Thank you

eh, depends on what you're doing with the audio signal if you're putting it into another plugin than you may well end up with some distortion which will add noise to it.

I listened to your stream. Sounds pretty good!

Is this a logic template or something you purchased? Thanks!

@@henryyepez9134 It's a preset that is built into logic. Click on the settings of your stereo out channel, then select Factory>Broadcast Ready

It's never too late to learn :)

@@MixChecks That's so true!

@@MixChecks You are so right!

When making these kinds of decisions I always ask, "are we removing something that can be a distraction to worship?" I think out of tune vocals can easily cause someone to fixate on that, rather than worship. For that reason, it is an easy decision for me.

@@davidgeiger626 minor imperfections or mistakes by the imperfect humans leading are not a distraction to worship imho. I suppose if curating content for the end user's enjoyment is the goal then it makes sense. I am always focused on improving things at the source and then enhancing them as they are (light effects etc) rather than editing the source material so that it is altered. When I've worked with songwriters on their first recordings, they often react negatively to hearing themselves recorded. I encourage them to work on improving whatever they can (intonation, breath support etc.) but the voice they have is the one God gave them, coming to terms with it and eventually learning to appreciate and enjoy it in it's uniqueness is the way through. (sorry for the ramble) Peace.

Bethel's Luke Hendrickson? Maybe He's using stock version of ableton. Or modified i guess!

I'm definitely gonna look into this more! Because no I haven't had time to try out an IR but I'm aware of them and it sounds awesome! Thanks for sharing

@@Churchfront I recommend Worship Tutorials Taylor 816 IR. I have a Martin DRS2 with a LR Baggs anthem, and I use the microphone setting. I just needed to compress a little and some EQ and it sounds really good.

Yeah

For clarification I should say normal size churches that are older and haven’t upgraded their equipment to go digital

Yea I know what you mean I’m a musician and also the sound guy I’ve put our whole digital system together and mixed everything for foh, stage and now I mixed my stream but sometimes on the stream some things could be a tad lower that I wish I was back there to catch but what I do is I go after service make the adjustment or during rehearsal but I hear you tho i try to hold little training sessions with some churches out here since I’m starting my sound company and I understand those that don’t have the volunteers or the right people that have the knowledge. Definitely the biggest struggle especially in this time

It’s ok for mid to smaller churches to say “we’ll just focus on a good FOH sound with our analog board.” If you don’t have the vols and resources for recording or live streaming, don’t do it. Don’t expect your one sound vol to run FOH and broadcast sound-he or she can’t. It’s ok to not do everything. Just do one thing well.

Hey, i use an x32 but i know that they run a very similar system, on the back you should be able to find a 32 in 32 out USB audio interface. Now you will need 1) to buy a printer cable (USB A to USB B 3.0) 2) google drivers for the m32 from midas. here is a video explaining most of it kzfaq.info/get/bejne/j7h5qpei0rzeg4E.html if you have any more questions let me know as i have spent the past few weeks getting this working for our church

I am assuming you are already using your USB Interface insert on the back of your board to send audio to your DAW? If so, you are able to just use a stereo 1/8 to trs cable to connect your computer output to the 1/4" inputs on the back of your BlackMagic Studio HD. We are currently using an audio interface with 4 outputs instead of the line out on our DAW computer. This allows me to send a stereo pair to our video system and a stereo pair to the studio monitors we use in our broadcast mix room. Hopefully this helps. Everyone is trying to figure out the best way to do this kind of stuff right now. Prayers for you!

Ellis Morley Thanks Ellis, it is true the X32 and M32 are very similar in their functions, in fact that configuration of sending the Main LR through the USB card to streaming was my first option, but everything you do in the LR, affects the Streaming . I have tried sending the LR to a stereo Matrix, and it has a good result, right now I am doing with an AUX doing a mix only for streaming, doing it with the DAW would be interesting for the use of plugins to improve the mix. Blessings.

Yes, that's right, I have the card output to my DAW for recording and playback, I also have a Scarlett 2i2, which I can use to send a stereo to my Swicher, I must check if in my DAW I can configure the input with the UBS Mixer card, and the output to Scarlett 2i2, is this correct? Is this how you use it? How is latency going? Can you work with it? If you can help me or explain how you configure your DAW, it would be very helpful. Thanks and blessings.

