You're welcome, thank you for watching!

Thank you so much dude!! I'm glad you appreciate the feeling and mood of my interpretation!!! My dad was born in 1944, like John Densmore... One year after Jim Morrison.

Right now I don't have Messenger but I'll reopen it soon so we can share visions from the other side. Thank you, this stream of consciousness from out there in the perimeter is what we see while opening our door, stoned immaculate.

Excellent quotes, some of my favorite!! And thank you very much for your appreciation, yes, I get totally possessed when interpreting J.D. Morrison's poetry, like a stream of consciousness.

I'm so glad you like it, thank you so much dude!!

I've been cut off from the ship of fools 😂

@@AlexandrosRaXVIII 😆good one

Thank you so much!!

...And beautiful your guitar playing, I subscribed to your channel!

@@AlexandrosRaXVIII aww thanks man! What part of the world are you in?

@@mrmeowcomeshome1300 Yes man, excellent playing, I'm enjoying your videos a lot! I'm from Venice, Italy.

@@AlexandrosRaXVIII wow nice (Venice)!. I'm in New York City. Im gonna check out more of your singing. Its great for the soul..

Thank you so much!!

Thank you so much buddy!!

Oh thank you so much! I'm glad you enjoyed!

Thank you so much!!🙏

Thank you so much dude, I'm very happy that you appreciate my interpretation!!

@@AlexandrosRaXVIII as an artist myself, always dude! keep groovin 🙏🏻

@@comilangj.b.804 Thank you, I will continue! 🙏 I subscribed to your channel too, you're an artist and I admire your work, dude 👍👍

Thank you so much bro, I will.

Hehehe it actually sounds a bit like Valhalla, it would be cool, especially if related to Danzig 😅😅 Thank you for listening!!

Thank you 😅 I don't know if you mean that the bathroom tiles have great acoustic, or my singing is toilet style, anyway thank you for listening ☺️

@@AlexandrosRaXVIII Dave was singing in a room with tile, back in 1992.. Because of this there is so much of acoustic effect on vocals.. You can check this photo in internet)

@@sergeygolovin2760 Ah yes, I understand, thank you for the suggestion; actually also Jim Morrison recorded his last album in a bathroom with tiles for the excellent acoustic and natural reverberation and echo. I will try in my bathroom with tiles.

Thank you so much! I'm gonna record more for sure.

Thank you so much bro, I'm glad you like it!!

I have the original coffin Misfits box-set with Fiend club metal pin & Samhain box-set too, with the VHS!!! I love all Glenn's bands !!!

Welcome back!! And thank you so much for your appreciations! More new material's coming into different styles, stay tuned 😉😊

@@AlexandrosRaXVIII Great! Can't wait to hear and very curious to know what will it be ! Anyway you rocked it !

@@FlavouredFieryLove Soon you'll hear something new! And thank you for listening!!

I'm just reading the prayers of my personal Jesus...

Thank you so much my friend, I'm happy you like it! It has that country rock flavor that would fit perfectly in Morrison Hotel era. By the way if you want an excellent complete 83 minutes Seattle 70 I found that Transmission Impossible CD bootleg box-set of The Doors is the perfect choice and it's also sold at very low price.

@@AlexandrosRaXVIII Very nice band The Creedence Clearwater Revival, I like them. Let's go now, to the important things (hahahaha) During the week I completed 3 purchases which are: 1) The ultimate Seattle tape CD by Tuff Bites 2) The Lizard King with black cover and photo from Fillmore East lp 3) Live in Seattle 70 CD by RoxVox with a red cover Everything you suggested Alex I bought at very affordable prices. If it deserves another Seattle Live in my collection I will buy it, I think what you are talking about is a triple cd and contains half and a little more 1970 Detroit concert, CD3 takes 1967-68 TV performances, and even the entire "PBS Critique" of June 1969 ... all with a remastered sound if I remember correctly. Tuff Bites All hail the American Night double CD bootleg of Dallas 70 and Freedom Man triple CD box-set unfortunately I can't find them yet. I'm in no rush right now maybe sometime in the future. I also want an opinion on The Doors - The Night On Fire lp or cd and which bootleg for miami do you think is worth buying. I'm waiting for an answer, I have more to ask..!!

