Bella Música.

This matters for far more serious reasons than satisfying the idle curiosity of a few wannabe intellectuals. It shows that great lies and deceptions can and have been carried out by the very top of society and been perpetuated for many hundreds of years. WE WERE LIED TO and we still are being lied to. This was a systematically organised conspiracy to deceive. This involved not only top members of the English aristocracy but Elizabeth and James 1st. The consequences and motivations may have been reasonably benign but what this reveals should make us wonder how many other matters that have formed the foundations of our historical record are also fraudulent? We already know of some of them, but how many more exist that we have have not yet discovered? The truth is that we live in a world of lies and deceptions some of which are far older then this one. In my opinion virtually everything that we believe is the truth the whole truth and nothing but the truth is not. This applies to virtually all subject matters, to a great or greater degree. Knowledge is power. This is why our Owners retain so much of the latter and we remain with so little of the former. It is perhaps ironic that the greatest proponent of the Enlightenment namely Sir Francis Bacon was one of the Worlds greatest liars and deceivers as well as one of the smartest and most influential persons ever to have lived. Bacon and his co-conspirators may have had the best intentions in mind when embarking on this great project to deceive the masses, but the motivation is relatively unimportant with regards to its clear implications. This also amply demonstrates that it is far easier to fool someone than convince them that they have been fooled.

All this time used for nothing..im sure William who ever he was would not be happy with all of you with your heads in books and not living. Im reminded of another illuminated mind, that of William blake and his painting of Sir Issac Newton and how he has his head stuck in paper to busy counting up the numbers and letters that are hidden and misses the true beauty of creation and its illuminator the God above your tiny god

I listen to the music of Mr. Savall and the like everyday. Its as much a part of my life as is the air Im breathing right now.

why is it elisabethian... why not philippian...???!!!

Intervista di grande interesse. Grazie!

kzfaq.info/get/bejne/p7eHgqdqy7urg4U.html&ab_channel=EndoftheTownProductions

So happy to find this...

Soy Colombiano y misteriosamente esta musica transporta mi espiritu a otra época, de maravilla.

❤

Innocentio Alberti: Pavin Of Albarti 0:00 Innocentio Alberti: Gallyard 2:39 Anonyme: In Nomine A 5 4:39 Nicholas Strogers: In Nomine III A 5 6:59 Anonyme: Desperada 9:00 Anonyme: Gallyard 10:52 Anonyme. Allemande 13:34 Clement Woodcock: Browning My Dear 15:10 Robert White: In Nomine V A 5 17:29 Anonyme: Ronda 20:47 Anonyme: La Represa Anonyme: (Gallyard) 22:58 Clement Woodcock: In Nomine II A 5 25:13 Clement Woodcock: In Nomine III A 5 27:33 Anonyme: Allemana D'Amor 30:25 Anonyme: (Dance) 32:31 John Taverner: Quemadmodum A 6 33:48 William Daman: Sei Soprani 38:50 Anonyme: Pavana 42:24 Anonyme: Brandeberges 44:43 Anonyme: La Represa 46:07 Nicholas Strogers: In Nomine IV A 6 47:19 William Mundy: O Mater Mundi A 5 50:08 Anonyme: Pavana 53:20 Anonyme: Gallyard 55:21 Anonyme: (Dance) 56:3157:38 Robert Parsons: In Nomine IV A 7 57:38 Robert Parsons: The Song Called Trumpets A 6 1:00:32 Robert Parsons: In Nomine V A 7 10:02:31

Thanks for this beautiful Master piece

Musica modalis, non tonalis

Today’s banal mush that passes for music does not hold a candle to this.

Performed in an MFA production of his "Volunteers" which looked at the incarceration of insurgents during the troubles. I was the Gaoler. Supervising the Archeological dig. Mr.Wilcox, a presbyterian of the Anglo Norman, Scotch Irish ascendancy. It was an exploration of the inner and outer aspects of an intensely confounding psychological drama. Not to be missed.

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excellent

I have only just realised that plays and masques were the internet' of thise days.. A much bigger deal than I hitherto thought...

