of that year, Lauder travelled to London and reduced the heavy dialect of his act which according to a biographer, Dave Russell, "handicapped Scottish performers in the metropolis". He was an immediate success at the Charing Cross Music Hall and the London Pavilion, venues at which the theatrical paper The Era reported that he had generated "great furore" among his audiences with three of his self-composed songs. 1900-1914 In 1905 Lauder's success in leading the Howard & Wyndham pantomime at the Theatre Royal, Glasgow, for which he wrote I Love a Lassie, made him a national star, and he obtained contracts with Sir Edward Moss and others. Lauder then made a switch from music hall to variety theatre and undertook a tour of America in 1907. The following year, he performed a private show before Edward VII at Sandringham, and in 1911, he again toured the United States where he commanded $1,000 a night. In 1912, he was top of the bill at Britain's first ever Royal Command Performance, in front of King George V, organised by Alfred Butt.[20][21] Lauder undertook world tours extensively during his forty-year career, including 22 trips to the United States-for which he had his own railway train, the Harry Lauder Special, and made several trips to Australia, where his brother John had emigrated. Lauder was, at one time, the highest-paid performer in the world, making the equivalent of £12,700 a night plus expenses. He was paid £1125 for an engagement at the Glasgow Pavilion Theatre in 1913 and was later considered by the press to earn one of the highest weekly salaries by a theatrical performer during the prewar period. In January 1914 he embarked on a tour that included the United States, Australia, New Zealand and Canada. First World War The First World War broke out while Lauder was visiting Australia. During the war Lauder promoted recruitment into the services and starred in many concerts for troops at home and abroad. Campaigning for the war effort in 1915, he then wrote "I know that I am voicing the sentiment of thousands and thousands of people when I say that we must retaliate in every possible way regardless of cost. If these German savages want savagery, let them have it". Following the December 1916 death of his son on the Western Front; Lauder led successful charity fundraising efforts, organised a recruitment tour of music halls and entertained troops in France with a piano. He travelled to Canada in 1917 on a fundraising exercise for the war, where, on 17 November he was guest-of-honour and speaker at the Rotary Club of Toronto Luncheon, when he raised nearly three-quarters of a million dollars worth of bonds for Canada's Victory Loan. Through his efforts in organising concerts and fundraising appeals he established the charity, the Harry Lauder Million Pound Fund, for maimed Scottish soldiers and sailors, to help servicemen return to health and civilian life; and he was knighted in May 1919 for Empire service during the War. Postwar years After the First World War, Lauder continued to tour variety theatre circuits. In January 1918, he famously visited Charlie Chaplin, and the two leading comedy icons of their time acted in a short film together. His final tour was in North America in 1932. He made plans for a new house at Strathaven, to be built over the site and ruin of an old manor, called Lauder Ha'. He was semi-retired in the mid-1930s, until his final retirement was announced in 1935. He briefly emerged from retirement to entertain troops during the Second World War and make wireless broadcasts with the BBC Scottish Symphony Orchestra.

