More dumb ass spoiled brat "golden key" Agents who's keys have only unlocked the gates to their own hells, both in this life and the next.

36:15 Hitchcock nods. I am not an artist, but yes, I do have an albatros existential problem. It keeps me awake at night, its shadow threatening the fries of Buddhist illusion that my Ego munches on whilst taking a stroll on the beach of the collective Unconscious.

31:35 It’s pants, indeed. And buttocks right in front of the standing clown’s face.

30:53 The tiny rectangular protuberance is the clown’s anatomical part which explains the yellow stain on the left side in the previous painting. The harpy managed to existentially avoid the clown taking the piss. The use of slang is not only acceptable here, but required to transmute the reality of city walls on which men inebriated with the nectar of artistic ecstasy splash their inspiring motifs. It’s the archetypal flood of biblical significance. Which explains the harpy subject as a symbol of Eve’s emancipation. Though, of course, me identifying as a ‘she/her’ I fight against the word ‘emancipation’ because it conveys the idea of a woman being ex- man, like Eve out of Adam’s rib.

30:06 Obviously.

29:26 Yes, and yes again. It’s phenomenal phenomenology with a bit of phrenology as the painter was almost blue when she painted this. The profundity of ineffable angst with hues of almost blue that pass as Jungian shadow of the red in another painting the artist will paint in 9 months from now. It is seminal. Seriously.

28:11 Now you’re talking! That’s revelatory. I would say, it complements the previous one by highlighting the structure that the first painting in the series that has not yet begun will have attempted to escape the conformity of good taste in art. Revolutionary. And visionary.

27:37 I told you about the red line, did I not? I am, practically, an art critic with a fine insight into the artist’s psyche.

27:06 It really is one superb structural iteration through conglomeration of colourisation of inspiration. 🤩

26:55 ‘the Clock’. Yup, I can see it’s 3:67, but it is metaphysically concealed behind the green line that reveals itself as a red line. It’s about crossing time or, better said, transcending time- and space- through crossing the line of common sense. 🧐

I will never be a successful painter because I just cannot talk so much, so spontaneously, so nonsensically 😳😂

You totally have to see them in real life. I was blown away by the real works.

Any thing with Tayloa Ruby Frazier is just excellent and very interesting from black and white photos 📸 to videos just a amazing Person 💯

david salle says such dirty dirty things about bonnard

the same ol' matisse meets guston meets de kooning blah blah blah...oh and now you sprinke in a lil nude descending a staircase. wake me up when the derivative train has finally reached the station

I ran into Amy a few weeks ago and told her how much I hated her new show

01:35 Nice..

Lovely and very inspiring. Fascinated by Amy Sillman's thoughtful approach to abstract work.

"...not the sound inside the head but the sound inside the silence inside the silence inside the head..." -- Jordan Belson <3 A beautiful talk. Thank you.

2:40 OMG! She is so boring!

This was good, thank you.

Why don’t you put the talks topics in the description? 😅

Damn imagine saying your childhood is unusual cause you grew up in Venezuela 😂 I guess mine is unusual too cause I grew up in South Africa? 😂

Sitting in front of your work at SFMOMA in a trance I think I’m going to be here for awhile ❤

Where can I get the original version? please. thanks

phong i love you please do podcast with carti

What's up with the MC?!!

The book, Woven Histories Textiles and Modern Abstractions, is an awful book. There are no examples of any kind of skillful weaving in the book except for Ruth Asawa's work and Sophie Taeuber-Arp's work. The book even goes so far as to quote Marx as being concerned with 'satisfaction in fulfilling the human need of another'. Marx was nothing but an anarchist responsible for the destruction and enslavement of countless human beings. 'Art' has reached a disgusting low in the publishing of this book and people daring to 'take credit for it'. Yuk!!!

Eric Adams is tenant enemy #1. Please vote

Great talk but the whole BLM scam homage at the start delete that garbage

I highly recommend this episode. The artist uses the term language when referring to his work so folks who study that kind of thing have a great reference here. The bonus topic is the aesthetic creep of the use of 'Surrealism' as a ubiquitous term to describe everything/anything that's different from the standard issue reality-on-demand.

I love to hear George speak, he always has such a great, and it seems accurate perspective on these trouble spots in the world. Is there any chance of a update from George and Hellen, i wonder, if they are still in Ukraine? Americans in particular really need to hear what they have to say, at a time when one Presidential candidate apparently would have no problem stopping the war by letting his hero, Putin take over Ukraine and any other neighbouring/ ex-Soviet Union countries he likes...

We love Micah

Material Ideological Subjectivity at the Imperialist Core

Great overview of the League, I remember when I first entered, permeated by the smell of turpentine, I felt right at home...

Bowser and Worthless 30 years later.

damn i need a better pic of the boots at 21:55

Janna is so dreamy 🥵🥵🥵🥵

great! thank you

wooooords are just noiiiszeee

I really need to leave NYC.

Dolfinette Martin A Force For Change!

artscrub.blogspot.com/2024/03/essay-art-and-social-risk.html

THE STUDENT OF PRAGUE 1983, is a historical winner. I would buy this painting.

A monumental curatorial project - professionally presented, fascinating, and excellent.

Mulberry paper is widely used in Asian art!

hi

Sad. Result of a pathetic educational system.

Thank you