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There is a quote emblazoned upon some DVD and Blu-Ray covers of Robin Hardy’s The Wicker Man that describes it as ‘Britain’s best horror film’.
While it’s hard to argue with the sentiment, the notion of The Wicker Man as a horror film is in many respects an unusual one.
It’s that final scene that we’re going to analyse, commencing shortly after Howie has realised that Rowan, the young girl he was told to be missing, was little more than bait.
Words: Phil Slatter
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