This is true chicken soup for the soul.

❤💋 Thanks 💋❤️

a million endorsements of duncan's words below

I Love Dickens for the warmth of the books, even if sometimes sickly sentimental! Now, I have never found Shakespeare 'warm' - very controlled, harsh. Yes, Courtly Love machinations, but, most of Shakespeare is about bitter control...the vile Elizabethan Court he knew, because he grew up in it!

wonderful. Can I share it?

Edward Devere - The great elephant in the room that Stratfordians seemingly never see. At the highest levels they must know surely! That cannot be fools. At that level are they gatekeepers? Are they paid to keep this from the world? If so, by whom? Who is so powerful that they would want this kept secret?

Absolutely fascinating presentation Kevin. Many thanks. Love the use of old pictures and maps etc.

That was amazing, thank you all

Absolutely beautiful Alexander

I’m a musician who’s studied, played, and sung all kinds and periods of Western “classical” music, and I listen to it all the time. I really love the composers of this period from all over Europe, but when I hear music from the English Renaissance it always makes me feel I’ve come home. My ancestors came to America beginning in 1620 and ending in 1840-I’m still 100% English descent-so it’s weird that I identify with the music so strongly, but I do. Especially the Church music.

Alberto Soza ceased his channel long ago, I think, isn't it? Or does he still have it under a different name? His channel was really great!

El gran mestre Savall, igualadí com servidor, ha dut a terme una magnífica i prolífica obra de conservació, restauració i embelliment del patrimoni històric musical d'arreu d'Europa. El mestre ha esdevingut EL pont que connecta la posmodernitat atrafagada amb l'eclosió renaixentista.

Bonjour, c'est une pure merveille: il y a un équilibre subtil entre l'expression des instruments et leur conduite: ni trop, ni trop peu. Certains trouvent cela lassant, pas moi.

Thanks for uploading this sublimely beautiful music! England was a center of western art-music & kultur until recent decades...The Elizabethan accomplishments will outlast momentary dysfunction & general wackiness in the UK!

Diese Musik ist wunderschön! BRAVO

Magnifique ! limpide, reposant...

This is such beautiful music!

👏🏿🤞🏿👍🏿👏🏿

Magnifique !! La musique tient ici le milieu entre la nature matérielle et la nature intellectuelle : elle peut dépouiller l'amour de son écorce terrestre, ou donner un corps à l'ange selon les dispositions de celui qui écoute, ses accords sont des pensées, des coups de fouet ou des caresses

so much better than the music of today.

Escuchar esta musica te relaja el espiritu,hermosa pieza musical,gracias por compartirla,saludos

GREAT I LOVE IT - ACTUALLE RESEARCH --- MY RESEARCH IS BASED ON ALPHAMALES WHO CAUSE THESE DOPPLERS ..EG WHO IS THE ALPHA MALE PROWLING VIKING TER OR EUROPA OR PERSIA OR CHINE WHO ORIGINATED & INSPIRED THESE PERFECT DOPPLERS ATTRIBUTED TO SHAKESPEARE - DAVID KAMRAN OF 2134KSCIENCES:REPLICANTS:RESEARCHUNIT

Megragad az előadás és végig nem enged el,csodálatos!!!

John Heminges, Henry Condell, and Richard Burbage, three actors of The Lord Chamberlain's Men, a famous acting company that included William Shakespeare, were given money by William Shakespeare of Stratford in his Last Will and Testament in 1616. Two of these actors, John Heminges and Henry Condell, were responsible for having 36 of Shakespeare's plays published in the First Folio in 1623. Ben Jonson's eulogy in the First Folio clearly praises Shakespeare as a great writer and refers to him as the “Sweet Swan of Avon.” This obviously designates Shakespeare as from Stratford upon Avon. Furthermore, Jonson states that "thy writings to be such, /As neither Man, nor Muse, can praise too much." Heminges and Condell also praise Shakespeare as a writer, stating that "he thought, he uttered with that easinesse, that wee have scarse received from him a blot in his papers. But it is not our province, who onely gather his works, and give them you, to praise him." These are "his works" and "his papers" that they are publishing. He is clearly presented as the writer of these works in the First Folio. The Last Will and Testament of William Shakespeare of Stratford clearly connects him with the 1623 First Folio through Heminges and Condell and it is clear that Shakespeare is presented as the author of the plays.

