The audio is a slightly different version from the score on screen.
@EmdrGreg21 күн бұрын
I LOVE these. The main melody [1:07] of conga de media noche is sublime-- luminous. The whole set is a marvel and a joy.
@mariamasud760027 күн бұрын
Very nice 😊
@Jayspider2009Ай бұрын
Best Cello Concerto in History!
@octavianaugust2005Ай бұрын
Im crying now...
@time_9432 ай бұрын
Варіант п'єси на ф-но: 4 - арпеджіо + акорди 11 світла, але на праву руку 14 - акорди 21 - на ліву руку
@f1f1s2 ай бұрын
What a fantastic style. Resembles Rachmaninov but sometimes even darker, and sometimes lighter like Arensky.
@bingchillingog2 ай бұрын
10:01 4th Movement
3 ай бұрын
10:06
@LuV4Pqulaa3 ай бұрын
Literally gonna cry. I’m in 8th grade and my solo contest is this Saturday (for reference it’s Wednesday) HELP 😭😭😭😭
@Yakuotaku.0222 ай бұрын
SAMEE I HAVE TO PLAY FIRST SECOND AND FIFTH MOVEMENT
@user-vl9zz6mb3b3 ай бұрын
13분
@averagenatsumep22704 ай бұрын
3:28
@RaptorT1V4 ай бұрын
1:18 - Chopin - Prelude op. 28 no. 20
@Laveden3145 ай бұрын
I don't understand the 3/2 6/4 time signature at movement 3. Can someone explain me please?
@laccan13 ай бұрын
The piece has 6 beats in a bar, but the grouping of those beats (melodically) are either 3 groups of 2 (like in the first 5 bars) or 2 groups of 3 (at bar 6). Part of the feel of the piece is the gentle alternation of these two groupings...sometimes even different between clarinet and piano (i.e. clarinet is doing 2 of 3, while piano is 3 of 2). It wouldn't make sense to change the time signature from 3/2 (when it's 3 of 2) to 6/4 (when it's 2 of 3) every few bars (in different parts). Putting both 'options' up front indicates that whichever is most appropriate is the 'option'. Remember music is fluid, like language, and the shift from 2 of 3 to 3 of 2 (and back again) is quite subtle - especially in a flowing and gentle movement like this. I hope this helps
@kutsi.tiryaki5 ай бұрын
No.8 definitely my favorite
@fortissimo97455 ай бұрын
0:01 8:04
@Zero-bu5ry6 ай бұрын
Second only to Dvorak's B.
@terifischer6488Ай бұрын
Personally I would say that this is better.
@vincentedelmond54046 ай бұрын
Liszt a real cuckoo bird
@sjk-sw5ig6 ай бұрын
요즘엔 왜 음악 안 올려주시나요?
@amvalkyrie64967 ай бұрын
The last one starts just like one from Schumann's pieces for kids. Cute
@marisolbecerra067 ай бұрын
8:04 10:01
@hjkpx_7 ай бұрын
2:31
@user-ki9ly1uy1w7 ай бұрын
Never heard these great works before. Dah. Thank you all for sharing.
@hjkpx_8 ай бұрын
0:23
@hjkpx_8 ай бұрын
0:40
@hjkpx_8 ай бұрын
I play the piano. It's very difficult!!😂
@iangreer45852 ай бұрын
If you end up liking it, I highly, HIGHLY recommend looking up his op. 10 work, Eclogue for piano and strings. It is one of the most beautiful chamber works I’ve heard
@hjkpx_8 ай бұрын
0:05
@lgxhf8 ай бұрын
0:00
@nickk84168 ай бұрын
Die Forelle is spectacular. I don't think I've heard that version. I think he wrote 2 versions. This one is a beast.
@jcl97928 ай бұрын
43:49
@Olga63288 ай бұрын
13:03 Транскрипція Ф. Шуберт. "Вільшаний король" 28:01 Транскрипція Ф. Шуберт. "Гретхен за прядкою"
@Olga63288 ай бұрын
24:49 Транскрипція. Ф. Шуберт. "Лебедина пісня". "Серенада" 42:00 Транскрипція. Ф. Шуберт. "Лебедина пісня". "Двійник"
@jcl97928 ай бұрын
21:23
@jcl97928 ай бұрын
15:18
@techinoneminute9 ай бұрын
the no. 8 is very haunting
@user-yx7vv6we8u9 ай бұрын
1:04
@giorgio997110 ай бұрын
where did you find the score?
@solcarzemog523210 ай бұрын
What a nightmarish score! How on earth did they come up with a definite version?
@GSHAPIROY11 ай бұрын
29:23 Bold of Levin to go up to a high A-Flat there! He generally stays within the compass of the keyboard for which the piece was written.
@arteguey11 ай бұрын
Me reafirmo en mi comentario de hace dos años. Le falta profundidad de sonido, sobre todo en los tonos graves o bajos, a las grabaciones de este excelente pianista, Thomas Tirino. El sonido que Chandos le brinda a las grabaciones de Kathryn Stott sobrepasa al sonido de las grabaciones de Tirino. Lástima. El debía hablar con Chandos para que vuelva a grabarlo todo pero con mejor sonido, porque sus versiones son excelentes. Mi comentario es exclusivamente de técnica sonora, que nada tienen que ver con la inobjetable calidad artística del Sr. Tirino.
@vincentedelmond540411 ай бұрын
I wonder when Liszt ever slept doing all these monumental transcriptions and Beethoven symphonies transcriptions and many others
@treesnyАй бұрын
Not to mention his own "original" works, including his religious masterpieces Christus and Via Crucis.
@DragosDomnara Жыл бұрын
where did you find the sheet music?
@mercedessantosferreira5716 Жыл бұрын
Lindas músicas.
@cuball2459 Жыл бұрын
Un petit rien 1:05:28, so elegant.
@SelectCircle Жыл бұрын
A marginal talent bordering on amateurism. Can we just be honest about Sulek?
@Ghost_of_Michael_Collins Жыл бұрын
Sounds magical when played at ~431hz
@thomasramsay8212 Жыл бұрын
I think it sounds better at A = 440Hz
@user-iv5gy3rc2b5 ай бұрын
~ 448 Hz is sublime too!
@Meghanishappy Жыл бұрын
No. 3 is so gorgeous. Gliere is too underrated.
@charlottewhyte9804 Жыл бұрын
where is the Barcarolle in G minor
@rosiefay7283Ай бұрын
What Barcarolle in G minor? The G minor prelude is no. 6, Ancienne mélodie. 15:17.
@ryanchiang2509 Жыл бұрын
The bass note Eb at 40:44 in No. 15 is so peculiar. It changes the feeling of the whole piece up until that one note. Makes me wonder if the whole piece was a build up to that Eb.