Australia Possibly Lauder's strongest connections were with Australia. Both Lauder, his wife and son, brother Matt and his wife, were all in Australia when World War I broke out. Their brother John had already emigrated, about 1906, to Kurri Kurri (and, later, Newcastle), New South Wales, and Matt's eldest son John would also emigrate there in 1920. Lauder wrote that "every time I return to Australia I am filled with genuine enthusiasm.....it is one of the very greatest countries in the world." Lauder was next in Australia (with his wife and her mother) in 1919, arriving at Sydney on 1 March on board the Oceanic Steamship Company's liner S.S. Ventura, from San Francisco, and he was in situ at the Hotel Australia when he was formally notified that he was to be knighted upon his return to Britain. His next visit was in 1923 when his brother John was on hand in Sydney, with their nephew John (Matt's son), to welcome Lauder, his wife and her brother Tom Vallance, after a four-year absence from Australia. He visited and stayed with his brother John in Newcastle on several occasions, two well-known visits being in 1925, when he gave several performances at Newcastle's Victoria Theatre for three weeks commencing on 8 August, and again in 1929 arriving in Newcastle for a brief visit on 25 July. Lauder departed Sydney for the USA on board the liner SS Ventura on Saturday 27 July 1929, a ship he was familiar with. In 1934-5, his brother John spent 10 months with him in Scotland. South Africa Sir Harry Lauder's 1925 reception in South Africa has never been equalled in that country. En route to Australia, he and his wife arrived in Cape Town at Easter. Over twenty thousand people had lined the streets for hours beforehand and it was reported that every policeman in the city plus mounted police were required to keep order. All traffic came to a standstill. He played for two weeks at the Opera House to packed audiences every night, figures "which staggered the management". He moved on to Johannesburg where his reception was equally amazing, described by a reporter who said "never, as long as I live, shall I forget it!" Works Lauder wrote most of his own songs, favourites of which were _Roamin' In The Gloamin', I Love a Lassie, A Wee Deoch-an-Doris,_ and _Keep Right on to the End of the Road,_ which is used by Birmingham City Football Club as their club anthem. He starred in three British films: _Huntingtower_ (1927), _Auld Lang Syne_ (1929) and _The End of the Road_ (1936). He also appeared in a test film for the Photokinema sound-on-disc process in 1921. This film is part of the UCLA Film and Television Archive collection; however, the disc is missing. In 1914, Lauder appeared in 14 Selig Polyscope experimental short sound films. In 1907, he appeared in a short film singing "I Love a Lassie" for British Gaumont. The British Film Institute has several reels of what appears to be an unreleased film All for the Sake of Mary (c. 1920) co-starring Effie Vallance and Harry Vallance. He wrote a number of books, which ran into several editions, including _Harry Lauder at Home and on Tour_ (1912), _A Minstrel in France_ (1918), _Between You and Me_ (1919), _Roamin' in the Gloamin'_ (1928 autobiography), _My Best Scotch Stories_ (1929), _Wee Drappies_ (1931) and _Ticklin' Talks_ (circa 1932). Recordings Lauder made his first recordings, resulting in nine selections, for the Gramophone & Typewriter company early in 1902. He continued to record for Gramophone until the middle of 1905, most recordings appearing on the Gramophone label, but others on Zonophone. He then recorded fourteen selections for Pathé Records June 1906. Two months later he was back at Gramophone and performed for them in several sessions through 1908. That year he made several two and four-minute cylinders for Edison Records. Next year he recorded for Victor in New York. He continued to make some cylinders for Edison, but was primarily associated with His Master's Voice and Victor. In 1910 Victor introduced a mid-priced purple-label series, the first twelve issues of which were by Lauder. In 1927 Victor promoted Lauder recordings to their Red Seal imprint, making him the only comedic performer to appear on the label primarily associated with operatic celebrities. Lauder is one of three artists shown on Victor's black, purple, blue and red Seal records (the others being Lucy Isabelle Marsh and Reinald Werrenrath). His final recordings were made in 1940, but Lauder records were issued in the new format as current material when RCA Victor introduced the 45rpm record. Portraits Lauder is credited with giving the then 21-year-old portrait artist Cowan Dobson his opening into society by commissioning him, in 1915, to paint his portrait. This was considered to be so outstanding that another commission came the following year, to paint his son Captain John Lauder, and again another commission in 1921 to paint Lauder's wife, the latter portrait being after the style of John Singer Sargent. These three portraits remain with the family. The same year, Scottish artist James McBey painted another portrait of Lauder, today in the Glasgow Museums. In the tradition of the magazine Vanity Fair, there appeared numerous caricatures of Lauder. One is by Al Frueh (1880-1968) in 1911 and published in 1913 in the New York World magazine, another by Henry Mayo Bateman, now in London's National Gallery, and one of 1926 by Alick P.F.Ritchie, for Players Cigarettes, today in the London National Portrait Gallery (ref:NPG D2675). Personal life On 19 June 1891 Lauder married Ann, daughter of James Vallance, a colliery manager in Hamilton; their only son, Captain John Currie Lauder, was educated at the City of London School followed by a degree from Jesus College, Cambridge University. John became a captain in the 8th Argyll and Sutherland Highlanders, and was killed in action on 28 December 1916 at Pozières. Encouraged by Ann, Lauder returned to the stage three days after learning of John's death. He wrote the song "The End of the Road" (published as a collaboration with the American William Dillon, 1924) in the wake of John's death, and built a monument for him in the private Lauder cemetery in Glenbranter. John Lauder was buried in the war cemetery at Ovillers, France. Lauder was a devout Christian and with the exception of engagements in the United States never performed on Sundays. Lady Lauder died on 31 July 1927, at 54, a week after surgery. She was buried next to her son's memorial in the private Lauder cemetery on the 14,000 acre Glenbranter estate in Argyll,[68] where her parents would later join her. Lauder's niece, Margaret (1900-1966), subsequently became his secretary and companion until his death. Lauder bought the Glenbranter Estate on the Cowal peninsula in Argyll on the 13 October 1916, then sold to the Forestry Commission in 1921. The estate later became part of the Argyll Forest Park established in 1935. The Invernoaden Estate house, in Glenbranter was demolished in 1956. Freemasonry He was initiated a Freemason on 28 January 1897 in Lodge Dramatic, No. 571, (Glasgow, Scotland) and remained an active Freemason for the rest of his life. He spent his last years at Lauder Ha (or Hall), his Strathaven home, where he died on 26 February 1950, aged 79. His funeral was held at Cadzow Church in Hamilton on 2 March. It was widely reported, notably by Pathé newsreels. One of the chief mourners was the Duke of Hamilton, a close family friend, who led the funeral procession through Hamilton, and read _The Lesson._ Wreaths were sent from Queen Elizabeth and Sir Winston Churchill. Lauder was interred with his brother George and their mother in the family plot at Bent Cemetery in Hamilton. In 1932 he had placed the land at Strathaven where Lauder Hall would stand, and its park, in the name of his niece and secretary, Margaret Lauder to avoid high death duties should he die, as he wanted it preserved as the family seat and a museum to himself. This proved to be a wise move as although he left moveable estate of £358,971, the death duties on this amounted to £207,581. After personal bequests to family totalling £27,000 the residue went to Margaret Lauder. In literature and popular culture Lauder's first command performance before Edward VII is satirised by Neil Munro in his Erchie Macpherson story "Harry and the King", first published in the Glasgow Evening News of 14 September 1908.