@@coily7776 Congratulations for all your purchases my friend! If your Rox Vox Seattle 70 is 83 minutes long then you don't need Transmission Impossible 3 CD box-set, I say this because unfortunately there are fake Rox Vox Seattle 70 CD-R circulating that are homemade copies only 79 minutes long, without Hitler poem. About All hail the American Night Tuff Bites and Freedom Man triple CD box-set, let's hope you'll find them in the future; meanwhile I suggest First flash of Eden CD for an excellent Wight 70 audience recording. About The night on fire I suggest the vinyl version that is better sounding than the CD but if you find the CD for cheap price then it's worth buying anyway.

@@AlexandrosRaXVIII Unfortunately my purchase doesn't contain Hitler poem dammit so maybe I'll buy Transmission Impossible. anyway .. Which First flash of Eden CD/LP do you recommend on discogs has 27 releases for this live...!!!! also want your opinion on bootleg for miami old vinyls or cds thanks a lot best DOORS BUDDY EVER..

@@coily7776 Very sadly most of circulating Rox Vox Seattle 70 are fake copies of 79 minutes, but on Transmission Impossible you can find the 83 minutes real thing. About First flash of Eden CD my suggestion is to buy the 1995 original first CD print with Light my fire from 29th September 1967 as bonus track. All the others are copies.

Hello my friend, you're always the most welcome! Tuff bites CDs bootlegs, like Ultimate Seattle tape, are visually appealing but unfortunately they had many issues, acceptable for 30 years ago but not today. I suggest it only at a nice low price and good visual conditions. On a collector mind I love that bootleg only for the historical and visual value, but to experience the complete Seattle 70 concert I would suggest some recent publications on many CDs of The so called "half official" or "radio archives", often on only one CD of 80 minutes making the listening experience much better than changing CDs (to fit on one CD they only removed few minutes of total silence in between songs). On the other hand the best bootleg of Seattle on 2 CDs is Lots of trouble lots of blues from 25 years ago, very rare. But I advice you that the only existing version of Seattle with Mystery train without the repeated singing verses (duplicated by the dumb guy that made a copy from Vince Treanor's reels in late '80s) is the one prepared by KZfaq channel OtherVoices. That's the best Seattle version today but obviously the sound is in MP3 KZfaq quality.

@@AlexandrosRaXVIII Thank you very much ALEX ,price is very affordable to buy (close to 20 euros) but if you have something better to suggest I'm open hahahahahaha. Send link Alex. Also i would like hear your opinion about the beautiful die young bootleg..

@@coily7776 If you can find Lots of trouble lots of blues double CDs bootleg from 25 years ago, it's much better than Tuff bites bootleg, but anyway for 20 euros it's fine. About the beautiful die young, it's highly recommend although like all Toronto 1969 bootlegs it runs slower (only vinyl Run free old LP bootleg runs at almost correct pitch but has horrible sound quality).

@@AlexandrosRaXVIII Thank you very much Alex, I remember the Run free LP bootleg, I bought it in the late 80s via mail order. That goes too. My God...!! Next purchase the beautiful die young bootleg.. Toronto Pop Festival 1969 Plus Other Rarities cd ?(Too Drunk To Fuck) or 2xLP 80s lp, or both? Thanks for the advices, see you buddy..

@@coily7776 You're welcome my friend! Everything depends on what is your purpose: if you want to recreate a collection of The Doors legendary vinyl bootlegs, then LPs are the most expensive, more valuable but also worst sound quality, especially because played tons of times during the last 30-40 years, often on bad quality turntables with damaged or not correctly installed needles. On the other hand, if you want to listen to legendary bootlegs of The Doors for the magical pleasure of enjoying the concerts we loved to listen to when we were kids, then I would surely go for CDs bootleg. About The beautiful die young, it's the oldest and most valuable but the Toronto 69 Too drunk to fk is surely better looking, openable, slightly better sound quality and has some tracks from other concerts like Santa Clara November 67, Avalon 67, etc. ...Again the choice is up to you according to the experience you want to feel: collection VS listening quality. I would pick both The beautiful die young and Toronto 69 Too drunk to fk CDs, but only if sold at a good price and in very good or mint condition.

