Hey there, with the K2.0015754 Cable CAM (7p) - RS (0.3m/1ft cable the basic function R/S from ARRI are given, but we cannot guarantee whether they are supported by a third party box.

Good eye! It's an SR3 Advanced from our museum in Munich :)

@@ARRIChannel How about a series of videos about ARRI film cameras and their history? I bet there's great stories to be told.

Thanks Andrew!

Hey Barry, you can reach out to our workflow support group for assistance: [email protected]

Hi there, we do have trainings for TRINITY 2 and ARTEMIS. To schedule our courses to your needs it would be great if you could preregister online without any obligation and, depending on the regional demand, we will schedule a training near you: arri.academy/preregistration

for sure sir 🙏

Hey there, thanks for the comment. In general, using an external WiFi network that is properly managed by an IT department will result in a more stable connection than trying to use a host network from a camera, if that host network has to compete with the situation that you're experiencing. It's a difficult question to answer definitively, as there are many variables, but it would be worth discussing your requirements with a network professional.

It sure is! The BPS-2 uses the same mounting standard as our regular bridge plates, so it's a great combination.

Yes it can!

Hey Victor, that is indeed where the name comes from, you can view all the details about this long-running attachment standard here: en.wikipedia.org/wiki/NATO_Accessory_Rail

@@ARRIChannel Many Thanks

Hey Tommie, we also have accessories available for the C300 Mk3 and C500 Mk2, you can find more information at arri.com/pca

Because Arri is the standard in the video/cinema level of work. By doing this they secure their place in the industry and increase their brand recognition.

Hey there - we know that not everyone has the opportunity to shoot with ARRI cameras all of the time, but we believe that they should still be able to rely on rock-solid camera support! Most of the industry standards we take for granted now-a-days were developed by ARRI (15mm rod standards, PL and LPL mount, dovetail and bridgeplate), and we have many customers who only trust ARRI gear on set. Especially where safety is concerned!

@@ARRIChannel Can you ask ARRI if they can create a small camera for us poor people? We'd be happy with a simple camera that shoots 4k 24/25. You can make it super barebones. Just a V-mount, on button, and a usb-c to connect an iOS device.

@@JoshWilliams123 why would they ever do that? That’s like asking Ferrari to make a car for us ordinary people. That’s not their market nor intended customers. Wanna shoot with Arri? Rent it for the day - just like a Ferrari.

@@JoshWilliams123 Because RED did it first. RIP RED cameras (thanks Nikon)

Hi there, you can transfer lens files from the ECS sync app to use with the Hi-5. This allows you to see lens data on the Hi-5 even when using lenses that don't have LDS - a Lens Data System.

It's a technical issue with the KZfaq MP4 AND Webm video compression formats that cause macroblocking, fuzzy edges and noise. The enhanced Wavelet-intraframe encoded versions I see on websites such as Vimeo are MUCH MUCH better! These CMOS image sensors and lenses are so good that we are now seeing video encoding issues which require the Internet to changeover to a new video encoding algorithm in order to see the best image quality. I would suggest a 2x2 pixel granularity Fractal encoder as the BEST image quality standard for intraframe video distribution codec!

Hey there, the TRINITY 2 with Pan Axis Module can be used in place of many types of remote heads. For serious arm-car work, we'd still recommend the 360 EVO though!

Hi there - this film was colour graded by our in-house colourist, Utsi!