@@alexanderpalacios2430 I am currently using Logic Pro X with the Luke Hendrickson broadcast template. Latency has been minimal when using the headphone out on the back of the computer. I use a 64 to 128 I/O buffer rate with standard precision (32 bit) my total latency is about 7 milliseconds which is very manageable. You can't even tell unless you watch the video at 1/4 speed. Who would ever do that? haha. I know you can have a different input source and output source in logic. I have experienced more latency when using an interface to send the output to the camera system instead of the headphone out. All interfaces have different levels of latency. I haven't tried the Scarlett 2i2 but it may work. If it were me, I would just use the headphone out because the 2i2 is only giving you a stereo out anyway. It is the same thing you would get with the headphone out. You could buy a simple headphone splitter to run one signal to your cameras and another to your studio monitors. Hope this helps. It's a little lengthy but it's difficult to give the best advice without seeing the setup. God Bless!

You can do a blend of replaced sounds and the original mic to pick up ghost notes, plus you keep overhead mics in which still pick up ghosts notes. but you raise a good point

We are prototyping using Steven Slate Drums. Ghost notes on the snare was the first thing that came up, so we created a mix/blend that works well (Trigger at about 60% on the snare top, and the snare bottom comes straight in). However, it's important to me that our drummers feel confident that we are preserving the integrity of their performance (and that we actually are). What's the best way to go about doing that?

Use Donte

This is not actually all that complicated... Just set up a mic as normal, connect to your mixer. send to your foldback busses, take it out of the front of house, stream, record etc mixes. Remember to eq out the low end etc so there is clarity in the mic

Quality musicians using quality gear being mixed by skilled technicians. They have a lot of tools most churches don't, but they also have a %55M endowment most churches don't. I wanna know what happens when Luke goes on vacation.

Not if you want both to sound any good. This is because you need to create two very different types of mix. The FoH mix is effectively supplementing and reinforcing the in-house sound. So if you turned the FoH master output off, you'd still hear some acoustic sound coming from the stage (singers, guitars, drums etc) and there would still be the natural sound of the congregation singing. On the streaming mix however, you have to create a mix entirely from scratch. If you want the people on the live stream to hear the congregation, then you have to install room mics that will be used only on the live stream.

yes! Very possible

@@Churchfront If you are using the Waves real-time live but have songs in different keys, how does that work? Don't you need to select a key for it to work?

@@mikebuteyn2552 Yes you have to select the key, so if you have songs in different keys then you'll have to switch the key in between the songs

I've never used the Mevo plus so this could be wrong but I'm assuming you can just run the X32 audio to a computer with a DAW using either an ethernet or usb cable and then output that audio using either an audio interface or the built-in headphone jack, then just run a TRRS 3.5mm aux cable from one of those options to your iRig

Can you mix a stereo bus on an iPad from the other room? Or take usb out to a laptop?

I don’t know why he did it, but sometimes on small stages a gate doesn’t work effectively because it starts chopping the vocals. It depends on the situation. Gates don’t always work.

Not necessarily. If you mix it all in your daw then it will be fine with the built in usb interface. If you send a single channel to laptop and back into the x32 through tuning, then you'd have to delay the other channels to account for the latency

I think that’s the best practice

@@adamberanek9801 I agree

@@BrianSimmons jaja thanks, i figures that out already abd implemented it with my team

Ableton Live

@@Churchfront what versión. Intro - standard or suite ?

I like Ableton more lol. ProTools has some weird quirks and a clunk interface IMO

Churchfront I’ve heard that protools is really bad with live anything. What was your experience? Maybe a whole video? lol

@@Luis93EnriqueMusic not necessarily. Luke Hendrickson (Bethel) and Jesse O’Brien (Red Rocks) both use Pro Tools to live mix broadcast. Having a beefy, stable computer is pretty critical.

license can be stored directly on the mac (and pc as well I'd assume)

@@adedejitoki1197 ooh need to learn how to do that? Could you link a page showing me?

@@finnrowden3341 www.sweetwater.com/sweetcare/articles/how-do-i-activate-my-product-licenses-and-transfer-them-to-my-ilok/

That's his younger brother

@@MixChecks haha