Looking forward to seeing you guys in the free course! Course link: bit.ly/RethinkingJazzGuitar
@mehmetkorkmaz1244 ай бұрын
you are SO CLEAR! i loved the way you explained all this, thank you!
@CharlesHarrisonMusicTuition4 ай бұрын
Thanks very much! Feel free to check out the link in description for my free course discussing more of these and other ideas. Cheers
@greenspottytoes5 жыл бұрын
cheers Charles i was getting jazz fusion lesson from Rowan J Parker in Glasgow he's on youtube also and a great teacher then i moved to Australia so ive hit the wall again but this video has helped a lot thanks gerry also for the quick reply its 1am here
@CharlesHarrisonMusicTuition5 жыл бұрын
Ah yes, I'm very familiar with Rowan's content. No doubt he has given you a strong foundation upon which to continue your studies. You'll get your head around this stuff in no time!
@rockstarjazzcat11 ай бұрын
Here’s another one for the toolbox picked up from Larry Carlton instructional VHS… Stack alternating major and minor thirds… The resulting set of notes comprises diatonic triads at the outset and gradually goes further out the further one is into the sequence. Cheers, D
@CharlesHarrisonMusicTuition11 ай бұрын
Sounds very cool, I'll give it a go! Thanks for that 👍🏿
@epserps50554 жыл бұрын
I can not stop watching this lesson.
@CharlesHarrisonMusicTuition3 жыл бұрын
You're too kind!
@stein0niets3 жыл бұрын
Tim Millers 2-1-2 arpeggios work great for option 1 (Its also possible to connect any arpeggios or scales). thanks for sharing! Good to know who made that last one.
@CharlesHarrisonMusicTuition3 жыл бұрын
Thank you for taking the time to comment. They are all monster players! 2-1-2 is a very handy tool for navigating the fretboard. Cheers!
@Simeon_Harris6 жыл бұрын
nice! here's another idea that also sounds great. every major scale (and therefore mode of the major scale) contains two major triads a tone apart. so in D major, we have an A major triad and a G major triad. alternate from one triad to the other and join them together with a chromatic passing tone. like example 3 in your vid, try not to use the same inversion, or if you do, juggle the notes. so for example, over a Dmaj7 chord, play the notes e a c# c b g d d# e c# a g# g d b a# a. sounds quite "old skool", but it's pretty. leaving out the chromatic passing tones sounds more hip. subscribed!
@CharlesHarrisonMusicTuition6 жыл бұрын
Love this idea, can't wait to give it a go! Cheers
@paulsamarin43414 жыл бұрын
This $hit unlocked so many ideas, thanks bro!
@CharlesHarrisonMusicTuition4 жыл бұрын
Cheers, Paul- these guys are absolute legends! Check out my playlists for more stuff on both Tim and George. Good luck!
@nabinnewpane96074 жыл бұрын
nice one please keep posting more videos.
@CharlesHarrisonMusicTuition4 жыл бұрын
Plenty more where this came from, make sure you've dinged the notification bell! Cheers
@nabinnewpane96074 жыл бұрын
plz leave you insta id i will follow you.
@CharlesHarrisonMusicTuition4 жыл бұрын
@@nabinnewpane9607 not hugely active over there, but it's @not_quite_jazz
@freespiritsguitar28716 жыл бұрын
Very good example, good explained!
@CharlesHarrisonMusicTuition3 жыл бұрын
Thanks man!
@LaurenceGuitar6 жыл бұрын
Nice licks, great material
@CharlesHarrisonMusicTuition6 жыл бұрын
Cheers bro, its essential stuff
@yzimsx5 жыл бұрын
When you say "E", it sounds almost exactly like "A" to my ea. :)
@CharlesHarrisonMusicTuition5 жыл бұрын
Sorry about that, It's part of the accent in the North East of England, where I've spent most of my life. Hope it wasn't too confusing! Cheers
@yzimsx5 жыл бұрын
@@CharlesHarrisonMusicTuition No problem! ;) Thanks for this great video. You not only explained new things in a way that's both very short and easy to understand, but you also gave some pointers to awesome stuff, like George Garzone. I found this video where he talks about the triadic approach kzfaq.info/get/bejne/mrp5qrp3xpi2nqs.html It's too early yet, and I need to check it out properly, but this stuff really seems to bring some mind-blowing insight into many things that have seemed mystical about Coltrane's and Holdsworth's and many other people's playing. The internet is a funny place - it's full of stuff that pretends to be "the truth and wisdom about jazz", but what turns out to be just "play this mode and this scale and it'll be just ossom", or "ii - V - I for dummies", things like that.
