This is how this Suite was played in the 1950’s, before we read Leopold Mozart and Quantz. Strange that people still play this way, especially in the U.S. 😢
@riccardoleone96612 ай бұрын
Rebecca, J ❤ you.
@Pandor.12 ай бұрын
wooooooww
@patriciarusso13472 ай бұрын
Lovely!
@cookwithevevoon25183 ай бұрын
The music is so beautiful. Thanks 😂❤
@MohamedGehmi3 ай бұрын
❤
@MohamedGehmi3 ай бұрын
Wow
@yansson3 ай бұрын
無伴奏最佳詮釋之一,手法綿密,音樂情感豐富,連貫性非常好。
@jeromepatterson15414 ай бұрын
One of the very best renditions of this suite I’ve ever heard,Bravissimo 👍👏👏
@JacquelineSigaut4 ай бұрын
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
@JacquelineSigaut4 ай бұрын
Maravillosa
@JacquelineSigaut4 ай бұрын
Que belleza suscripta de una a tu canal te invito al mio saludos desde Argentina de una cantante de tango y compositora 😊
@LindasFlowersandVegetablesGard5 ай бұрын
What a beautiful garden!
@biscayen5 ай бұрын
Majestuous interpretation. A great talent!
@W.ClassicMusic5 ай бұрын
Thank you for this performance I'll rooting for you. expect next performance too
@obenamots15 ай бұрын
Both compositions are tremendously beautiful and the performance is exquisite - Thanks for sharing and Bravi tutti!!! 👏👏👏
@limitstoprogress6 ай бұрын
Thank you! This is a truly definitive performance of BWV 2008! Such playing skill, bowing technique, intonation and soulful modulation. I'm loving it!! (from Canada)
@CanadianDivergent6 ай бұрын
this is Amzing! her vibrato is superb! and she is incredibly technically seasoned!
@julienarrijs6 ай бұрын
That is really beautiful❤ thank you🙏
@dinacourtis82166 ай бұрын
♡♡♡♡
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 0:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 0:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 00:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 00:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 0:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@friedrichedelmann26506 ай бұрын
J.S. Bach: Suite No. 2 in d- BWV 2008 for Cello solo performed by Rebecca Rust COMPLETE kzfaq.info/get/bejne/d5uEdNuYvt2ZZXk.html 0:00 Prélude, 03:49 Allemande 07:54 Courante 11:09 Sarabande 16:47 Menuet I & II 20:36 Gigue
@pablodelia-celloclases45936 ай бұрын
Maestra Rust, su interpretación es maravillosa y motivadora. Felicitaciones!!
@friedrichedelmann26506 ай бұрын
Bach Suite No. 1 for Cello solo in G Major performed by Rebecca Rust 00:06 Prélude 02:59 Allemande 07:22 Courante 10:22 Sarabande 13:22 Menuet I & II 17:07 Gigue
@pablodelia-celloclases45936 ай бұрын
Felicitaciones, grandes maestros!!! Compositores y obras que no conocía y los conocidos hermosamente interpretados.
@LindasFlowersandVegetablesGard6 ай бұрын
Love your white garden so much!
@huckleberrysfriend6 ай бұрын
One of the most demanding of his 6 Suites, grandly performed!
@archiejones58797 ай бұрын
I am not sure of her age. I believe that Bach will truly stay alive in her. I hope I am able to play Bach well into my 80’s🙏🎵
@OrangeSodaaa7 ай бұрын
❤❤❤
@schindlermusic7 ай бұрын
de.wikipedia.org/wiki/Adagio_g-Moll_(Giazotto) This Piece is NOT ALBINONI! It is Remo Giazotto. Please do not ignore history!
@bonniecutrell70727 ай бұрын
You play beautifully
@taniiwaksctisc36197 ай бұрын
Beautiful
@vandalligraphy13007 ай бұрын
I can imagine being able to experience her interpretation of this first suite in person, in such an amazing location could become emotionally overwhelming. It has moved me and I am just seeing it on my phone. 😂 very beautiful. Thank you for this.