Thank you so much pal! Yes, The Doors never conceived The Soft Parade album without strings and horns on at least half of the songs, it was an idea they had since much before 1968-69. Unfortunately people believe that the orchestra was just added by Rothchild, so for decades they asked to remove it.... And the result is sort of horrible, on 50th anniversary bonus CD it sounds so obvious that without strings and horns songs like Tell all the people, Touch me, Wishful sinful etc. sound so incomplete (especially Ray's organ is less than a basic accompaniment), not to mention that for a bunch of songs The Doors called a small horns & strings section also live at L.A. Forum and Madison SG (and it sounds beautiful even on audience recordings), showing those few songs were meant to be with orchestra instrumentation. The only thing that was actually originally conceived in a different way was a modal guitar solo by Krieger at the coda of Touch me (just like the beautiful one you can hear at Aquarius) and it was actually really recorded in studio (you can still it far away in the mix if you isolate the guitar track) but then it was replaced by the saxophone solo (that was longer and then was shortened).

@@AlexandrosRaXVIII By the way Alex, I have the same opinion and I love this album. It has its own magic. NIGHT DIVIDES THE DAY: THE DOORS ANTHOLOGY..What can we expect?

@@coily7776 I'm afraid two big delusions await for us, my friend: Night divides etc. will probably be just an expensive revision of the book by Beng Fong Torres from around 20 years ago (I think it's called 'In their own words') with "never seen before photos" that collectors already saw since 30 years ago and with the memories from Robby & John that totally don't remember anything correctly ("if you remember the '60s you weren't there"); then Live in Stockholm will probably be an abomination where When the Music's over from the first concert (Jim's microphone didn't work, the sound engineer stopped the tape in the middle, etc.) was "recreated by Botnick" from other versions and the multi-track master reels that are so beautiful sounding that the trailer was done using an excerpt from the studio version of 5 to 1: perhaps because if people hear a glimpse of the actual sound no one will buy it? (As it will probably be worse and less authentic than the bootlegs from 40 years ago).

@@AlexandrosRaXVIII I'll start from the last one Alex, one reason I prefer old bootlegs (as bad as they sound) to artificial intelligence is what you wrote to me. Cut sew from some other source. I would like to hear dallas from some other original recording than a clean one full of AI interference. You may not agree but I'm sick of it.. Cut sew.. IOW live the official one is "almost". full of overdubs. Nothing to do with the 80s bootlegs, certainly better in sound and performance but not authentic .. As for NIGHT DIVIDES THE DAY: THE DOORS ANTHOLOGY I agree with you Alex my friend ..!! It will certainly be a very expensive version (the genesis releases are beautiful) but also strange in price and I don't know if the content will make us wiser or not, I think not .. I certainly won't pay that much for one or two unreleased (?) photos.

@@coily7776 I agree with you my friend, the new book will probably be just an almost useless release, we'll see how much it will cost. About AI and excessive use of digital technology (Plangent, heavy noise reduction, editing etc.), again I agree, I prefer the audience tapes left untouched and I consider the so called "remastering & speed corrected" versions just as something to listen to have a different point of view, not as the ultimate truth. About Wight it's more complicated: the overdubs are just some useless notes of guitar accompaniment here and there when the original guitar was almost inaudible (but the solos of guitar and organ are all 100% authentic). Then they put the ending snare rolling of LmF from the last Felt Forum show because the master tape of Wight was probably damaged (the bootlegs versions have the original snare rolling and there was absolutely no reason to replace it, so the only explanation is that the master tape got damaged during the last 20 years). So I would say that Wight is 90% authentic, except those useless guitar accompaniment notes and snare rolling at the end of Light my fire. Anyway let's not forget that sound manipulation on bootlegs started already in late '80s / early 90s with Swinging Pig and Kiss the Stone bootlegs full of disgusting noise reduction No Noise system that totally destroyed low and high spectrum while removing the tape noise, not to mention the horrible Dolby C on tapes that again ruined the sound.

Thank you so much, Brother!!

Thank you buddy! Always been one of my very favorite too, if they added Strange days, Unhappy girl and When the Music's over and possibly left out Money, it would have been the ultimate perfect show.

@@AlexandrosRaXVIII Nice note, could they have one more song from strange days or why not strange days as well..

@@coily7776 I really don't know why The Doors, at the apotheosis of their career, still enjoyed a silly piece like Money but left out masterpieces like Strange days, Unhappy girl, I can't see your face, End of the night, Take it as it comes. I can understand that during their 1966 days they needed to do famous covers like Money, but in 1967-68-69-70 it makes no sense.

