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My problem is that it's easy to fall in love with brightness when you're mixing. I personally hate "mud" more than any quality in a mix. But that often means I cut too much of the low mids and do too many boosts everywhere. It sounds exciting when I'm doing it. But I've had to purposefully wean myself off of it and make darker mixes. I think I'm finally finding a good balance, but I still have a long way to go.

This is a subject you don't see very often, but is very important. I was dealing with extremely harsh mixes for the longest time. I've been getting a lot better at this.

Bobby levelling up his thumbnail game, got a chuckle out of me

Hey Bobby, I just want to say thank you for doing videos like this. Making things straight to the point and showing exactly what you do has helped me a lot while trying to learn how to do my own thing. I've learned so much just from watching your videos, and it's definitely helped me out. So thanks again!

If you can make this sound chaos clean and open, man, you can mix anything else and make that sound better than any name we can list...

Thank you! I’ve been looking for this info for a long time and nobody on the internet covers it. The “layer cake of the low end” analogy, but in respect to the top end

I don’t do heavy metal exactly in my writing but I do pop/punk rock music and alot of these tips have helped alot in my mixing of these songs! Thank you Bobby

Bobby... You are the man. Your channel and you helped me a lot in my mixes... Thank so much, man!

Thanks Bobby 😎

What about cutting the brightness of the overheads with an EQ instead of using a tape simulation to remove just the harshness? Maybe cutting with a high shelf would be a good idea, what do you think of this approach? Maybe if you want to saturate it later to get more texture obviously it's valid. Nice video, as always 🤘🏾🔥

Was watching a mix video the other day. Some older guy that used to teach audio engineering back in the day. He said something like this about digital recording. Digital recording is a clean slate. It is neutral. It imparts no sound on your records. It is up to you to give it flavour. So basically if you want dirt you gotta put it there. Those highs are gonna be captured during recording. It's up to the mixer to take them out if they are not needed. Same a bass.

Cool, informative and straight to the point video!

Thank you, maaaan!!!

Fantastic video - haven't heard these tips anywhere else.

I thought I was the only one that doesn't send my cymbals to the drum bus. I send my overheads directly to the master bus. I get clean, clear cymbals that way.

Great video ! What EQ move would you use for the harshness of the cymbals specifically ? Low Pass Filter/Shelf ?

Ice picks stabbing your ears. So true.

Your channel has been an excellent resource but i have a question: i have a reAmp box, a 5w 5150-III, and an open back blackstar 1x12. It gets good enough tone for practice, but the cab IRs and ampsims sound better in a mix. Is there any upside to reAmping in a home/bedroom studio when ampsims sound so good now? Or am I chasing the analog daydream of "classic tone that you can only get from pushing soundwaves through air"?

How would I go about treating octaves when they are supporting the rhythm guitars in say a chorus? Do I take off a lot of the top end like how you did with leads or should I treat them as rhythm tracks where I low pass at around 10k?

Just done a 8K + tweak on vox screams . Magic

Gracias

I was thinking of #4 last night when I couldn't go to sleep. Was just uncertain where to start low-passing

Love your content. ❤💯🤘

What do you do when one guitar player is chugging and the other is just using octaves? Do I have 4 tracks? 2 octave tracks and 2 chugging

Damn those drums were grooving at 12:40 who's the drummer 👀

Bobby, if you're using EZ drummer drum samples and they sound pretty good already, do you still reduce some of the high frequencies?

Hey Bobby - I'm an inexperienced beginner, so apologies if this is a dumb question, but - how do you manage guitar harmonies in a mix? I can't get them to sound like anything but washed out lo-fi chords, even when hard panning. Thanks!

🤘🤘

The one thing nobody knows. Including you, sir. Is, the use of a, peak detecting, FET, High Frequency Limiter/High Frequency De-esser. With this device. You can boost, all of the high-end, high frequencies, upper midrange frequencies, you want to. With no harshness. No metallic strident sound. Just smooth smooth smooth. Of as much I frequencies as you want to dial in. While keeping all the warmth and the punch intact. But how would you know? That's right. That's why some of us are actual engineers. You might need to, modify a piece of gear. To attain the sound you are seeking. With no need of, stupid, computer toy, video game, plug-ins with audio software. No. No, this is a game. For real engineers and not entry-level amateur wannabes. You've got to know a few things. It's like understanding how to drive correctly. You need to take lessons and do some study, to get by. It's not purely for amateurs. In fact it's not for, amateurs. Of course amateurs think they can do anything. And they do. But not professionally. As they haven't a clue. Like you and you and you. It's like Jethro Bodine of the Beverly Hillbillies. He wanted to be a Brain Surgeon! Because it looked like fun. And of course Jethro Bodine could never, be a brain surgeon. Neither can you much less recording any audio, professionally. Something that is truly simple to do. You are incapable of. But have no fear. There are professionals like myself. Just like you need a doctor occasionally. Just like you need a plumber on electrician. Just like you need an arborist. Just like you need insurance with your car. You don't get to be Jethro Bodine. But you do get to be, Clem. Not everybody can do everything they want to without any knowledge. Twitter University, Facebook College and Snapchat Institute. Really don't offer degrees in anything. And those who have attended? Are questionable at best. They are without cohesive, thought. Without a mind to call their own. They are the children behind the counter at McDonald's. That, can never get your simple order right. I said No mustard! Not Extra Mustard! And then argue with you and refused to provide a refund. As I guess that is now how McDonald's trains their managers. The customer is not right. And they should argue with the customer and refuse refunds for poor service and reheated food. And so the McDonald's in, Kyle, Texas. Should be avoided at all costs. So should the Pandora Express and manager Jen. These confrontational managers. Have not properly trained their staff. Keep very poor inventory control. I like to argue with their customers for poor service and poorly prepared food. They all need to be fired. Whataburger seems to make a better effort. But now they have closed our local Whataburger for renovations. Because trial techs and construction companies. Cannot figure out how to do their work. Without closing down the entire shop first. Really? Really. And having eaten there over the past eight years. The place was clean, modern enough, efficient, clean bathrooms. And everybody needed to be put out of a job? To do what? A paint job? Change some signs? Touchup exterior paint? Yeah no. Not necessary. This is some kind of other nefarious incompetence of Texans. They don't know how to do anything competently. They have no power of thought. They function on agenda, only. Jesus will care for everything. So they don't have to. And they don't. I hate Texans more than ever before. Scum of the earth. RemyRAD

Idk what you mean by overdubs. Just seems like lead guitar on a track. That's normal ain't it? How's it an overdub? Like... that's how you record a guitar solo... ya do it over top rhythm guitars so you keep in time, keep the proper feel... like you don't record vox first. You record vox over the instruments. So I just don't get why we call it an overdub.. EVERYTHING but the first recording you make is an overdub then.

My problem is my guitar is too harshness and bright..lately i see the solution of the problem is using tape saturation 🤷🏻

guilty