@vspaulding13 жыл бұрын
Thank You:)
@CharlesHarrisonMusicTuition3 жыл бұрын
You're most welcome! Thank you for taking the time to comment, Vincent. Cheers!
@lucasbretels6 жыл бұрын
Original and interesting lesson!
@CharlesHarrisonMusicTuition3 жыл бұрын
Cheers Luc!
@debbywang8795 жыл бұрын
omg, this is fabulous!
@CharlesHarrisonMusicTuition5 жыл бұрын
Thanks so much for your support, Debby. Cheers
@JatinTalukdar5 жыл бұрын
Dude, you resemble Martin Miller to some extent! Great lesson btw!
@CharlesHarrisonMusicTuition5 жыл бұрын
I wish I resembled his chops 😅 cheers
@MarcoEscalante15 жыл бұрын
thanks man, really cool and you made it easy to understand :)
@CharlesHarrisonMusicTuition5 жыл бұрын
Any time, mate! Cheers
@Weily_Alcequiez6 жыл бұрын
great lesson! thanks for sharing!
@CharlesHarrisonMusicTuition3 жыл бұрын
You're so welcome!
@HVL19773 жыл бұрын
Thanks friend ! Great lesson !!! Do you have another material about triads and aplications (outside in special) to sell or in your channel ?
@CharlesHarrisonMusicTuition3 жыл бұрын
Hello, yes I have several George Garzone videos, check out my channel videos. You might also enjoy the 'space age arpeggios' series of videos. Many thanks for your interest!
@HVL19773 жыл бұрын
Do you have all these material/PDFs to sell ? (Triads and space ages arpeggios) thank you very much from Brazil
@CharlesHarrisonMusicTuition3 жыл бұрын
@@HVL1977 If you send me an email at ctharrisonmusic@gmail.com I'll send you any PDFs you would like. There is no fee! Many thanks
@JakobPek5 жыл бұрын
Thanks for this! Great stuff!
@CharlesHarrisonMusicTuition3 жыл бұрын
Cheers Jakob!
@epserps50554 жыл бұрын
Where can I find the links you've created? They are fantastic.
@CharlesHarrisonMusicTuition4 жыл бұрын
Hello, I recently changed website and have yet to re-upload them. Contact me via email and I'll send them over to you. Cheers! ctharrisonmusic@gmail.com
@edwinmclean67756 жыл бұрын
Love the guitar you use bro
@CharlesHarrisonMusicTuition3 жыл бұрын
Thanks Edwin, hope you're enjoying my recent uploads!
@njaviercanseco5 жыл бұрын
Trichord: A chord of three different pitch classes. Triad: A chord of three different pitch classes built in thirds.
@CharlesHarrisonMusicTuition5 жыл бұрын
Thanks for this, I appreciate the clarification. I hope you were still able to understand the content despite the definition. Let me know if you would like anything clarifying or simplifying. Cheers!
@kukumuniu56584 жыл бұрын
So,Trichordic Chromatic Approach? :>
@pierrehuarnizmusic3 жыл бұрын
PLEASE COULD ANYONE SHARE THE BACKING TRACK OF STELLA BY STARLIGHT from the BOOK: ´Creative Chordal Harmony for Guitars´ ? I have the book and the CD but not a CD player to get to jam over it.
@CharlesHarrisonMusicTuition3 жыл бұрын
kzfaq.info/get/bejne/a52jiq2anMvOeKc.html
@dkwvt133 жыл бұрын
I've watched some Miller and just came back to this again, great material here and actually so approachable...! Cool ideas and thoughtful lesson! B-)
@CharlesHarrisonMusicTuition3 жыл бұрын
Cheers Donald. Tim is an absolute monster player, and a great teacher too! Thanks
@lateshiftx4 жыл бұрын
Where exactly are the transcriptions - can't seem to find.
