AMA on the Taubman Approach with Edna Golandsky

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Күн бұрын

In this video, Edna Golandsky, co-founder of The Taubman Institute and The Golandsky Institute answers three questions submitted to her from viewers on specific passages of music.
In this video, Edna provides insights on these three pieces using the Taubman Approach:
1. Mozart, K322; first movement, measures 86-92
2. Prokofiev's 3rd Piano concert, 3rd movement [mislabled "Inbound" when sent in]
3. Bach, Fugue No. 6 WTC 1 in D minor, Measure 20
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Пікірлер: 12

@aistisragauskas4832 4 ай бұрын

Good day, Edna The In Bound are actually passages from Prokofiev's 3rd Piano concert 3rd movement. When I sent the screenshot, that's what my computer had named it for some reason. Nonetheless, Thank You!

@edna-golandsky 4 ай бұрын

Thanks for clarifting, we'll update the info on the video description to relfect this.

@yuvalavital2357 2 ай бұрын

Hi Edna! Will you please go over how to comfortably play the tremolos in Mephisto Waltz no.1? I can't get them to speed without losing one of the notes. Thank you!

@lluisrafalessole-classical5068 4 ай бұрын

Fantastic Thanks for sharing

@edna-golandsky 4 ай бұрын

My pleasure!

@brianbuch1 4 ай бұрын

Thank you for all you do. I'm studying with a Taubman teacher, and I'm loving it. But please, please, get someone with audio skills to properly mike your voice. It's very hard to understand, and almost impossible when you talk while playing.

@edna-golandsky 4 ай бұрын

Noted, we will work on finding a solution for the coming videos.

@a.a.dehulster7567 3 ай бұрын

Thanks for your lessons! What puzzles me is the role of upper arm while rotating with the ulna and radius of the forearm. Must the upper arm be stabilized, fixed, or does it have to relax and hang passively, or must it exert pressure. There is sometimes a conflict between my upper-and forearm while rotating, which spoils the playing, but the cause it is a mystery to me. Can you shed some light on the relation between the two arms?