Hi, thanks for being here! A few years ago I used the same method as yours - a pickup which captures the vibration from the cello bridge. It was great because I was playing with lots of distortions and effect pedals. Due to artistic decision, I stopped using that method and chose to capture purely the 'crunchiness' of the instrument itself. For that I have been trying several microphones with different types of polar patterns. It is definitely great to use a large or small membrane condenser or dynamic mic. However, because of the size of the microphone and its practicality, I decided to stay amplifying my cello with this miniature microphone. It is definitely great for live performance situation. For studio recording, I would add extra mic placement for ambience/room. Thanks again!

​@@emir_cello thanks for the response. Because the mic is so affordable I went ahead and ordered it, and it arrived super quickly from Indonesia to me here in the USA - in less than 4 or 5 days even with customs! I ordered it with the cello mount and tried it out using your different placement suggestions. I think it sounds really fantastic so I'm thrilled. I do a bit of studio recording actually, so I ran a test combining this with my AKG 414 condenser a few feet away which captures more ambience and depth. Blending in the mini clip mic to taste for just a bit of detail (nice to hear the crunch of the strings and bow for articulation). The combination is really great so I couldn't be happier - and it required very little EQ at all compared to my pickup! So glad I found your video, and thanks again 🎻🙏

Thank you Seruni Audio ❤

Thank you brother!

Thanks! I filmed it with sony a6000

Thank you! The gooseneck clip is sold apart.

Thank you! Feedback would always occur especially when you are too close to monitor speakers. First of all, try to play with an in-ear monitor. Another trick is to set the gain of your mic channel from your interface pretty low, and then you can crank it up on your mixer. Hope it helps!