Beautiful , beautiful from the heart

grazie: comunque e sempre.... Thank you Robert. Forever.

The man with the saddest voice in the world , A great Musician Y was always a Huge fan and saw him life with Soft Machine and Machine Mole <3 thanks for posting

The work lives with the look we give it. she is not limited to what it is, nor to the person who produced it, it is above all made by the person who hears it. Music, painting, literature are a space for questioning and meditation where the meanings we attribute to them can come and be made and undone . Ceci est exceptionnel 😘

I much prefer the Facelift version from 69 than from 70 (including the one in Third). The 69 version is a bit more structured, the 70 version takes too much time to take off.... Anyway thanks for this!

Beyond the anarchies, this band denounced the apparent order and the paradoxes of an insensible world. Spiritual, sensory and rebellious, these poets reveals secret impostures, explores serene enjoyments, a world of rekindled dreams🌺🙂

Love it ❤

Along with Woodstock and Bath '70 THIS festival featured my FAVORITE gathering of bands EVER! The Septet! WOW!

Was this a bootleg, does anyone know?

Over his transition from the most athletic player in the band through to his confinement to a wheelchair, Robert never skips a beat. His musical integrity knows no bounds.

This is a fabulous recording, thanks for the listen. Loved these guys since day 1. Some of the best improvised music ever.

bn: some collection, sir or ms,,, with tears in my eyes. : ) a true moonjunista!

Hopefully soon on CD? No video that i could notice. (Binoculars) Oh. thanks for sharing

Wish there was visual to go with the audio.

M bn: un nouveau ici. Passe ceci à Leonardo *moonjune records* je t'en prie. moonjunistas todos. Et. Merci

Oh! Lest I forget. Thanks for the upload, bn.

I saw them around about this time, supporting Steve Hillage at The Greyhound, Croydon. Unforgettable - and for all the right reasons! Such a great band. So 'loose' yet so together. This is tricky music to play, folks!

Thank you to all the Pink Floyd fans who suggested titles for this RARE STUDIO BOOTLEG from around '69. Again, this song; 1. was about 6 minutes long and sung by Roger,I believe 2. It featured an upbeat renissance-like organ melody which sounded like a psychedelic WALTZ and a trippy middle 8 guitar solo with wah-wah and distorted sounds 3. The lyrics were of one's reminiscing of a young love with movements captured in time and still flowing in his mind The song wasn't "summer of '68. If anyone has a STRONG INTUITION about this song, please feel free to participate with your title suggestions Thanks!❤

Excellent quality and performance. Saw them once (the quartet) at Slugs in NYC, either in summer of '70 or '71 - also a great show. Soft Machine just wasn't the same after Robert Wyatt left.

Well. Hugh's brother did the studio albums. First or second..

Amazing Stereo Audience Tape!!!

Some interesting unreleased material, right after 'Bryden 2 Step' from their 2nd album. (In fact, this date would have even been before their first was released, although already recorded.) Not sure if John Greaves was in the band yet, or if it's Neil Murray at this gig? Great audience recording.

Where can i download it?

On a du se croiser

C'était une révolution musicale

I was into them when Daevid was in the band, he added a Capricorn attitude to the group

So wonderful to hear a live recording of such amazing quality! I was fortunate enough to have been able to attend a concert in Toronto in the late’70s at the Victory Theatre on Spadina Ave. Great to revisit “The Machine “!

Robert waytt... Le génie par excellence

Thanks Robert. Absolutely love you.

コレはハマるぜ⬆️ ピーターバラカン🎉

Fabulous !! Thank you for this ~

This is the real Soft Machine!

I do love Neil Murray in this band.

Absolutely appalling audio quality and so bad it should never have been uploaded

It’s standard to learn French in school in UK. But he’s no slouch, so lovely am I right?

Nice live, thanks for sharing bro 🌌

Se qualcuno NON abituato ad ascolti PROG ROCK si mettesse per la prima volta all' ascolto di una band come gli HENRY COW.....a sua sensazione sarebbe quella di sentire un bel CAOS di suoni ,come se ogni musicista suonasse per conto suo......e ne rimarrebbe sicuramente sconcertato sorpreso...... E comincerebbe a dire....ma che STRANA musica è questa qui???!!!!!! Io fortunatamente ho avuto degli ascolti PROG ROCK importanti prima di ascoltare gli HENRY COW,es KING CRIMSON, tutte le bands piu storiche del Prog Rock, GENESIS YES VAN DER GRAAF GENERATOR PINK FLOYD, JETHRO TULL e Poi SOFT MACHINE, MATCHING MOLE CARAVAN CAMEL HATFIELD & NORTH etc quindi ero già rodato abbastanza per poter mettermi ad ascoltare anche loro. Effettivamente sembra di sentire un caos una cacofonia di suoni strani imprevedibili ma io lo definirei un CAOS ORGANIZZATO, improvvisato GENIALE!!!!!!!! Di base JAZZISTICA,free JAZZ più precisamente parlando. Però è stata una band molto ma MOLTO di AVANGUARDIA!!!!!!!!

Qui hanno fatto una suite interamente strumentale che praticamente era già quella che poi è diventata la STRAORDINARIA....LIVING IN THE HEART OF THE BEAST che inseriranno nell' album IN PRAISE OF LEARNING del 1975 .... album in collaborazione con il gruppo degli SLAPP HAPPY.

grazie per questa chicca !!!

che concerto fantastico!!!come e' possibile che a Ratledge ed Hopper non piacesse quel gioiello che risponde al nome di "moon in june"???...forse il piu' bel brano"sperimentalPop"di fine anni sessanta...

il "lavoro di naso di Esther" e' qualcosa di incredibile anche 55anni dopo!!! Robert e' eccezionale!!!

grazie della condivisione;questo e' uno degli ultimi concerti con Hugh Hopper in formazione purtroppo...ma e' interessante perche'documenta lo stile piu'minimalista che stava intraprendendo la band testimoniato dalle suites che sarebbero uscite sul sottovalutato lp"Six": brani come "Chloe..." oppure"Soft weed factor" richiamano atmosfere a la Terry Riley ed anche qualcosa del Miles Davis elettrico meno funk....mi sarebbe piaciuto avessero continuato su questa strada, ma con "Seven" del novembre 1973 e qualche ulteriore cambio di formazione secondo me virano verso uno jazz-rock piu'scontato,anche se rimane l'ultimo album apprezzabile...poi sempre piu' deboli i successivi con pochissimi colpi di coda.

On en plus on entend ma voix trop cool !! J'ai failli me perdre dans le bois en rentrant au RER, lol😅🎉😂❤

❤🎉😢 j'étais présent ce jour là c'était puissant !!!!❤❤😅

Un des meilleurs concert du groupe. Performance musicale de haut niveau. Peut-on se procurer un enregistrement de ce concert?

On the horns being used on this concert or by this lineup: Marc Charig plays cornet, not trumpet. Lyn Dobson has no flute features here, he mostly plays the soprano sax but also uses tenor on "Backwards" (ensemble parts with alto and cornet when the trombone is soloing) and "Hibou Anemone and Bear". Elton Dean just plays the alto sax. I doubt he ever used a regular soprano and I'm fairly confident he didn't buy the saxello until early 1970, as evidenced by the fact that in 1969 and Jan 1970 Dean's "Pigling Bland" feature was on alto rather than the saxello that he eventually moved to.

Great!!

❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

Superbe versions, super concert

Toute vidéo où il y a Magma mérite un like d’emblée