Esta composición traslada al oyente al Siglo XVIII
@katttttt17 күн бұрын
18:43 love how she brings some of the bass notes out lol
@MrPianoevil25 күн бұрын
C'est formidable!
@HilaNir25 күн бұрын
❤
@emilyhutjesАй бұрын
Very Beautiful, thank you.
@robertocarvalhodemagalhaes3648Ай бұрын
You're welcome.
@alfonsomatta1639Ай бұрын
Una obra de arte, conmovedoramente bella con una soundtrack que emociona y sobrecoge.
@clodivanАй бұрын
Interprétation magistrale....waouh la flûte!
@joeramirez9Ай бұрын
This was the greatest interpretation of the Waldstein Sonata that I ever heard! The climax of the 3rd movement was perfect! Even Horowitz's recording of this Sonata falls weak in the climax of the 3rd movement compared to Novaes!
@meroserrosАй бұрын
Tão lindo
@pautabrasileiraАй бұрын
I don't know how I missed this really extraordinary performance. Muito obrigada!
@robertocarvalhodemagalhaes3648Ай бұрын
De nada!
@pautabrasileiraАй бұрын
Very impressive. Thank you for the high quality recording!
@robertocarvalhodemagalhaes3648Ай бұрын
Sylvestrov is a wonderful contemporary composer. Not well known. But I think he will have a good spot in the History of Music.
Arrau, Novaes, Gelber, Barenboim, grandes intérpretes de Beethoven dió Iberoamérica.
@allenreiser52102 ай бұрын
In general, not a real fan of Novaes, but this was phenomenal! Brova Madame Noveas!!
@900borges2 ай бұрын
Musical genius of 20/21th seculum
@MarkDarnell-cq2wy2 ай бұрын
I have never been all that impressed with Philip Glass - preferring Steve Reich, John Adams, and definitely - Gavin Bryars, but ...THIS?! I understand it's based on the Bowie/Eno recording - "LOW" - so it's an Homage of sorts, but it's bold, and assured!...and surprisingly Lush, and Sensual! - a bit "Coplandesque" at times, but I love Copland!
@AntonioPerrone-ke8qo2 ай бұрын
Una obra conmovedora por su grandiosidad sonora y expresiva.
@djokowitjaksono33712 ай бұрын
Incredible....charming
@sukrame53312 ай бұрын
Thank you so much! I never heard this amazing piece before. And beautifully played❤
@robertocarvalhodemagalhaes36482 ай бұрын
Glad you like it.
@extrasalt45952 ай бұрын
I enjoyed the third movement the most. Hoomeyow!! Thank you.
@robertocarvalhodemagalhaes36482 ай бұрын
You're so welcome.
@galanis383 ай бұрын
She was not a Beethoven "specialist" in the sense of having performed or recorded as much of the Beethoven piano repertoire as other pianists. 4 or 5 of the piano sonatas only, and the 4th and 5th concertos. But that Beethoven which she did perform showed a strong expressive understanding of Beethoven.
@cassandralewis32023 ай бұрын
animado is just magical
@timothywoods20843 ай бұрын
Reminds me much more of elgars enigma than of bowie
@timothywoods20843 ай бұрын
Ok, somebody help me out here. I listened to the beginning of this symphony, then i jumped to Bowie's Low. I don't get the resemblance. And i like glass better. What did glass hear in bowie that allowed him to write something so much better?
@frankpiccione85713 ай бұрын
Listening to James Galway on St. Patrick's dsy. Perfect! Dont even need a Guniness Stout.
@C0NTR4B4553 ай бұрын
The performance of the finale is testimony to Sinopoli's understanding of the totality of Mahler's vision here.. Extremely hard to pull off successfully..There are so many twists and turns (abrupt changes of mood etc) that the kaleidoscopic nature of the movement simply defeats most interpreters...Not Sinopoli..The movement requires an almost Mendelssohn gossamer lightness at times followed by a Wagnerian like heavy metal descent into orchestral chaos..I think Sinopoli's operatic work helped enormously.. Whilst not overtly programmatic the finale nevertheless requires an understanding of "drama" with it's hammer blows etc etc..Any conductor needs to make narrative sense of the music...Bravo maestro.. Giuseppe Sinopoli RIP
@vlvcl47593 ай бұрын
Roberto, are you Brazilian? I love this cantata and I'm looking for the running text, because I want to understand the Guarani mythology that Glass brings to this phenomenal work! Thank you very much! Roberto, você é brasileiro? Eu amo essa cantata e estou atrás do texto corrido, pois quero entender a mitologia guarani que Glass traz para essa obra fenomenal! Muito obrigado!
