All About Triadic Chromatic Concepts - Peter Martin & Adam Maness

All About Triadic Chromatic Concepts - Peter Martin & Adam Maness | You'll Hear It S4E53

Рет қаралды 12,609

4 жыл бұрын

Today, Peter and Adam answer a listener's question on creating altered melodic ideas while improvising without it sounding like a random lick.
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Пікірлер: 25

@SimonWhitesideMusic 4 жыл бұрын

My favorite game is " what does the open studio sign say today" the mic stands cover up letters and make new words today Ope St Dio patron Saint of Jazz?

@loladelon5648 2 жыл бұрын

This is so cool!! You guys are awesome and this KZfaq channel is the best thing that's happened to me . Ever.

@chikung Жыл бұрын

Thank you so much as this helped me put a name on what I'd been hearing and loving for decades. Helps me understand things I had been hearing from Zawinul and Hancock in the Bitches Brew period.

@paulward1586 4 жыл бұрын

Great episode. I totally agree with what you say about triads - they’re so fundamental the listener “gets” them every time - and yet they’re like architecture for building beyond change for outside stuff. I think triad pairs are cool this way. But the approach Adam is talking about is fantastic.

@paulward1586 4 жыл бұрын

I’d love to hear you guys talk about Scofield’s solo on the Hudson album’s “A Hard Rain’s A-gonna Fall”. It blows my mind at how it balances “out” with “logic” using triads/interval organization. And what a slow build! Just jazz at its best.

@stellareffectsmodelingsolu1746 Жыл бұрын

Great stuff!

@Tabu11211 4 жыл бұрын

I'm so happy I found you guys.

@harryashworth5311 4 жыл бұрын

My view is that for a lick or idea to become natural and not contrived it takes waiting. Because if you learn a lick and then play that lick at a gig that day the lick never feels intrinsic but a lick you learnt from a week ago can suddenly come out naturally

@fabivilla2442 6 ай бұрын

love des dudes

@charlexguitar 2 жыл бұрын

It seems to me that no matter if it does not get to apply in a musical context, its a great way to learn either a keyboard invisible paths or a fretboard invisible paths, im a wrong?

@benjamindragon598 4 жыл бұрын

I feel like you could play anything over a V7 chord

@benjamindragon598 4 жыл бұрын

@@colecorbett255 I'll just mash my face on the piano every time theres a dominant chord

@DojoOfCool 4 жыл бұрын

As Chick Corea said,,,,, it's not about what you play outside, it's all about how you come back in.

@jakekyler9254 3 жыл бұрын

I know I am kind of randomly asking but do anybody know a good site to stream new tv shows online ?

@dallasmayson4342 3 жыл бұрын

@Jake Kyler I would suggest Flixzone. Just search on google for it :)

@sonnyahmad3378 3 жыл бұрын

@Jake Kyler try FlixZone. You can find it by googling =)

@guyanastasenzi3785 4 жыл бұрын

Please need to the name of book and autor in this great videos

@georgevorres5240 2 жыл бұрын

Triadic chromatic approach by George Garzone

@dionnyusmirthy5872 4 жыл бұрын

Hail Ryan!

@tradingwithwill7214 3 жыл бұрын

You couldn’t do e major to c aug as it’s the same root inversion

@kennethreed8746 2 жыл бұрын

Not really if you play C G# E

@davidanthony729 Жыл бұрын

why does PM hate A? 🤔

@ToddBrooks-gm6hy 3 ай бұрын

I'm late to the party but I'd like to throw out (in?) a reminder that just because you are using triads, you don't have to constantly PLAY triads! You can sustain a note (non Garzone) or play any melodic line you come up with, eighth notes, rhythmic variations, whatever, connecting triads but not playing triplets. That is rather than drawing from a scale or 4 note arpeggio, you're drawing from triads but not phrasing everything in triplets. Same thing is too frequently heard when someone is playing triad pairs... rather than sounding like a cool line it screams triad pairs because of the predictable rhythmic repetition.