@CharlesHarrisonMusicTuition4 жыл бұрын
Hi David, links got broken when I moved to my new site. Send me an email at ctharrisonmusic@gmail.com and I'll get those over to you 🙂
@kukumuniu56586 жыл бұрын
Generic Modality Compression, that book it’s not just about triads. Clusters, seventh chords w/no 5th, open and closed voicings etc Could You develop it more easily in c ionian,d dorian,e phrygian and others scales? Not F# mayor or other unnecessary ones with # or b ;D all we need is in the key of C.
@CharlesHarrisonMusicTuition6 жыл бұрын
Hello, I'll certainly do more GMC stuff and will be sure to include some C major examples. Please be aware that 'triad' simply means three notes. All of the content in the GMC book is based on three note structures, or 'triads'. The structures you mention are all three note triad structures. Colloquially we refer to major, minor, augmented and diminished as triads. Cheers
@ramroid4 жыл бұрын
Garzony :)
@CharlesHarrisonMusicTuition3 жыл бұрын
Thank you for the clarification!
@kukumuniu56584 жыл бұрын
4:15 - wait,why?Why two triads are dab/efg? Why not dfa/egb?
@CharlesHarrisonMusicTuition4 жыл бұрын
You can't use the root in your triad pair if you stick to this method strictly. But, you can choose any two triadic groups that you like from the remaining six notes of the scale, after making sure to exclude the root note of course.
@kukumuniu56584 жыл бұрын
Root note is c,two triads are dfa & egb and...what I can do with c? :> Anyway,triads and thirds are two different things,right? For example,abc is also triad?In this methood.
@CharlesHarrisonMusicTuition4 жыл бұрын
@@kukumuniu5658 Yes that's right. C will be played by the bassist, or implied by the harmony in this instance. The method dictates that you don't play it, but you can add it in wherever you like!
@kukumuniu56584 жыл бұрын
Hm,for sure,let's take ii-V-I in C. for d minor we use hexatonic scale efgabc for G7 hexatonic abcdef and for Cmaj defgab and this is it?
@CharlesHarrisonMusicTuition4 жыл бұрын
@@kukumuniu5658 Exactly. You then split the hexatonic scale into two groups of three and build musical ideas from one group at a time. One option could be= D-7: EFB and GAC G7: AEF and BCD C∆: DFA, EGB You get to choose the scale, and you get to choose the two groups of three. Hope that helps!
@yzimsx5 жыл бұрын
I tried making some of George Garzone Triadic Chromatic Approach style sax stuff. Just a bit of mousing around with MIDI notes and curves, I got this: kzfaq.info/get/bejne/d8CJlr2FqLrIcqM.html step towards insanity or better musical expression? I'm not sure.
@CharlesHarrisonMusicTuition4 жыл бұрын
Sounds good to me, dude! Well done, some lovely lines ;) Cheers!
@greenspottytoes5 жыл бұрын
i just bought the book new to jazz can you do any more videos about the book mick and tim one im i bit lost new to the triad thing cheers gerry
@CharlesHarrisonMusicTuition5 жыл бұрын
Cheers, Gerry. Will definitely cover the content again very soon, good luck with it-thanks!
@Osnosis4 жыл бұрын
Gar-Zone, which doesn’t rhyme with Zamboni.
@CharlesHarrisonMusicTuition3 жыл бұрын
Appreciate the clarification! Cheers
@davidetienne1928 Жыл бұрын
Too much talking...just play
@CharlesHarrisonMusicTuition Жыл бұрын
So sorry to have wasted your time, David. Thank you for your concise feedback. Cheers, Charles
@Kifferei Жыл бұрын
nah don't listen to this idiot video is great. cool concept.
@tuomas39644 жыл бұрын
This is a modern jazz consept that will not help you understand soulful playing and bebop. Just transcribe and learn some old stuff!
@CharlesHarrisonMusicTuition4 жыл бұрын
There will be some overlap between these concepts and bebop concepts, however as you so eloquently stated it would be wise to study bebop theories if bebop was your area of interest, and to study modern player's theories such as these if you are hoping to improve in a modern sound world. Cheers!
@jimspencer44133 жыл бұрын
I like these abstract ideas for what they’re worth, but agree with you that, for most players, anyway, they’d get more out of spending time with the greats. Note selection, per se, can really be a distraction if you’re trying to communicate emotions, which is what I love about great players/playing