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Continuous Live Dawless Jam / Impro from initial state - Analog 4 mkii Tutorial 6 - Making Full Tracks in one Analog Four!
Track 1 - Drum Machine Track 2 - Four voice chordal pad Track 3 - Bass & seq Track 4 - Solos
In a 1990s style - on Elektron #AnalogFour Mk2. Composed & Performed © Gary P Hayes in Mount Victoria Blue Mountains Australia recorded via overbridge to Logic Pro X edited in FCPx
Chapters
0:00 Sound locking Drums onto track 1
0:56 Parameter locking hats and shakers
2:32 Setting up a full four note chord on track 2
4:53 Playing Cm7 chords in and pLocking two to create EbM7 and AbM7
6:43 Playing a bass in on track 3 then sound designing it
8:10 Adding a higher choppy note on same bass track 3
9:39 Playing a solo using track 4
11:14 Using arpeggios to improve solos
12:19 Fine tuning and some more pLocking to take the piece in other directions
14:18 Using LFO to create rhythm on track 2 pad
The Elektron Analog Four mk1 or 2 are often seen as a four voice sequencer, to do some nice basslines or high sequencer parts - a sort of filler instrument. So I did this tutorial to show how firstly each of the four tracks can be much more. We have a drum machine of 7 sounds on one, a full chord of 4 notes on another, a bass plus a choppy sequencer on another and although i use the fourth for a solo part, it could be a whole host of things ... The tutorial as usual also shows production flow, how to build a piece, in real time with very little pause. OK I did a few things slower to show the process, but in reality once you get something going on the A4 you can keep going indefinitely, taking the piece across genres and soundscapes - this one did end up going into dark ambient territory from its, shiny 90s dance feel start, but for another tutorial! Enjoy and SUBSCRIBE!
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