@friedrichedelmann26507 ай бұрын
Through my book "Memories of 17 years under the Principal Conductor Maestro Sergiu Celibidache as Principal Bassoonist of the Munich Philharmonic Orchestra" we got to know and become friends with Ramón Navarro Martin from Spain. In a private letter he wrote to us in English, what he wrote in the comment below in Spanish: "For me it is a privilege that you have made me part of this first look at this fantastic interpretation of Bach's Suite No. 1 by Rebecca. I especially loved the menuetto, especially the central part, which corresponds to the trio, with exquisitely refined phrasing. Likewise the giga, in which all the rhythmic/melodic motifs and the dialogues established between them are clearly distinguished. A performance that at no time makes empty virtuosic displays, the musical discourse fills everything. There are no effects, no affectations, there is just a lot of MUSIC. An interpretation based on a deep and mature analysis of the score. We must also highlight the deep technical mastery of the instrument, its beautiful and full sound, with rich resonances, robust, bright and clear. Bravo, bravissimo, Rebecca!!! If we needed to summarize this superb performance with a slogan, it would be: "Musical purity" RAMÓN NAVARRO MARTIN"
@ramonnavarro038 ай бұрын
Esta fantástica interpretación de la Suite 1 de Bach por parte de Rebecca Rust me ha emocionado hasta el punto de que al acabar la giga final he tenido que respirar muy hondo, serenarme y coger resuello. Me ha encantado especialmente el menuetto, sobre todo la parte central, que correspondería al trio, de un fraseo exquisitamente depurado. Igualmente la giga, en la que se distinguen con total claridad todos los motivos rítmico/melódicos y los diálogos que se establecen entre ellos. Una interpretación que en ningún momento hace alardes virtuosísticos vacíos, el discurso musical lo llena todo. No hay efectismos, ni afectaciones, sólo hay mucha MÚSICA. Una interpretación basada en un profundo y maduro análisis de la partitura. También hay que destacar el profundo dominio técnico del instrumente, su precioso y pleno sonido, de riquísimas resonancias, robusto, brillante y nítido. ¡¡¡Bravo, bravíssimo, Rebecca!!! Si hubiera que resumir esta soberbia interpretación con un eslogan, sería éste : “Pureza musical”.
@FranzJurgenDorsam9 ай бұрын
Vielen Dank, für sieses schone und informative Video!
@ettorecavagna52939 ай бұрын
Sempre bravi!!!
@BigHomieKim-qv4nc9 ай бұрын
Fantastic....
@lamusicaesacra539 Жыл бұрын
Moving !
@friedrichedelmann2650 Жыл бұрын
Program: 0:23 Ernest Bloch (1880-1959): “Méditation Hébraique” for Cello & Piano Moderato 6:17 Karl Michael Komma (1913-2012): “Burlesca canonica“ for Cello & Bassoon (composed for Rebecca Rust & Friedrich Edelmann) Three Japanese Songs arr. for Cello & Bassoon 8:20 Karatachi no Hana (Wild Orange Blossom) 10:15 Yogashima no Ame (Rain in Yogashima) 12:50 Sunayama (Sanddunes) 13:45 Robert Schumann (1810-1856): “Adagio & Allegro” for Cello & Piano 22:30 Laurence Sherr (born 1953): “From Another Realm” for Cello & Bassoon (composed 2020) (composed for Rebecca Rust & Friedrich Edelmann) 30:35 Edvard Grieg (1843-1907): Sonata in a minor op. 36 for Cello & Piano 58:00 Encore: George Peter Tingley (born 1950): “The Great Conversation” for cello, bassoon, piano, composed for the performers.
@e-jhaytorno9433 Жыл бұрын
I love how you play the ocarina. 😍
@ricknichols8705 Жыл бұрын
It was so nice to meet you both at the Pacific Java Coffee House !! You two sound fantastic and I really enjoyed your video : Like#8 my friends !! Hope you give a listen to my original jazz composition : Rick Nichols Life Let's Out !! ☮️🎵👍☮️ Hope you both have a great weekend in the Bay Area !! ☮️🎵👍☮️
@gioiafrancesco Жыл бұрын
Wunderbar!
@lamusicaesacra539 Жыл бұрын
Dear musical friends, here is a NEW and AMAZING version of this Kyrie, together with its Toccata. music.kzfaq.info/get/bejne/l9Sla9ednL_Ll6s.html Notes from the Cd booklet (by Carlo Forlivesi): 8 • Girolamo Frescobaldi (1583-1643): Toccata Avanti la Messa della Madonna, Kyrie-Christe-Kyrie It gives me an immense pleasure to play works by Girolamo Frescobaldi, whose music is filled with grace, ease, variety of measure, and elegance. However, one must pay great attention to his instructions to reach the heights of creativity and extravagance equal to those in the paintings and architecture of the period. One has to play with an exquisite lack of regular tempo and an extraordinary improvisatory feel, combined with melodic, harmonic and contrapuntal intensity. Frescobaldi advises “affetto” (affection) for interpreting each passage, and a variety of tempi in passaggi di bravura. In accordance with Frescobaldi’s “nuova maniera” (new way), the performer must emphasize dissonances, and shape embellishments, phrasing, articulation, and agogic accents. The Nachini-Dacci organ of Savignano sul Rubicone, an instrument with an authentic voice and a marvelous color for renaissance and early baroque music (fortunately passed nearly unscathed in the various wars or aesthetic revolutions of the three centuries since its construction) is used in this recording. This rare instrument ensures flawless yet demanding touch control, which is well-suited to reproducing a colorful and varied style, imbued with “durezze e ligature.” This version guides us on a short journey from the micro-virtuous gravity of the Toccata played with ineffable placidity, to the intimate and calm meditation of the last Kyrie. Precisely in order to accompany this transition, the two Kyrie have been (as some Frescobaldi aficionados will note) deliberately inverted.