Posthumous In the 1941 film "Babes on Broadway", Mickey Rooney, imitating Lauder, sings "She Is Ma Daisy." In the 1942 film Random Harvest, Greer Garson plays a member of a travelling troupe. She sings "She Is Ma Daisy" and tells jokes doing an impression of Lauder. Websites carry much of his material and the Harry Lauder Collection, amassed by entertainer Jimmy Logan, was bought for the nation and donated to the University of Glasgow. When the A199 Portobello bypass opened, it was named the Sir Harry Lauder Road. On 28 July 1987, the Lord Provost of Edinburgh hosted a luncheon at the Edinburgh City Chambers to commemorate the 60th Anniversary of Lauder receiving the Freedom of the City. On 4 August 2001 Gregory Lauder-Frost opened the Sir Harry Lauder Memorial Garden at Portobello Town Hall. BBC2 Scotland broadcast a documentary, Something About Harry, on 30 November 2005. On 29 September 2007, Lauder-Frost rededicated the Burslem Golf Course & Club at Stoke-on-Trent, which had been formally opened exactly a century before by Harry Lauder. In the 1990s, samples of recordings of Lauder were used on two tracks recorded by the Scottish folk/dance music artist Martyn Bennett. The Corkscrew hazel ornamental cultivar of common hazel (Corylus avellana 'Contorta') is sometimes known as Harry Lauder's Walking Stick, in reference to the crooked walking stick Lauder often carried. Selected filmography Huntingtower (1927) Auld Lang Syne (1929) The End of the Road (1936)

Dankjewel voor het opnamejaar Henri !!!! En voor de interessante informatie over het nummer en natuurlijk ook met de lijst van de andere uitvoeringen !!!!! En uiteraard voor het prachtige levensverhaal van George Wilford Bulkley Byng !!!!! Dankbare groeten van Henk !!!!!

Dank voor deze adembenemend mooie biografie van Harry Lauder !!!! Henri je bent AMAZING !!!!!

Polka's zijn altijd leuk Lies !!!!!

Hier hebben wij mooi weer gehad Lies! Dus dat proberen wij zo the houden !!! hahaha !!!! Fijne avond verder Lies !!!! Groetjes van Henk !!!!