Thanks! And... Wow, coming from you guys that really means a lot to me!!!!

Thanks. Wurly is really needed. I'll check it out

Welcome to the club!

😂😂😂Thank you very much! 😉

Thanks! Stay tuned, its time for some updates

Thank you! Glad I can help.

Thank you Paul! Maybe one day, but for now, I will explore more this reviews line, and continuing with my private lessons.

Thank you!

Agree about VTines! Iknow Numa Player and Pure Synth Platinum Uprights, have them and tryed them. They are character pianos, probably good for specific situations, but very limited in the dynamic range, considering distracting or badly implemented velocity transitions, filtering, release samples, inhability to go from pianissimo to fortissimo in a smooth way, or inhability to get a fortissimo dynamics. As a producer resource they might be usefull, but as a pianist instrument, they are out of my list.

Obrigado! Fico mais seguro para continuar com o seu comentário!

Thank you for joining, your input is precious! Agree with you with everything. Played with severall Rhodes in my life, but never had one myself. They are all so different from each other, that's why I think it is a good idea to have a wide variety of emulations available. However, "baddly adjusted instruments" are tolerable to a certain degree, depending on how bad it is. I know I'm a release freak, but take the example of Nord keyboards: among other things, they where the first to offer proper and well balanced release simulations, for acoustic and electromechanical on hardware instruments, it plays a bigger role on sound perception than most people realize. Wrong positioning of samples according to velocity is also something that kills the relism on an instrument: take the example of original korg Module EP, MF samples on P velocity and a sudden jump to the "barking velocity" are not acceptable anymore. On Colossus, it seems that you have a combination of all the bad things possible on some intruments. I agree, and I state this on the video, MK1 is still usable in certain contexts, the plain samples are good, but all the other electromechanical have so bad problems, they are not even worth considering.

It is in fact a beautifull Wurly sound!

Thank you! The app is called Camelot. It's a powerfull Audio Units manager, specially for the stage. In iOS you don't have VSTs, you have Audio Units ;) And yes, more videos will come, about DAW's and much more

@@FaustoFerreira thank you very much for the answer! Are there such apps, that would allow me to combine (so to say) multiple "Audio Units", so that for example I could easily change the unit through a connected pedal to the iPad or to split the keyboard and have one Audio Unit on one side and other on the other side? As already mentioned, I'm trying to explore how far the software instruments could go in replacing a stage piano/keyboard.

Thank you very much! It's true, in the end it's difficult to select an absolut best. They all have faults, but they all find they way to specific situations. But VTines its probably the more versatile, tweakable, less faulty and better adjusted of them all.

Maybe it’s me, but i find the VTines sounding nice and authentic, but it barks not enough if you grab in. It doesn’t cut through in a live mix if i am soloing in the upper ranges.

That's why it is dificult to chose the absolut best. Take iLectric for example: one of the earlier and simple of the bunch, no noises or release simulations, correct effects but limited, but cuts through the mix in live context like a samurai knife!

Thanks! I'm using Camelot Pro. Check my other video: kzfaq.info/get/bejne/bJd8qcxh3paYkn0.htmlsi=9brEgVe5Ew-gEUJw

Thank you!

Thank you! I use Camelot Pro. My other video might help you: kzfaq.info/get/bejne/bJd8qcxh3paYkn0.htmlsi=10SdFEnuMkQozmbH

Thank you! I had the same path, of course the Nord works very well, but if you take the time ( and money ) you can built iOS setup that can be even more powerfull and better sounding. About the Wurlitzer, the Nord is very good, but did you check the BeatHawk wurlitzer? ( 20:00 on the video ).

@@FaustoFerreira yes I did see the beat hawk Wurlitzer and tried it for myself, but it doesn’t have the exact tone I’m looking for. My favorite is the Keyscape Wurlitzer. I think if acousticsamples makes VReeds on iOS that would be the best by far.

Yes, Reeds are usually baddly represented, in iOS even worst. That's why I highlighted the one in Beathawk. Very specific but realistic. Try it with an amp simulator, and some external effects, through AUM, Audiobus, Camelot or a daw like Cubase or Logic Pro. Or try the Pianoteq 8 iOS. Playability is great as allways, but they have to work better in the moddeling.

Did you try the Wurley EP in Korg Module Pro?

@@jamietopolski4019 Yes, I am really not a fan of the base Korg Module, and I did try the Wurlitzer expansion. It just felt artificial to me. It’s probably accurate to a specific model of Wurli but I am looking for more of a Donny Hathaway tone rather than Supertramp.

Not sure. If it is, it still works pretty well!

@@FaustoFerreira Please forgive my ignorance, but what is that unit on your desk to the immediate left of your iPad, and what does it do?

@BlackAndWhiteBand Universal Audio Volt 476. A simple but high quality audio interface, used here as a pre-amp for the microfone that's capturing my voice. Check this to learn more : kzfaq.info/get/bejne/bJd8qcxh3paYkn0.htmlsi=Z9xNjDAnvUt7VUEE

@@FaustoFerreira I've been using an old iPad Pro 10" with an Apple USB Camera dongle to connect up to my controller. However I'll soon be upgrading to the Ipad Pro M2. Can you recommend a clean way to connect it to the controller and monitors utilizing USB-C instead of lightning ports?

@BlackAndWhiteBand M2 Pro uses USB C, so you can use your regular Hubs, USB extenders, audio devices, controllers, etc... Just create your own setup that works for you. I use a powered Usb Hub that connects everything and powers the iPad at the same time. I use a good USB C extender, so I have everything connected under the desk, when I arrive to the studio with the iPad, I just connect one single cable to the iPad and voila! everything is connected!

Testei. Quanto aos timbres, incluindo EP, não estão ao nivel dos instrumentos aqui analisados, do ponto de vista da performance e realismo, pelo que nem os considerei.

@@FaustoFerreira muito obrigado pelo retorno, tu é o cara!

I would be flattered! Just remember to allways credit me! If you sel millions with it, I want my piece of the cake!😁😉

Sounds good, but it has this horrible sample transition from mf to ff ( baddly scalled 4 sample layers ) Lack of release samples, no pedal noise, the key noise is very symplistic, etc.. I didn't know about it at the time of my review, or I would have included it, but not putting it side by side with the big boys, its more of a curiosity, a very simple good sounding app. But not for someone who wants a realistic playing experience. I get more excited with software that pushes the iOS capbilitties forward.