as of the latest news i'm not several guys, but i appreciate! thank you :D

@@luludelarosa oh, sorry I thought multi-instrumentalist meant it wasn't all you- jeepers, thats some freaking talent you have!

I mean you probably didn’t really put THAT much meticulous thought into it like it was studied under a microscope. But there’s so much tasty nuance in every detail of your playing.

maybe they heard it and thought it was dope and ripped me off in the new record. That'd be cool tbh i won't sue

!!! i haven't, i'm gonna wait for the full album, but you got me curious!

@@luludelarosa Yeah Im a bit annoyed they made it a radio edit when the full thing is already under 7 mins. So Im probably gonna hold off on repeat listens. But it's incredible man. SO evil sounding.

It's the Petrucci Rhythm patch from the axe-fx II (probably with an extra TS808 in front to get more of that nameless type low cut)! If you want the same type of tone, you can emulate it with anything that goes like: picking hard in passive pickups → drive pedal to cut lows(which boosts high mids and is responsible for the majority of the vibe i'd say) → mesa boogie → a dark cab, with V30's and and off axis 57 → a slow, dark, chorusey delay

@@luludelarosa damn thanks for the detailed response! I'm covering enemy inside with my friends but couldn't quite get the tone right with nameless as I can't clean up the high end as much as you did. You were very helpful.

@@kamillaimre9582 baroque covers that keep the mechanical rhythm ✅✅✅ Romantic covers that kill all the dynamics and rubato, making everything sterile ❌❌❌ Romantic covers that try to preserve emotional phrasing ✅✅✅

thats actually a pretty original question lol ✨ i use Dunlop Tortex Sharp 1.14mm 🔥 if i could get something even sharper i would 🔪

@@luludelarosa i looove sharp picks too, i use a .88mm Tusq pick(doesnt bend somehow) that's in essence a Dunlop Jazz 3 with more of a point rather than having a slight round at the very tip like an actual Jazz 3. I gave it a try once and it became my new favorite pick and replaced my Jazz 3s. I couldn't agree with you more pointy picks are meta. I'm looking for pointier, thicker, and more ergonomic picks right now a matter of fact.

⁠​⁠@@luludelarosaso I bought the Dunlop tortex sharps and I’d say I’m still more of a fan of smaller jazz 3 style picks. I ended up landing on the Ernie ball prodigy jazz style pick. I also bought the Ernie ball prodigy with the same shape profile as the tortex sharp(can’t remember the discerning name difference there’s many different types of Ernie ball prodigy picks and it doesn’t have that name on the pick other than prodigy). I can honestly say the prodigy that resembles the tortex sharp in profile is absolutely sharper as it has actual carved/molded blade edges which is something I noticed that tortex picks don’t really have. Having tried both of them I can definitely recommend the Ernie ball prodigy to you as it has the same exact angle and profile if you line them up together. assuming you want a pointer/sharper pick and you haven’t already tried it of course. As far as I know they come in 1.5mm and 2.0mm 😁

GClip and FG-Grey

@@luludelarosa thanks so much! can't wait for ur next demo whenever it comes

Alors là c'est justement difficile de conseiller une chaîne magique qui marche pour tout, quand on parle d'un genre de musique aussi changeant, dynamique et nuancé! Je recommanderais déjà d'y aller assez manuellement avec de l'automation de volume, notamment sur les pistes individuelles / groupes, et un processing vraiment cas par cas selon ce qui manque (et ne pas hésiter à en mettre très peu si y'a pas de vrai problème.) Effectivement j'évite un peu les compresseurs, (ça peut quand même passer avec une attaque rapide / un release long / un knee assez hard, mais ça ôte facilement du naturel), mais un limiteur passe bien sur le master s'il est le plus transparent possible. (Mais encore une fois, la grosse plage dynamique fait partie de l'interêt d'un orchestre, faut quand même que les moments forts soient forts, donc généralement pas besoin de le faire réagir tant que ça.) Si c'est des bandes de fréquences en particulier qui percent trop, un multibande / EQ dynamique (ou des trucs un peu plus avancés comme Soothe ou Gulfoss) ça peut aider à limiter les jumpscares sans trop dénaturer la dynamique, mais si ça scoope trop ça fera moins organique aussi. Après tous ces conseils s'appliquent surtout quand tu veux garder une vibe assez réaliste / classique, mais c'est pas interdit d'y aller assez moderne, c'est juste que ça donne un côté plutôt trailer, voire intro de metal. J'avoue que j'ai d'abord pensé au premier cover mario kart que j'avais fait, mais si tu parles du medley route arc-en-ciel, les moments loud se retrouvent relativement scoopés et tapent assez fort dans le limiteur honnêtement. (Je pense même qu'il y a un bon compresseur avant, mais avec un coupe-bas en sidechain, comme y'a du gros sub, ça évite de trop pomper)

je promets je sortirai des albums aussi

the software i use is Cubase, but, in case you (or anyone reading) aren't familiar with DAWs: Digital Audio Workstations are usually the backbone of a music software, but, if you want to create music with beautiful sounds, you're meant to add extensions (plug-ins, VST, libraries), that are often third parties to it. In the case of virtual orchestral music making, the most prominent plugin on the market is Kontakt, which itself is just a controller in which you can add, again, sound banks (kontakt libraries) made by independent brands. What I'm getting at is, this song here was made using dozens of plugins and kontakt libraries I've collected over the years, cherrypicked to my liking, so it would be a lie to say the fact i used Cubase here mattered in any way, the sounds come from a myriad of places, and i frequently obtain new libraries and ditch some, so i wouldn't even be sure what many of these were unless i loaded that old project and everything was intact!

Wow that one was truly hilarious! Please tell us more jokes that definitely aren't pathetic jabs at what is a fucking amazing band 😂

@@joe_darksoul12 "mommy! a random stranger made a joke about my favorite band on the internet!" 😭

aw come on guys lets not fight. francesco didn't say the band was bad. we all know they don't need to be the most technically proficient instrumentalists to be great songwriters and performers 🙏

@@luludelarosa that was exactly the intention, I've never rated how great a band is based on how technically proficient they are. I got genuinely confused and thought I'd share it without any intention to offend anybody, it was more of a (maybe clumsy) way to pay you a compliment, I'll be more explicit: you rock man! 🤟😎

None, only the master chain has an effect on the drums dynamics (mostly tucking the snare down a bit) but the drum track's inserts are empty

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