This stuff reminds us of how much "soul" is missing from contemporary popular music...It is food for the spirit just to listen for a few minutes to these works, but an hour is better. As Edward de Vere knew only too well, music is essential to soothe the troubled soul. Jordi Savall: one of my early music heroes!

This kind of music will live forever ❤❤❤❤❤❤

This is a panacea for the soul

The anti-Shakespearean faction certainly spend considerable time and effort - and obtain great satisfaction - from trying to prove Shakespeare was not written by Shakespeare. William Shakespeare was born in the small town of Stratford, Warwickshire, and his childhood was spent in a crowded household. In his dramas there are images of stopped ovens and smoking lamps, of washing and scouring, dusting and sweeping. And to boiling and mincing, stewing and frying, badly prepared cakes and un-sieved flour, along with other household work like knitting and needlework. Also carpentry, hooping and joinery, which was carried out in the back yard of the house. No other Elizabethan dramatist employs so many domestic allusions. Being a farmer’s son, he knew of grafting and pruning, digging and dunging. In his works he alludes to more than one hundred different plants. He uses local Warwickshire names for the flowers of the meadow, such as Ophelia’s crow-flowers and Lear’s cuckoo-flowers, also love-in-idleness for the pansy, bilberry for the whortleberry, honey-stalks for stalks of clover and golden lad for the dandelion. Shakespeare knew the rich folklore of his native Warwickshire from childhood. He learned of the witches who create storms and the Welsh fairies that hide in foxgloves. He knew of the toad with the medicinal jewel in its head and of the man in the moon who carried a bundle of thorns. In the Forest of Arden there were ghosts & goblins and the plots of these fairy stories can be glimpsed in his adult dramas. Pericles was one of the old tales told round the hearth and ballads and folk tales charge the plot of The Taming of the Shrew. Rural traditions were deeply embedded in his mind and he understood the country very well, with what Edgar in King Lear calls its ‘low fermes…poor pelting villages, sheep coates and milles’. He saw the sheep-shearing feasts at Snitterfield and resurrected one in The Winter’s Tale. The May-games of his youth return in A Midsummer Night’s Dream and stray details of his rural youth emerge in a hundred different contexts. Real places and people are enlisted in his dramas. The names of two business associates of his father, George Vizer of Woodmancote and Clement Perkes of Stinchcombe Hill, reappear in Henry IV, Part Two. The words and phrases of Shakespeare’s childhood are recalled in his writing. He uses ‘fap’ to mean drunk, ‘third-borough’ for constable, ‘aroynt’ for leave, and many others besides. The language spoken by Shakespeare in his native Warwickshire was nearer to Saxon than to Norman French, seemingly little affected by the foreign culture of the conquerors. Extra consonants were added to lend emphasis to certain words, vowels were lengthened too, making it sounded thicker and more resonant than the language of London. This was how Shakespeare spoke as a child and Stratford idioms were used in his writing, although the fussiness of successive printers and editors has curbed and flattened his native sonority. It seems, to say the least, something of a puzzle - more realistically an impossibility - that Edward de Vere, Earl of Oxford, could become familiar with all the above, which would be a closed book to somebody not native to Warwickshire. Let alone somebody in his position with a retinue of servants to meet his every need, relieving him of any thoughts (or knowledge) of mere everyday matters. It would, however, be second-nature to a farmer’s son raised in a rural environment. How could this aristocrat have become familiar with common dialect words from a different part of the country - and a very different strata of society - then substitute them in place of his own more refined language? More to the point, why would he want to do that anyway?

Es war lebensgefährlich damals zu leben 😱

יפה ‼ תודה.ГАРМОНИЯ И ПОКОЙ 👑

JORDI SAVALL - The Great

The first pavane : "Belle qui tiens ma Vie"