Adelaide Metro MAN SL200 Bus PMC 1897

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Steven Smythe

Steven Smythe

Жыл бұрын

1897 is an M.A.N SL200 bodied by PMC in Adelaide for the State Transport Authority. It has a normally aspirated 11.4L diesel engine coupled to its ‘musical’ ZF 4HP500 transmission. It has planetary hub reduction axles which contribute to the unique sounds of this vehicle.
1897 entered service for the STA at Port Adelaide depot and still wears its ‘P’ (for Port Adelaide Depot) sticker on the driver’s window to this day. Under TransAdelaide, this bus also saw service at Morphettville and Lonsdale depots . After privatization occurred, it was allocated to Serco, who numbered it as 926 (Morphettville Depot) and then 148 (Currie Street and Elizabeth Depots). When the contract transitioned from Serco to Southlink, 1897 stayed at Elizabeth depot and became 2451. During its twilight period of revenue service, it was once again allocated to Lonsdale depot.
It managed to wear its silver livery, in which it was delivered, for its entire life of Government service. This meant that it avoided being painted in both the STA corporate and Adelaide Metro liveries, which much of the SL200 fleet ended up wearing.

Пікірлер: 5
@MarkWhich
@MarkWhich Жыл бұрын
I remember those buses, the back of the bus was always the most popular seat.
@ChelleC33
@ChelleC33 Жыл бұрын
The sound of my childhood 😁
@satransitvideos
@satransitvideos Жыл бұрын
That audio quality is great what are you using?
@perrste
@perrste Жыл бұрын
I’m using the Canon R6 and in this video the Canon 16-35mm f2.8. It’s not the best camera for video. But I use it for photos also which it’s great at. If your only using video there’s better and cheaper options.
@perrste
@perrste Жыл бұрын
I just realized you mentioned, audio quality, but I gave you the details of the camera. So the audio was nothing special it was the onboard stereo camera mics but I put wind muffs on the actual mics themselves to prevent wind or other sounds that muffle it. It’s probably the editing in post, which is why the audio sounds better than usual. I’m not sure if you edit your audio in whatever program you use, but I use a compressor to even out the levels and I also put a limiter on there and make adjustments to get the sound using the EQ in Final Cut Pro. The reason I use the camera is I want to pick up the ambient sound and the camera has stereo mics and I know I can adjust the levels and make it sound reasonably crispy in the edit. Normally for anything else I use Lavalier mics or shotgun mics either on the camera or on a mic stand when I was doing interviews, I think it’s really the edit that makes the sound better. I did have a shotgun mic on it that day but it wasn’t plugged in. I only keep it on the camera if I’m going to narrate or interview someone as you don’t want stereo sound picking everything up you want something that’s quite directional and crisp. However, I didn’t use it in that video it’s all on board and the preamps in the canon aren’t really that great.
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