Thank you so much Jamie. I am 73 and I am now starting to understand lighting like I never have before thanks to your excellent instruction. From Arizona, USA.

Much more dramatic than if you had taken the photo at night time. Incredible work, especially considering the photo you started with--a bright sunny day with high contrast. A very dynamic piece of photographic art, full of mystery. A pleasure just to look at.

Another masterpiece in editing! I really enjoy these and thank you for putting them together.

How on earth am I seeing this two years later in Aug 2024!! This is truly incredible tutorial Jamie. New sub? You betcha!

Great tutorial and a wonderful job well done. Just found your channel and subscribed. Looking forward to learning your techniques.

makes me wonder if I can ever learn this.. so much to take in ... amazing

Jamie, I love your long form tutorials. The Day to Night on this image was stunning,especially what you started with and then achieved!! Always love your window work. The shadow below the lamppost was a great tutorial addition. Thanks for your time, inspiration, and creative eye.

very good with some great tips

Thanks so much Jamie... I've been waiting for cloudy days to take my photos!

Jamie, your attention to detail is unbelievable 👍 have you ever had someone ask you if your lighting technique is fake? I don’t believe it is, I actually think it is better than the real thing, adding more detail! Well done, Mike

Another cracking video and stunning photo, excellent as always, have used many of your tips on my photos, especially the lanterns. Thank you

OK.

Hi Jamie, another great tutorial. Question: if I do a generative fill and do not like any of the results, or change my mind, how do I exit the generative fill dialog and go back to the image's state prior to the selection? The only thing I see to do is a series of Ctrl+Z commands to achieve this. Any thoughts?

Learning a lot watching your videos and I hope to continue to refine my Day to Night techniques. I really appreciate your efforts! Having lots of fun with this!!!

Another superb conversion Jamie. Love your attention to detail, it may seem over the top, but makes a real difference to the overall image. Many thanks for taking the time to put these tutorials out. Always look forward to your videos.

I’ve made many day to night conversions using your technique. One even won a Guru award at last year’s Photoshop World. I really appreciate you taking the time to explain the technique so well.

Your skills are crazy good. Absolutely astounding what you can do.

Jamie, I am now working with Luminar Neo as well as Photoshop. When I shoot RAW on my iPhone 15PM, I get 32 bits. I have to convert it to 8 or 16 for Neo. It's ugly when I do that. Thoughts?

so much detail -- you have mountains of patience

Amazing editing!!

Just curious, if you were doing sky replacement why you had to get rid of the dust spots before?

Another one of your nice videos. Thanks you. Thanks for taking time to show each step and explain what you are doing and why you are doing it. I learn much from each of our videos.

Great video. Sounded like your computer was crapping out on you there around 31:30, hope all is well...

Great Jamie, top notch...

This is fantastic again. Worked through loads of your videos when I should be going to bed for work ha ha. Attempted one from a shot I took. But on my iPad it’s a struggle, one example subtracting from the mask it seems you can not pin the straight lines. I need to invest in a new laptop. I am hoping my Fuji XT3 has enough dynamic range as well for the one shot, under exposed night shots. One side note, I am a norwich lad, and I am shocked you have all these videos, but only one from Norfolk 😢😂. Keep up the great work.

Thank you very much for this inspiring video. I liked the way you turned the daylight photo into a dramatic black and white photo. That gives me plenty of new opportunities shooting at daylight.

Jamie, any reason why you didn't use a TS-E lens, other than none exist at 14mm (Canon EF TS-E of course).

I tried 3 times, but 50 min video is way too long. Sorry

Yes, Jamie, I like and I gave you a "like" The only thing I am surprised about is that your subscriptions are not going through the roof yet. Keep hanging in there, you are a winner.

Looks like a productive trip here in America with this and the Yale video. Always learn something in each video, Auto Mask was something I never really used (nor really understood). Now I see the power. Thanks for all you do.

Thank you learnt how to use the masks .

First, that is a wonderful B&W image. I learned very much from watching this video. Thank you.

That's a master-class in editing! Thank you for sharing as I'm new to this. Wonderful photo!

For me, the last 10 minutes this photo really came alive. I like the way you lit the porches. Looks so natural. And added a little color above the porch. Went from a 2-dimensional photo to a 3-dimensional photo. Wonderful!! And as always, I learned so much!

Love your work! You have set me off on a new trajectory! Thank you from Arizona.

Jaimie - Another excellent tutorial. I have been a subscriber for quite some time and this two year-old video popped up on my feed and I hadn’t seen it. This raises a question for me as a night photographer myself and someone who really appreciates learning from you. In your day to night conversions is there a time of day that you feel works best? Having seen a number of your tutorials, most recently the one in Connecticut at Yale. I noticed you took that photo at midday. I’m going to assume this photo was taken earlier or later in the day plus it was a cloudy day. I only say this as I am struggling a bit I try to convert photos I have taken in Boston area of similar subjects. I struggle to get the true nighttime appearance that you get. Just curious if you have a favorite time of day or cloud structure, etc. for these photos. Regards - Brian

Thanks for sharing

Hi Jamie, I really enjoy watching your day-to-night technique. I've been encountering the issue of hard shadows, as seen in this image, and I’m curious how you usually deal with them. Thanks!

Perspective Crop in Photoshop is the best way correct the distortion inherent in wide angle lenses without the shift/tilt mechanism.

Image is also appealing when not correcting vertical lines, or not totally correcting.

It is so relaxing and inspiring to watch how you create ( and teach us) a master piece of photography art. Thank you for sharing.

To finish it off if you added a slight yellow or orange glow to the windows like you would really see in the windows at sunset it could be perfect. Thanks for the tutorial.

Wonderful video! Each time I learn a new way! Greatly appreciate! Stay well/safe.

Hi Jamie, I really love to watch your creativity come to life. Your ideas of removing the cars from the scene using generator fill are amazing. Thank you for your great tutorials Pat Hogarty from El Dorado Hills California.

very informative Jamie, nice job!! I like how you lit up the porch with the radial gradients.

Once again another Jamie classic Day to Night..... love your work☺

Mr. Mathlin: You are my therapy. I love how you use the tools to completely transform this house. To me, it looks like a moonscape in Connecticut. I'm a fan for life.

Another masterpiece Jamie. Really appreciate you teaching us viewers your techniques , but interested to know who has taught you, or are you self taught. Either way your images are amazing.

I have subscribed to your Chanel some time ago because of your amazing editing skills and your great teaching ability with a voice I could listen to all day long! I could bite myself because of a busy time I forgot about your Chanel and I wasn't notified and therefore I missed learning the wonderful things you have to teach until now. I am so amazed with your abilities and I want to learn every single thing you have to offer! Thank you so much for your kindness to share with us what you know! Greetings from Germany, Ralf

I always come away with inspiration from watching your tutorials. Great job again!