A. Dvořák - Humoresques, Op. 101 (Firkušný)
Рет қаралды 80,355
Күн бұрын0:00 - No.1 Vivace in E-flat minor
2:21 - No.2 Poco andante in B major
4:45 - No.3 Poco andante e molto cantabile in A-flat major
8:27 - No.4 Poco andante in F major
10:49 - No.5 Vivace in A minor
13:41 - No.6 Poco allegretto in B major
16:41 - No.7 Poco lento e grazioso in G-flat major
19:23 - No.8 Poco andante in B-flat minor
While Dvořák stayed in the USA in 1890's, he filled his sketchbook with some of his most inspired thematic notes (it even included sketches of a four movement piano sonata). Many of them were used in his most famous works, like the F major string quartet or the New World Symphony, while others remained unused. On his return to Bohemia in 1894, these notes provided a breeding ground for what later got the title Humoresques. The seventh Humoresque in G-flat is by far the most popular one, even one of the most famous classical pieces ever composed.
Composer - Antonín Dvořák (1841-1904)
Piano - Rudolf Firkušný
Year of recording - 1973
Czech piano music playlist - • J. A. Benda - Keyboard...
@tokiha_21 2 жыл бұрын
17:53 It’s so beautiful.
@Raikaska 2 жыл бұрын
I always liked the 7th, but now I'm discovering they are all really something else. Inmensely beautfil. Dvorak is my favourite romantic composer for sure.
@Raikaska 2 жыл бұрын
Oh man, how I am loving these more and more
@antonindvorak9088 3 жыл бұрын
This all 8 humoreskes are absolutely beautifull, i wonder why there are not too many interpretations of this in KZfaq
@SlavicSpoon 3 жыл бұрын
That is the case with most of Dvořák's piano works.
@Dylonely42 2 жыл бұрын
@@SlavicSpoon The only famous is the seventh humoreque
@musicokpiano6805 2 жыл бұрын
@@SlavicSpoon All of Dvorak's are beautiful and good but I don't know why just some of his piece is famous.··
@patrickhackett7881 2 жыл бұрын
@@musicokpiano6805 Dvorak has a reputation among critics as a tunesmith not a deep composer, inferior to composers like Brahms. That critical opinion ensured Dvorak would be known for a few superhits, not a large body of works. And the general CM-listening public cannot love what they haven't heard.
@blu2106 Жыл бұрын
So true. None of them miss
@PTtheWildEspeon 3 жыл бұрын
16:42 is the one we all know and love
@Scorpionthepianist 2 жыл бұрын
lmao I know
@Dylonely42 2 жыл бұрын
Indeed
@wildreamer2508 Жыл бұрын
We love all of them
@mousikopaigmonas23 2 жыл бұрын
Just for these pieces alone, although he has many other fantistic pieces, he is a genius. Such gorgeous melodies/passages and the fact is that you can hear the humor in them as well as follow it on the score.
@NickOleksiakMusic 2 жыл бұрын
I love Dvorak's more "folksy" hummable melodies, which are encapsulated within these pieces. I think it's lent to his continued wide appeal. He's a master composer with a lot of variety, but he's not overly heady in his approach.
@alaalfa8839 2 жыл бұрын
No, he was a happy guy, who loved nature and he played whist card games with his buddies in the pub, or invited friends to the villa to play bowling. And used to have conversations with train conductors, he liked the trains very much. Maybe these Humoresque miniatures are so naive and decent to play for his children because he composed Sonatina for his children around the same time. when he was in America and he started Humoresques in America and in Europe he finished it. Maybe therefore the Humoresques have such naivety and romantic feeling. Also, his piano concerto is full of folk tunes and has its romantic naivety.
@softnflabby 2 жыл бұрын
@@alaalfa8839 I'm not really sure the view of Dvorak as a light, charming, naive composer can really be sustained in light of works such as the 7th Symphony, the 3rd and 4th piano trios, or the tone poems which are really gruesomely dark pieces.
@ShaunakDesaiPiano Жыл бұрын
0:03 what a missed opportunity for Dvořák to add the licc 😭
@techinoneminute 8 ай бұрын
almost lick in e flat minor
@techinoneminute 8 ай бұрын
there are one more lick on the l.h.
@analockman 2 жыл бұрын
No.5 Vivace in A minor is VERY CATCHY!!
@gergelybuday7433 Жыл бұрын
It is!
@elrichardo1337 4 ай бұрын
it's slightly embarrassing that it took me 15 years to finally sit down and listen to all of these for the first time 😭 i played suzuki's arrangement of no 7 for violin oh so many years ago
@erlandschneck-holze4476 3 жыл бұрын
... wunderschöne grazile musikalische Perlen - feinsinnig und erfahren reif vom berühmten Pianisten gespielt ...
@fulviopolce9785 3 жыл бұрын
Molto interessante e gradevoli.Un aspetto poco conosciuto di Dvorak. Bell'inserimento.Grazie.
@dimalyagin4574 3 жыл бұрын
Как он сыграл повторение 1 раздела в 7ой, это великолепно.Не у кого я не слышал такого звучания, он и дворжак - гении!
