this is fantastic, thanks for the tips teach

Wait so with each iteration of the lick should you add extra notes on the end?

anyone else frustrated at this lesson like "where have you been all this time? :( " thank you Sir! I `ve already heard of the "less is more soloing BB King type" but the way you put it simple as in pull, slide, bend, hammer on... is just...!

Homie did indeed nerd out.awesome. tall order!

My god this is the best guitar lesson I’ve seen on KZfaq and I’ve seen hundreds. Instant subscribe

Wow. I genuinely think you just taught more than 10 years of KZfaq and 20 combined...

love this format.....thx!

Very helpful . I have had know clue as a beginner what to do with a scale.

Absolutely spot on! The internet has taught me a great deal of useful information but also information overload. What this video suggests is exactly what I turned to after years of being an intermediate player and in the latter years not making the progress as I did when first starting out. It's so important to not let scales play you and learn to treat every note with respect and creativity. Like Daniel says too many times learning guitar players just want to play almost every single note in the scale without thinking about space and letting the notes breath for a second or two. The backing track is great for doing just this. I always sit down to a backing track without my guitar first and listen to it and in my head hear what it is that I would like to improvise with. When you have the basis of a solo in you head then reach for the guitar and play what you remembered. It may not work for everyone but I hope so :)

The Diagonal Pentatonic approach has created a clear map for me. Now I can easily move up and down the fretboard and linger on the traditional box patterns if I want to. Next I’ll add additional diatonic and out of key notes to spice things up. Thanks Dan.

Fantastic...

Pretty jazzy sound. The 3rds thing.

Can you tell me exactly what model and type of semi-acoustic? Tx. J.p.

awesome!!! really great material!!! One day I want to play like you !! May God Bless you you for sharing your talent with others

but what is the actual chord progression?

The best demo of this pedal I’ve seen. Thank you sir.

I'm no guitar player, but I'm about to start my journey and this makes total sense.

Ace, thanks, lots of tips to take away 👍

if ypu are ready for this lesson, it's really good!!..Thank you !!😂

Can't help it, but this guy reminds me of Jack, from the sitcom Will and Grace

very good lesson, much can be learned from this..

Groovy tip

Daniel - love this video!

Good lessons here. Most important I heard is structure your practice. This was hammered into me many years ago by my low brass instructor. 15 min on warm up, using fundamentals... 10-15 min another item, 10-15 min on another. This carries over to all instruments. Fundamentals, then items like individual songs, but always a structured plan.

Great lesson! makes me want to work on soloing …

Being a student of his, this type of solo feedback has pushed me beyond anywhere I thought I could be in just 4 years. This is a great series and everyone should listen to Daniel!

Awesome tutorial! Thank you very much Daniel…🤩🎉🤘

Love it❤

Very interesting ❤❤

This is something I've began to learn as well after playing guitar for over 13 years and the past 2 years of musician studies in convervatory. I used to just run the scales with a metronome. This was a huge stepping stone for me in the past, as it developed my picking technique, fretboard and scale understanding and muscle memory. However years later I realised that my solos also were just like playing scales up and down, I didn't learn "feel" in my playing, even though I had learned how the intervals sounded. So, I had fallen into the trap of many guitarists, of just playing as many colours as I can in a given context, but it really didn't mean much. Few of those notes mattered, although it sounded clean. Now I realise that I don't really need to just learn all scales and modes in all 12 keys to be a good musician. That doesn't really help me as much at this point. Also trying to play more technical with higher BPM and arpeggios cleanly trying to be Guthrie Govan or something just made me feel inferior as a musician, because I don't feel like I'll ever reach that level of technical skill, and thus can't be "good" on the guitar. It's taken years, but I'm slowly coming to the realisation that maybe I don't even WANT to play fast?!? That's just one facet of music and playing, but that doesn't make you sound great on its own and it's not something you must do.

I feel like vibrato has to fit the timing of the song. Fast or slow

This kind of stuff was obvious about 2 weeks into learning music theory 3 years ago for me. I started looking at it this way personally and whenever someone needed to know, I just told them how I looked at it and translate it to however their understanding of keys worked and I'll call it by what they need me to.

Hi Daniel, good course for me, can you give the link to this backing track.....better than the others on youtube....thank you

Awesome lesson! Thanks, very informative. Just what I was looking for!

Ableton has neglected live guitar playing for far to long...BIG MISTAKE Ableton...Many people are tired of Techno etc etc.

Great advice Daniel Thanks for such a quality lesson

This is great! -- now I want to know how to use this for major and other scales?

Terrific fun! More vids like this, Daniel... Thanks!

This is no joke the best guitar lesson I've ever seen ! Thank you man that helped a lot !

Amazing how important this concept is and how you Daniel are the only one that keeps reminding us. I will make sure to add this to my routine. Thanks

This is a unique-ONE OF A KIND-masterclass bundled into a KZfaq video. And it is so, so timely. I am a fan and new supporter. Thank you!!!

This is gold! The difference between painting by numbers and learning the subtle brushstrokes and shapes and shadows of an artist. Thank you!

Nice Idea,make so much fun,Thanks you !!

Thank you, great video!

The Diagonal Pentatonic system has freed me from thinking of the five boxes and how to connect them. All you need to make it work is to locate the tonic and use Daniel’s minor 2-3 and major 3-2 patterns to navigate smoothly up and down the fretboard. Once the simple patterns are ingrained you liven things up with quitaristic techniques and phrasing. Brilliant! The Diagonal Pentatonic course is superb.

Great delivery! A lot of players get caught up trying to logic their way through the feel of the music.

Wonderwall?

I really enjoy this type of video. Nice job.