Listen to Gigli and Gallicurci, 1938 recording. It’s even greater, despite the slight recording hiss.
@antoniofernandez-albalatga57315 күн бұрын
EXTRAORDINARIO.EXTRAORDINARIO👏👏👏👏👏👏👏👏👏
@Yoel565106 күн бұрын
Courbe mélodique Ces musiciens ont trouvé la courbe mélodique. Cette courbe mélodique qui a fait le grand succès de Samson François 1924 1970 . Samson François nous l’explique très pendant une interview télévisée visible aujourd’hui sur vidéo récente. C’est pour notre âme. Pour nourrir notre âme ce sont les parfums des fleurs ou autres … et la courbe mélodique dans les interprétations musicales de Chopin et les autres. Le concerto numéro 2 de Chopin , on le trouve facilement sur la chaîne KZfaq d’Artemium La vidéo est datée du 2 avril 2017. Cette musique nourrit mon âme. Et me rassure dans toutes les épreuves et les combats.
@Fan-Tomas6 күн бұрын
Arnold Schoenberg - twórca nowej muzyki mistrz nad mistrzami
@RonaldWilliams-rz6wp15 күн бұрын
Has Toscanini plateaued on his speed with the recording of Mozarts symphony? I think because the briskness is certainly present, that does not mean he is any less affectionate about the passion of this work than others he has conducted. I can appreciate this recording for its value and its unadulterated editorial tamperings.
@BarbaraSCohen24 күн бұрын
One of the great recordings of the Fauré I Olin Sonata No 1. Such a lavish tone from Dimay and great chemistry with Collard. I loved this interpretation from the time it came out in 1984. Truly ravishing and the purest tone.
@PaperGrape29 күн бұрын
Soltis is the greatest version of the Messiah. I remember buying this in Borders Book Store back in the day when I was 18 years old. Never heard better yet, with absolutely no disrespect to any other version, because there is no bad version really.
@cliffrichard2867Ай бұрын
❤❤❤❤❤❤
@user-xc9xw1cb2gАй бұрын
Исполнение - блеск! Пианист прекрасный!
@user-xc9xw1cb2gАй бұрын
В этой песне целая историческая эпоха!
@spann010Ай бұрын
this is fantastically beautiful! what a long breath in music furtwaengler had. thank you for sharing this
@parcivalg.5659Ай бұрын
😅😂
@giuseppemariaperego8937Ай бұрын
"Fantastico! Rest in peace Grande Maestro Maurizio Pollini"! ❤❤❤❤❤❤🎉🎉🎉 Giuseppe Perego Monza 16.2.1962 Grazie
@giuseppemariaperego8937Ай бұрын
"A mio giudizio questa interpretazione resta insuparata!!!" ❤❤❤❤❤❤🎉🎉🎉 Giuseppe
@OopsSpaghetti69420Ай бұрын
this is unreal why is it so good
@bentewindelboe18062 ай бұрын
❤
@PatriciaGoodsonpianist2 ай бұрын
What an exquisite, entrancing performance.
@richh94502 ай бұрын
As a Stravinsky fan, it's nice to pay attention to his less "neo classical" stuff. Threni is amazing.
@donaldprice46142 ай бұрын
I’ve listened to a bunch of interpretations of this and this one kills it. So many of the modern versions wallow in self-indulgence trying to make a personal statement 🤦
@isharjonathanpelaez53482 ай бұрын
O yes,motzarth🤟🎶
@giorgiocucek75182 ай бұрын
Dopo aver ascoltato Brendel, Arrau, che forse nel interpretare Beethoven privilegavano non danneggiare la tastiera dello strumento, con Kovacevich lo spirito beethoveniano prevale e la tastiera preme come l orchestra dove il pathos lo richiede. Il Sommo approverebbe.
@simonkawasaki42292 ай бұрын
Enchanting performance, but Stravinsky would have hated it. Karajan does a bad job at emphasizing the iambic rhythms so essential to Apollo.
@BenAbraham27012 ай бұрын
But how could music die?
@user-ie2pk8er6x3 ай бұрын
Spectacular, precise yet with lots of feeling without a lot of sentimentality. Playing the impossible with ease!
@user-me4rr4rf9n3 ай бұрын
9:06 初期?のサンテレビの放送終了のBGMでもありました
@antonioantonio-no2uc3 ай бұрын
FASCINANTE
@user-no7oc1ib5l3 ай бұрын
日本より、愛を込めて。
@Abidification3 ай бұрын
He was considered modern for his time. Ida Haendel described him as the aristocrat of violinists. Apparently slides were considered fashionable by violinists of his generation but he never employed them in his playing.
@jairochaves89163 ай бұрын
❤
@user-ou6jy3gu7l3 ай бұрын
Спасибо !
@valeska_kevinleahy4 ай бұрын
ah, i love listening to Heifetz! you can't hear the music at all, just him! the faster the tempo, the better! emotion, who needs it? ego first, music second!
@amnezsiac3 ай бұрын
ignorance
@erwinwoodedge48854 ай бұрын
I have this record since about 45 years. Amazing recording, amazing composition, and great for getting into sleep.
@user-pv4hk4cz7e4 ай бұрын
Wonderful!
@adriancook70784 ай бұрын
Casals doesn't play the cello. He just thinks of the sound and it plays itself
@marlenemeldrum73824 ай бұрын
One of the finest pianist of this generation has transitioned..we are indeed blessed to have a treasure trove of such musical gems...Maestro Pollini thank you so very much...
@mintchoco56404 ай бұрын
Wonderful interpretation, very French and expressive
@shin-i-chikozima4 ай бұрын
Mysterious Schoenberg’s violin music simply can not overstated
@picardbs4 ай бұрын
Addio immenso maestro 😢
@thephantomeagle25 ай бұрын
Almost sounds like a Baroque violin.
@thegeminianiproject23295 ай бұрын
This is, in my opinion, the best recording ever about this beautiful piece of masterpiece.
@Fan-Tomas5 ай бұрын
obok nagrannia Kubelika z Zvi Zeitlinem moje ulubione dwa
@richh94505 ай бұрын
An all star cast and great sound.
@Mjd92385 ай бұрын
4:11 this part
@ulexite-tv5 ай бұрын
Joan Sutherland for the win, with Pavarotti half a length behind.
@richh94505 ай бұрын
Nice recording. I'm glad to find it.😊
@aswomebro26016 ай бұрын
9:00 😍
@solowcello6 ай бұрын
Recorded May 1959
@j.e.84426 ай бұрын
Respeto a Cluytens. Me gustó esta interpretación, definitivamente la he disfrutado. Pero el finale. Creo que estuvo demasiado recio el canto. Pero es mi opinión, solo ese detalle, talves ando sesgado por la interpretación de Maazel. Bravo, pues que hermosa pieza de Ravel interpretada por este estudioso wagneriano.
@apb646 ай бұрын
Привет! Я купил пластинки с этими сюитами в исполнении Казальса в 1984 году. Почему-то именно эта 4-я сюита произвела на меня самое большое впечатление! И да, у меня была виолончель тогда, и я играл на ней. И эти сюиты тоже.😀