@huailiulin Жыл бұрын
My playlist of classical tranquillity
@hoangphanphan1162 3 жыл бұрын
My favourite is no 2 and no 7
@hanggao135 3 жыл бұрын
So beautiful! Thanks! 谢谢！
@claricewhite8724 2 жыл бұрын
Beautiful... Wow !!!
@user-ov7ti4pc5x 3 жыл бұрын
why is middle of no 7 is so serious and heroic?
@hoangphanphan1162 3 жыл бұрын
That's what makes no 7 widely-known
@rockyracoon5337 3 жыл бұрын
beautiful! thank you!
@user-lg5ze2qq5s 2 жыл бұрын
Marvelous！
@filiarheni7974 2 жыл бұрын
I love them!
@CatkhosruShapurrjiFurabji 11 ай бұрын
Oh how I love the second and the fifth
@elijahscarber831 3 жыл бұрын
This is wonderful but I wish No. 7 was played at a slightly slower tempo
@Dizzyfingers2 3 жыл бұрын
Misconception about this well known piece from the set - these are Humoreskes (with fanciful humor in mood) and this one has been "romanced" to death. The actual Tempo of 72 to the quarter is much faster than is being played here. It is supposed to be a light, jaunty piece (hence the disconnecting rests) - not what it has been turned into ...
@vesejir 6 ай бұрын
I also like them in slower tempo but interpreting them like this, in a more cheerfull way makes a lot of sense.
@willterrell2748 9 ай бұрын
Awesome
@cranef8299 3 жыл бұрын
The first is just ...
@shadowprice4087 3 жыл бұрын
The first is by far my favorite
@davidyoung6331 3 жыл бұрын
Anyone else noticed the different note played at 5:19 (and elsewhere in the same figure). The player hits a "c" rather than repeating the "b flat" for four times "in a row." My Barenreiter copy of the score has four "b flats" ("in a row, between the f and f flats). I wonder if there is an altered version or did this perform just think it was indicated to change the note?
@nandocordeiro5853 2 жыл бұрын
Yesno
@ikeasahi3325 2 жыл бұрын
came for no.7, stayed for the rest.
@techinoneminute 8 ай бұрын
all metronome marks are 72
@ligman422 3 ай бұрын
lol
@duo6366 Жыл бұрын
17:52
@cakeice8518 Жыл бұрын
good
@YY-vv8eg 2 жыл бұрын
Could you please upload No. 7 alone in one video so that I could loop it? Thank you.
@Dylonely42 2 жыл бұрын
Too underrated :(
@victorvichev3236 2 жыл бұрын
Finna play no 1,7,8
@confused_cat 5 ай бұрын
0:37 1:17
@klop4228 9 ай бұрын
I do wonder why he notated that 7th one in G-flat. The only accidentals are double flats (which generally are considered less nice than double-sharps, of which there would be none in F-sharp major anyway); the "trio" is in F-sharp minor; and the piece before is in B Major, with a clear link established between the dominant of that and the tonic of this one. And both keys have six accidentals (flats or sharps) in any case. Perhaps it's for the link to the next one. Hardly a major thing either way, just slightly curious.
@robertocarlosramirezfiguer3305 9 ай бұрын
Generally speaking, G-flat major is a much more common key than F-sharp. Maybe it is because of its recurrence, but I find it easier to read also. Having that many sharps is kind of weird when considering secondary dominants and such.
@klop4228 9 ай бұрын
@@robertocarlosramirezfiguer3305 I do remember learning that, as a rule of thumb, people prefer sharps to flats, and especially double sharps to double flats - maybe just cos I'm a string player lol. But in this piece, there wouldn't even be any double sharps, since there are no written-in naturals. But it is a very minor question, of course. The enharmonic change will happen onto the next movement anyway :P
@robertocarlosramirezfiguer3305 9 ай бұрын
@@klop4228 That makes so much sense! I am a piano player and our rule of thumb is opposite, flats are preferred!
@Dizzyfingers2 3 жыл бұрын
What the ...??? What is this ... ??? Never heard of it ... ??? Really ... ??? Oh, come ... ??? This can't be real ... Oh there it is.
@Dylonely42 Жыл бұрын
4:44
@jeffreyemge5435 2 жыл бұрын
16'40"
@user-jf8hy8xo3b 3 жыл бұрын
유머러스크 전곡을 들을 수 있는 곳이 여기 뿐이군...
@dianagalan9013 Жыл бұрын
No pongan propaganda cortando la musica.. NO CORRESPONDE DESMERECE !
@Whatismusic123 2 жыл бұрын
Dvorak is such a bad composer, why does he get so much recognition?
@Viktorvelat95 2 жыл бұрын
No, u
@salamonthegreat 2 жыл бұрын
And you can compose better?
@Whatismusic123 2 жыл бұрын
@@salamonthegreat yeah, I can, cuz this is complete garbage
@salamonthegreat 2 жыл бұрын
@@Whatismusic123 okay first of all can you explain to me exactly why this is complete garbage. An argument without an explanation is no argument at all.
@Whatismusic123 2 жыл бұрын
@@salamonthegreat inconsistent, he cannot transition between themes without a massie hiccup, his counterpoint is pathetic, for every piece he often has some gimmick but fails to capitalize on it and explore it, just repeating himself endlessly or continuing to another gimmick
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