Good luck! it does seem incredible. Recently real estate photography just became one of my interests.

@@eddiewright2048 same!

Nice, how is it going, I'm following the same footsteps too

Yes, the audio was terrible and it would put me off hiring them. They should know better.

The audio sounded fine to me

Thank you! I mostly shoot exteriors around 35mm. If it's a bigger lot or land, I'll switch over to my 24-105 and get a few for variety.

He had the camera on. Stupid question.

Good question, I actually do use the electronic level on the Canon R5. I don’t worry about getting it perfect though. I get it pretty close and tweak in LR. You’ll find that very few houses are even square, even the new houses. I find it’s easier to just get it close and not spend too long worrying about it being perfect until you get to editing.

@@thecreativerevolver I've been finding the same. Houses are not straight. I purchased a geared tripod head, and I seem to spend a lot of time leveling with the digital level on the camera....but I end up tweaking in LR anyway. seems like wasted time on location.

I don't know about him, but I use 5 bracket exposure stacking. no flash needed!!

Haha I love this question....I try to park somewhere on the road not directly in front of the house I'm shooting. Sometimes, In front of a neighbor's house. If I have to, I'll park at the end of the driveway and just shoot angles avoiding the car. I photoshop the car out of the drone shots.

@@thecreativerevolver Haha, it's probably not the first thing people wonder/inquire about, and that's why I think it's so important 😂 ===== Would you say that parking the vehicle in the garage would add or take away to the visualization of the property? (if you even somehow manage to get permission from the agent and/or property owner) 🤔 I'm still starting up my career, so I don't always have great access to private transportation. When I have access to the car, I don't mind parking the distance (and leaving some gear in there). When I don't have access to the car, I take my glossy jet black Kawasaki ninja, in my jet black attire & helmet, and with my jet black Lowepro AW 450 II bag. However, I have some worries when it's out-of-sight on a long(er) shoot because, even if I've taken a key out of the ignition, baddies could still wheel it away onto a truck and steal it (if they try hard enough). I'm just curious to know your thoughts (both as a third party & as a REP) on parking the sport bike in the (available) garage and the process of going about asking the client(s) thereof 😅

In this video, Im using a manfrotto video head mvh502ah. It's definitely not traditional, but I'm faster with it on a busy day.

around how much does each shoot go for/ how much do you make? i’m wondering if i should get into this business!

Watch many lessons on KZfaq you will get tips and tricks of the trade

I was wondering the same thing. That was all bracketing? How many exposures? Spill the beans! Lol.

Seems like it's bracketed and handblended. Highlights with the ambient

To be fair, this wasn’t labeled as a “how to..” video...😉😉😉

​@@visionaryvisuals1029 Bingo! Sometimes, I will use flash but I try to stick with this method

@@thecreativerevolver great video! 5 stops or 3 stops?

I shoot with the Canon R5 with my go-to lens being the Canon EF 16-35 2.8 with the ring adapter. I'm using both the Mavic Pro 2 and the Mavic 2 Zoom.

@@thecreativerevolver do you have a link to the tripod you were using in this video?

@@thecreativerevolver what are your thoughts on the r6 and sony a7iv? Also how do you find the quality of the EF lens on the r5?

Do you have any trouble with with the files sizes from the R5? What file size for photos do you typically deliver to clients? Also would you be tempted to upgrade to the R5c for longer video recording times?

Greetings, what are you charging for photo editing?

@@jacobbehunin Hi Jacob I'm not a team I'm a single photo editor looking for a job I charge $5 an hour

Hey Sergey, thanks for checking out the video, but I assure you that I didn’t use any flash on these shoots. There are some other methods to obtaining white walls. It definitely requires more on the editing side. I come from a graphic design background, so the post production has always been a big focus of mine. Maybe I’ll make another video going over some different methods.