@robertocarvalhodemagalhaes36483 ай бұрын
Sim, sou brasileiro. Na “Info” logo abaixo do título do vídeo, eu publiquei o link para o texto (em inglês) do programa do concerto de estreia da obra, em Atlanta, nos EUA. Nele, há informações sobre a obra e o mito guarani.
@vlvcl47593 ай бұрын
@@robertocarvalhodemagalhaes3648Eu vi depois kkkkk! Muito, muito obrigado! Depois vou procurar as referências que você citou do Villa. Roberto, MUITO OBRIGADO! As melhores coisas à você, meu caro!
@pranavcoimbatore93133 ай бұрын
Beginning of the last movement is so good
@renelicht3 ай бұрын
😍😍😍😍😍
@renelicht3 ай бұрын
😍😍😍😍😍
@robertocarvalhodemagalhaes36483 ай бұрын
Enthralling performance. This is by far the best performance of Bortkiewicz's Concerto No. 3 available.
@rolandonavarro31703 ай бұрын
👏👏🔥
@antoniocotzia86223 ай бұрын
BRAVISSIMI e BRAVISSIMA 🌹🌹🌹😘
@johnminster32054 ай бұрын
Milhaud is growing on me more and more. This piece is wonderful.
@OSIRIS1980WHS4 ай бұрын
I prefer symphonies 1, 2 and 3; nonetheless I’ll listen to 4 rather than, say, Lawrence Welk’s Muzak.
@johankritzinger42064 ай бұрын
Great
@nivaldotavarespiano4 ай бұрын
Impressionante a visão de D. Guiomar sobre Liszt. É algo excepcional, inusitado, brilhante com um caráter improvisatório quase como se ela tivesse escrito a obra. Guiomar é um tesouro nosso e nos faz refletir sobre o que perdemos de entendimento, frescor e intuição em um século. Bravíssima!!! Obrigado Alexandre!!
@robertocarvalhodemagalhaes36484 ай бұрын
Alexandre?
@garaughty4 ай бұрын
Lovely work on this Roberto !
@user-eb5xv6ji9b4 ай бұрын
너무 좋아요. 악보 어디서 구할 수 있을까요? 이걸 연주 할려면 한 10년은 배워야 할 것 같지만...😂🎉
@robertocarvalhodemagalhaes36484 ай бұрын
The third movement - The Dam - is so powerful and enthralling, it somehow reminds me of Wagner in his most explosive moments. But it also reminds of Villa-Lobos (The Forest of Amazon). Great musical work!
@extrasalt45955 ай бұрын
I believe that she played the works of Debussy about as well as anyone. Hoomeyow!!
@dlphcoracl96455 ай бұрын
Many of the greatest pianists of the twentieth century have performed or recorded Schumann's masterpiece, often with outstanding results. However, Murray Perahia's recording and live performance are the ones I always return to. No one has ever captured the duality of Schumann's split personalities of Eusabio and Floristan inherent in this piece as convincingly as Perahia. Most of all, no one has ever made Schumann's Fantasie sound more beautiful. The final movement III. Langsam Getragen has a dreamy, other-wordly serenity to it and his development and climax of the finale (26:30 - 29:57) is unequaled.
@lucasahlidap55255 ай бұрын
11:49 começa o show de angola 😍
@TheSoteriologist5 ай бұрын
What can I say ? This is stunning, and I don't even feel the desire to hear another interpretation ! I used this to compare Bernhard Ruchti's _a tempo_ version with, and to my amazement, this is one of the few examples where I _much_ prefer a more "conventional" take over Ruchti's.
@elllemmartalola33805 ай бұрын
Только в этой записи такой чистый звук, будто сидишь перед оркестром вживую
@dactylntrochee6 ай бұрын
Oh my! This is something I'll have to tell my friends about.