CONGRATULATIONS ANTONY

Well I already bought a vintage Minimoog because I thought THAT was the sound of my favorite records. Now what? haha

@lukemillionmusic & @anthonymarinellimusic need to make a baby

@lukemillionmusic & @anthonymarinellimusic need to make a baby

Haha. Classic.

That explains alot! Thank you. ❤

NOBODY is bringing up the actual mix of the sound to get it to thump and blend with the rest of the composition #EPIC

I wouldn't with a Mini if I had a GX-1 too.

So cool!

A man after my own heart! ❤ "the mini moog is analogue and allows you to touch the music" how much more proof do you need! Analogue is best!

That's crazy 🤪

The last time I saw a contol panel like that was in chynoble

Mindblowing! hahaha, awesome interview Anthony!

what a great guest , nice interview and insights. Love it !!

All the boomers are moving to digital and all the millennials/zoomers are going to analog lollll. As a part of the later group all I gotta say is: See me in ten years when y’all lose your minds staring at a screen and the cpu is at 80 trillion% cause you wanted to listen back to your track

Thanks! This was a great piece. When I was a kid I heard the record for Tonto's expanding headband. And I never realized that it had anything to do with Tonto.

😂😂😂😂😂❤❤❤❤❤

Loved the maxi-moog concept ❤❤❤

What’s a maximoog or did he mean a maxi-korg?

💜 So Interesting! Thank You Anthony and Tom! ❤

This guy obviously hasn’t laid his hands on an ASM Hydrasynth Deluxe! 😃

Since I discovered you Anthony, my synthesis learning enter a new level… And you made me understanding how much I needed a 2600. I was about to order a Behringer one but after this, once again, you made me realize this instrument MUST BE built the best way possible my money can buy, and DEFINITELY the KORG ARP 2600 M deserves the financial effort, plus I discovered it’s made in JAPAN… and just that… Means A LOT to me, a lot. I’m so happy to found you on KZfaq and I’m so grateful for your sharing… Thank you from the bottom of my heart, you provide me happiness for the rest of my life through your knowledge ! Big thank you from southeast France, very sincerely Vincent.

Just a magical interview, so fun to learn the 'how' of such amazing music over the years, the no fear hacking things together to see what you could come up with is so fun. I love that about 'new' industries, no 'rules' just 'what happens if you do this' it's how I got into computers in the late 80s and made a great career out of it, I was willing to go 'what happens when you do this?' heh. thanks for sharing this, great stuff, great interview.

I'm so surprised to hear this, as I always thought those bass lines were moog!

I had the minimoog with the eventide h9000 yesterday it was really cool and very expressive.

No minimoog, ...hard to take, isn't it,? 🤣

I had the same impression during the 70s. Marching Music and nobody cared

When I play a synthesizer, I'm pushing a "button" --Daniel Jackson

I cannot believe how much I have learned from your videos. I am thinking bigger all the time thanks to you.

Fantastic ! Thank you very much !

This makes me very happy. 😊❤❤❤❤

What can I say...I loved the whole interview. I knew a lot already, but learned a great deal more. Thank you!

Чувак в бусах на шее, выглядит смешно довольно.)))

Amazing good effects.❤

I was born in 1975 in LA to two musician's that met in Kent and moved to LA in 1974. My dad was an audio engineer and guitar player and my mom a singer and keyboard player. From her love of Ray and his love of Jeff Beck, and a healthy dose of Hip-Hop, I came upon Stevie and those albums have meant a lot to me and contain so much beauty. I was born on April 2 which is also Marvin's birthday! Both him and Steveland were singers and drummers. (me too) I didn't know you did all that man. God bless you and thanks! I used a sample from Living for the City for a project in my college sociology class and got an A+! Stevie also wrote Thelonius on that J.B. album who, I hope everybody knows, taught us all a good lesson on how to use those keys! Thanks for the interview. It sounds like you are not into Hip-Hop, but you have influenced it regardless, even if it was just Mike Dean (but it wasn't). Syl Johnson and Baby Huey are other good examples of people writing good R&B that was socially relevant even if they didn't achieve the same success. Sly Stone, Bob Marley, Donny Hathaway...and now that I think of it, I want to agree with him bc of how much this guy has done but saying that the only black artists doing socially relevant music were Stevie and Marvin is just not right. He is in his eighties; maybe he is just not thinking. Like every time you asked him what year that was it was 1971. Long live T.O.N.T.O.!

This is a fantastic and engaging interview. In this day and age of pleasing the algorithm, much thanks for the authentic long form video which allows the true essence of the conversation to live and breathe. All I can say is I wish I knew about this living legend sooner. Bravo 👏🏽

Fascinating and fantastic interview! Thank you Anthony and Robert! 👌💖👍

I think he is wrong about the part about not emulating the input stages of analog gear though, most companies do this.

Holy smokes that awesome 😮!

Thank you so much for this, Anthony!

Human beings, being human. Lovely interview! ❣This-> 1:26:43

I have that same shirt! Wish I had that same 3 C cab moog😊

The information in this video is truly incredible

I'd say crank up the release, just a scosh, and you nailed it

Such an amazing conversation! I love everything about this channel. This made me think about the immersive in-ear solution that KLANG has or Atmos plugins - this could be really useful for creating things.

Guys, you are amazing! Thank you for this great interview.

Tonto was a white spot in my knowledge of early synth music. I always thought everything started with Wendy Carlos and Bob Moog. Thank you Anthony for introduce me to Robert Margouleff!

What does mixing in quad means? Is it explained in the video?

Anthony just an idea... would be lovely if we could hear insights into specific Stevie tracks... i know its hard with respect to copyright but to hear Bob talking about the synths on Superwoman (which is incredible) would be quite something and would be perfect for short form content...

Very cool story