Thank you buddy, it's a phone app that simulates the '60s filming style. To me Back Bay is right up on the top of the late 67 spring 68 era, second only to Winterland 67. Sad that Robby is barely audible because the cassette tape was too close to Ray's loudspeaker.

@@AlexandrosRaXVIII Valid Alex. I wish we had something from the next few nights at the Fillmore East..

@@coily7776 I guess Fillmore East shows were very similar to Back Bay, especially because unfortunately we know that it's an urban legend that they performed The Celebration of the Lizard in New York March '68.

Thank you so much!! Unfortunately I don't have a good equipment to record the sound, I only have a cell phone and the overall acoustic of the room is not very good, but I am trying to improve the way of sound recording.

@@AlexandrosRaXVIII i understand , keep it up 👍

Thank you so much, brother!!

Thank you so much for listening!! Yes, it's for Paméla my fiancee, I hope she appreciates the interpretation ☺️

@@AlexandrosRaXVIII you're welcome! I'm sure she does and that's so sweet of you to dedicate songs to her !

Absolutely. I wonder how many other studio takes they did, would be amazing to listen to all of them.

@@AlexandrosRaXVIII I was hoping for the 40th or even the 50th anniversary, to have a couple of takes. But in vain .. Maybe at 60 or....Hahahahahahaha.... LIVE AT KONSERTHUSET, STOCKHOLM, SEPTEMBER 20, 1968, will be released, what can we expect? Something new? Definitely not. I don't remember how many copies I had, in the past. I want your opinion

@@coily7776 Strange Days 50th edition was even worse... Absolutely nothing of nothing, just mono & stereo, really pathetic. WftS 50th was a little bit better: some rough mixes and the Copenhagen incomplete '68 show. About Stockholm 68 official: the big question is: will it be really a 4 tracks master or Botnick just applied artificial intelligence to isolate voice, organ, guitar and drums from the radio reel? I'm really curious about this supposed to be multi-track master reels.

@@AlexandrosRaXVIII I have the same question, but if Bruce solves our question , do we buy it after all? I also want to ask you how much you bought the Bakersfield LP, to compare the prices between Greece and Italy..

@@coily7776 We'll know that only when buying the Stockholm 68 CDs or LPs, from Botnick's notes. And anyway we know that we'll buy it anyway, no matter if 4 tracks master or just radio reel with applied AI instruments separation, will still be better than 40 years of bootlegs (let's not forget that Beatles just did the same AI separation tracks project at Abbey studios on all their new releases of their official discography). About the price: in Europe the correct price for Matrix CDs and Bakersfield CDs is 16-18 euro each box-set, so it's very cheap, especially considering that we're talking about 3 CDs and 2 CDs each. About vinyl: it's just a crazy fashion, we don't buy it because it's better than CD, we buy just because for us it's big and cool... So sellers try to cheat all vinyl lovers! The price in Italy for Matrix vinyl LPs box-set is around 50-80 euro depending on how honest is the seller, let's say 60-70 average price. For Bakersfield you can find it for 40-60 euro, again depending if the seller is a thief or honest. I obviously bought both CDs and vinyl for each release, even very expensive SHM-CDs from Japan and, guess what? Even on a very expensive full range Hi-Fi equipment like mine, they all sound exactly the same...!! My friend, we dig our grave: CD sounds equal or better than vinyl, it's sourced exactly from the same digital master of vinyl, but we keep wanting vinyl, so we receive what we deserve from criminal record sellers.

😂😂

Thank you so much!!☺️ The microphone I use is an authentic vintage Electro Voice EV676 from 1966, the same iconic one used by Jim in most of 1968 concerts and some important shows in 1969 😊

Well buddy, we're already lucky that total masterpiece performances of LA Woman, Palace in the canyon, Love her madly, The Changeling, Riders on the Storm and astonishing versions of many well known songs survived from that night in Dallas. Unfortunately the only one that it's not very enthralling is The End, especially the "be my heroine" part, beside that the sound quality is unfortunately often very bad.

@@AlexandrosRaXVIII I agree with everything you say Alex, maybe I am greedy-avid and insatiable. Maybe another Palace in the 1st show..

Thank you so much, buddy!! I love Avalon too, Ray's Vox Continental, John's drums, Jim's unpredictable singing, all astonishing! Let's hope something more was recorded, beside the amazing versions of Moonlight drive, Back Door Man and Who do you love...