This has cleared up a lot for me, thankyou

Great to find you on here Benjamin! (Ceil)😊

Benjamin, have you considered becoming a faculty member of the Golandsky Institute

Benjamin - BRAVO!! BRAVO!! BRAVO!!! Such an INCREDIBLE introduction to the Taubman approach, with creative visual pictures to help us grasp abstract concepts, expert clarity of expression, fantastic organization , squencing, and pacing! Thank you thank you thank you for sharing your knowledge and understanding with all of us on this very important topic. I'm most impressed, and cannot wait until you come speak to our local piano teacher organization next year! (On Music Learning Theory but I'd love for you to return again to deliver this present presentation, as well!) FORMIDABLE!!! I am amazed!

Thank you very much for your work and for sharing Mrs Taubman knowledge in such a clear way. May you have a brilliant career and a long and happy life

Wonderful Benjamin! Thanks so much for making this amazingly simple and comprehensive summary of such a detailed and extensive approach!

In my experience as a piano tutor I only initiate scale playing to talented students. The critical part is mastery of Fingering and coordination of both hands are what mediocre students find difficult to achieve 😅

Thankssss

Hey Benjamin! Nice collection of the best points of the approach, but i have a question for you, i couldn't find the answer in any forums or youtube videos at all, how do you press and hold chords, big chords? Do you do it with rotation, she talks about natural opening of the hand but i could not find any practical demonstration to practise. Cheers, and thanks in advance...

You got a nice library there my friend

Repetition of difficult passages involving octaves, arpeggios and chords is a technique for mastering the piece or exercise

walking arm 45:00