Great stuff. Thanks for sharing. Have you ever experienced the moire effect? If so, do you have any hacks to overcome it?

Well said 🙌

This video looks fantastic 🔥🔥🔥

Good stuff there

Loved the explanation about how to expose properly .. but is it true that we need to overexpose 1 or 2 stops for vlog?

Brilliant stuff man. You have better taste in cameras than furniture. Do you find yourself wishing you had an external recorder ? Ive been going back and forth on the s5, the IPB compression is what makes me hesitate, but when i compared the all-i data rates of the s5 ii x and did the math on it, the resolution on a per frame basis was worse. To throw a wrench into all of this: do you think v-log vs standard profiles made a difference? Will check out the rest of your channel.

Great!

so good, full of inspiration!! thanks so much for this helpful and cool video! greetings from Berlin🌻

Good!

Great explanation, thanks for it!

it depends..... if u are a solo shooter and you have to do an event a good af, sensor, high iso helps. For prepared scenes it doesn t matter

Running in the moment is almost mindfulness on the move. I posts about this too. Happy Trails

This is awesome! Very well done.

Realy helpfull, thanx!

Welcome back 💪

Great commentary. Looking forward to more.

i’m choosing between s5 and s5ii. The mark II is twice expensive, and i think of getting the first one. What do you think? Is autofocus that bad on the first model?

Really a Good Job, in a good Location

spot on .

Hey, did you use somekind of follow focus with the camera?

wooooow sir you are professional like a ridley scoot

City of God, Rio Brazil - Amazing Movie... loving your stuff :))

Awesome stuff! If shooting VLOG on S5ii the image is grey.. do you just view that grey image and use the exposure square... or do you use an internal LUT or external monitor with LUT etc, cheers chief :)

in my future dreamworld, panasonic (or any camera manufacturer) will have a camera configurator on their site, where you can just configure your dream-cam that suits your personal needs and get it shipped right to your door

really nailed that! quick question: what shutter speed/angle did you use for that panic attack? :)

"don't stress yourself out too much" is probably the best advice I've ever heard when it comes to colour grading. love your content, man!

so many gorgeous shots :)

Your channel is like an emerald on KZfaq for me.🔥🔥🔥

💪 Good advices. I have the S5 and S5 ii, coming from GH5. I was shooting for 5 years on an Nikon D5300 with 35mm f 1.8 (photography and camera B) on film with Gh5 viltrox speedbooster and an 24-70mm Tamron G2 f2.8 + Tokina 11-20mm f2.8 (camera A for videography). I can say i miss the look of Gh5 with viltrox speedbooster... You just needed to give them more light and the look was great on the natural profiles ( sharpness down, contrast down, saturation a lil down, shadows a lil higher, highlights down, noise reductions a lil down and you have an custom V-log) The motive was to have a hybrid camera for photography & videography with good ISO and when i need to explain something in front the camera with a F-Stop of 2.8 the AF needed to be just good, or if i need to shoot something that needs a lil AF. S5 ii & S5 are great to have both, depends for what you need them. *The downsides i see coming from GH5: - Very sharp look & Plastic looking on HD - S5 ii drain your battery if you let it in camera over night (can damage the battery permanently) - Moire effect on some buildings & cloths - Crop on 4K 50p/ 60p (sometimes i need to think about what lenses should i buy) - The time limit recording on S5 Love the: - V-log (easy to color grade) - Great colors - ISO performance on photo & video - Good battery that last - Good menu's and buttons alignment - Ok Stabilization - Good features ( shutter angle, zebra's, vector scope, focus peak, LUT assist for V-log) - AF is great on S5 ii for casual photography and videography and i saw S5 is great to if you give him more light.

Great video 💣

very sensible advice I was looking at the S5iix, but I have the Black Magic 12G Video Assist that can record to ProRes, so I can get an S5 for half the price

thanks for this the grading was so stunning, which shows how valid your camera settings and lighting setup was for the V-log

thanks, this was very useful! regarding keeping the aperture fixed throughout the shoot, I expect there can be exceptions for close-ups where you may want a shallower DOF, vs wide or establishing shots where you want everything in focus what’s your take on this?

The original red one mysterium The Social Network was shot on is probably cheaper than the Panny these days 😂 great work all the same brither, as always.

I like your style! Classy stuff.

After using the s5 and s5ii, which picture do you prefer and which is better in low light?

What lens!

Why don't you use the zebra tool? For example 80%.

May I know your Instagram id?

It's pretty close. fairly close. not very very close. but good. what you got wasn't thanks to the camera though. you could've gotten that with anything that shoots 1080p pretty much because there is no need for a lot of dynamic range - since there isn't much. higher bitrate, such as 10 bits is probably appreciated to get it nicely smooth. 4.2.2 is also kinda overkill for this low contrast. So yea, this was mostly skill, not camera. even my old XT2 could've done that I'm sure. BUT, skill is what you really want, camera is just a tool and camera's fade, skills do not. well done. was fun to watch.

Thank you, sir!

Thanks for sharing! Very helpful!!!

Great mindset to walk into the space with. with so many other logistics to manage, this is such a simple equation. thank you and cheers!

good

hey charlie amazing color grading what is your approach to block your shots and how to keep the continuity of light in all the shots and not relying too much on the sun thanks a lot for always pushing us to create

This is such an important video. It gives me another source of information to point beginner filmmakers and students to when they ask me questions at screenings and so on. I have told students and new filmmakers alike, a million times "do NOT obsess over gear; the camera is just a tool, _you_ are the artist and you're the one that brings something that was previoisly just a concept in your mind to life on a screen" Inevitably however, this is always met by a perplexed look, followed by the same question again; "okay but should I get the S1H or an S5....or a GH6 OR GH5 andddd then there's the BMPCC 6K ANDDDD...andddd" At this point I usually zone out and lose interest. Fundamentals first, execution second, gear last. Great work mate, it's nice to see someone else explaining this.

Dude your approach is admirable. However suggesting that you'd keep your camera settings locked and finesse your lighting (as you draw squiggles on a static subject onscreen) is misleading. Particularly if the lighting in a scene is not controllable. Contrary to what you say, the big (DP) fish try to light to a preferred stop however if the moment calls for it, they adapt and modify their approach. Period.

Очень хороший результат 💯✊

🫡🫡🫡🫡🫡🫡

Bellissimo, complimenti.