Glad to hear it! Please feel comfortable to let me know if you have any questions.

​@@goligabooksyes, could you tell me approximately how many of Fukase's Ravens images are reproduced in this publication? Thanks!

@@hokeypokeypo The entire "Ravens" series is included in the book as it first appeared in Camera Mainichi. That is about 65 individual images.

​@@goligabooksexcellent! Great resource!!!!

Thank you!

Hi

Merci pour votre commentaire. Le livre de Nishino est disponible à l'achat ici: goliga.com/sohei-nishino-tokyo

Blood is basically water, that's a scientific material truth. We humans are mammals, therefore share with the rest of mammals our warm blood. That is: we, humans and deers, share the analytical category set up by biology "mammals". That's a scientific abstract truth. In pigment colour theory there are 3 primary colours: Cian, Yellow, Magenta. Cian and Magenta are respective tones of "Blue" and "Red". Blue and Red are primary complementary colours out of which one contructs "Purple", a secondary colour. Gradation between Yelow and Red is comprised by Ocres and Oranges: warm colours. Gradation between Yellow and Blue with greens and purples: cold colours. That is a material and anstract scientific truth, rounded with a perceptive one that seems to over all acuretelly describe our “tonal-temperamental” perception of colours. The body of a deer abandoned in the side of a road, and the violent splash of blood tells you he was not preyed for his meat, but accidentally killed by a driver, a human one. From a close-up of the body, to the abstract energy of the blood splash on the road, toa general sight of the event, the photographs slightly change your perspective and attention. The shift in the sequence portrays a human arm, the nivean skin under which veins full of warm blood sustain life, droping what might be read a a water drop, perhaps a blood drop, perhaps a tear, a vital excrecency of a material and emotional condition over the lake in which life itself anciently developed, creating a ripple that will eventually hit the ground, and shake the trees and the buildings, shaking of leaves and dreams out of them, blowing in the sky, conflating the clouds until the rain falls over the lake again, and perhaps a deer and his family come near by to drink, again. The shift from the warm red of his blood to the cold blue of the lake is a symbol for his life extinguishing, and the ripples of the human presence on the surface of the lake one for the resonant sorrow for a loss that we as living creatures share. A visual poem the meaningful depths of which now we share.

Yup. Actually Martin has mentioned it in the video.