And you were keeping it a secret from me? What other treasures are you hiding, Daniel?

Hi Zed! Thank you. Very kind of you to say. Glad you enjoyed it.

I’m working my ass off to purify my soul with the healing power of awesome tone.

@@MarkYoshimotoNemcoff Looking for a Jimmy Swaggart GIF gosh darnet

@@BillBene67 🤣🤣🤣

$30 for the 9099 is a steal! Glad you dig it. And I'm very glad to hear you dig the channel. Enjoy the Amek! It's really great.

The expander on the Infinistrip is one of the best and easiest to work with that I've ever dealt with. It's such a great plug. But just wait until you get into the 9099.

You’re welcome Rob. It’s crazy to think how far this technology has come just in the last couple of years.

Thank you, Leandro. It’s hard to make anything sound bad through the 9099. I know it looks like NASA mission control but it’s pretty straightforward. It already has a bit of a mid-scoop so you may not even need a lot of EQ and add a touch of light compression and go from there.

It’s good stuff.

It really is a great sounding channel strip. It has a bit of a low mid scoop but it sounds so natural. Love it!

The problem with Console is you can't use non UA plugs in it. I'm running this through Logic with buffer set at 32 to get zero latency. My signal is passing through the UA interface so I can use Console to adust the gain going in same way you would with an interface, but after that it's Logic as the host for the plug in. I get it though. I've spent years only using UA so it's taking me a little time and some extra brainstorming to make this work but I'm discovering there's really an amazing parallel universe of plug ins out there that you can cut through with zero latency. Glad to see you using the DFC. Man, that thing is gold.

@@MarkYoshimotoNemcoff yeah UAD has actually done a great job building it’s own little ecosystem. Much like avid with programs like pro logic and media composer. They sort of locked in the entire high end use of their software. It’s not like other softwares don’t exist, but since Avid was there from day one it’s an industry standard. I love UAD’s seamless integration and simplicity of how everything works between hardware and software. All very clever. I’m relatively new to VO. Still dialing in my sound and consistent post production. Trying to use the KISS method with only two plugins. I’m only using the the limiter and the expander on my plug-in now. Will dial some eq in at some point when I feel brave. Haha. Thx!!

@@curtishustace That's the way to do it. Onboard new bits to your rig slowly after you get the feel of what you have. Try the UA Voxbox at some point. It'll add a whole new layer to your sound.

Tell that to my arteries.

Great idea. I just saw they have a 15 day trial, so I will sometimes soon. Please remind me if I forget.

@@MarkYoshimotoNemcoff This will be great. Thanks!

I’ll turn down the threshold in the next one.

@@MarkYoshimotoNemcoff haha all good ;) just made me laugh hearing how transparent the compression was when it wasn't being triggered.....or was it?

@@zeitakulobusta9708 It’s triggered lightly throughout, which you can see with yellow indicator lights under the VU meters, which is how I would set it for work, but it definitely deserves another look with a lower threshold.

@@MarkYoshimotoNemcoff ah ok...can you see the gain reduction level in db? Edit....now i see! ;)

@@zeitakulobusta9708 The little yellow comp indicator has values 3,6,10, etc.. and you can see them best probably when I do the voice around 2:20