तिथे बसलेले लोक किती सुदैवी आहेत 🙈त्यांना ताई जवळ बसायला मिळाले

watch it 10 times 100 things will come to the surface. This is a masterclass

This is like the Bhagavad geeta for musicians.... Yes, the more we listen , some insights will keep coming in ..

without knowing marathi, i listened to the whole 2 and half hours of this... 50% of it I understand as I know hindi, remaining 50% i understand because she speaks from her heart...

She reached the supreme level in music in such way they both are inseparable, that's why you can see all these big names silently listening to her advice. Fantastic :)

What a legend in Classical singing!! Will never be another one like her ....Kishoritai will live on through her songs...🙏🙏🙏🙏🙏

As I sit and listen .. tears flow down my cheeks .. feeling blessed!!! No words to express .. but an urge to learn and embrace more and more!! 🙏🙏🙏

Can't believe she is no more amongst us!!! I was very fortunate to meet her and have her blessings just two months back. A huge loss to Classical music and it's lovers. The baithaks like these will help us understand the thoughts and sadhana of these legends hereafter. I request the sources to provide English subtitles to this video so it can reach worldwide and not remain limited to certain people.

Genuineness and authenticity embodied... music applied in life for its true purpose!! Full potential of music has been explained .. needs a few hearings to internalise....

I do not understand the language but I must say Kishori Tayi is a blessed soul and she has found the pathway via Raga's and there is something present in her that activate the depth of ragas - she do not sing ragas to activate the powerful but powerful is allowing her soul to touch the depths of ragas and the output carrys the particles that touch to the powerful and spread the beautiful presence to the listeners. Beautiful - Simply Beautiful.

नतमस्तक 🙏🏼🙏🏼🙏🏼 The deepest, most profound thought about music is expounded here. May every student of music get to listen to this and grasp the crux of Kishori Tai’s core message!

स्वयम् सरस्वती मा द्वारा संगीत का विश्व रूप दर्शन

Music is nothing but Samadhi, the last one of the eight elements of Yoga! That is what Kishoritai is telling us!

Never got to hear about such detailed explanation about Hindustani Classical by any one. You are great and very thoughtful Vidushi Kishori Amonkar.

wow,wow,wow...धीर गंभीरता के बीच बालपन का उत्साह।अद्भुत व्यक्तित्व।

Sublime....the best vocalist and the best flautist together without the formality of a formal performance. Probably one of her last performances. Truly wonderful to listen to this.

विठ्ठलमय जगात आम्ही जगतो , हे आमुचे भाग्य | तुमच्या काळात आम्ही ही जगलो हे परम भाग्य || गाणं सरस्वतिस प्रणाम ||

It has been 5 years and i still keep coming back to this upload to try to understand it bit more. I don't know Marathi but still trying (and able) to pick context and words at high level. But there are still many nuances that i am unable to pick due to language gap. Thus, It is my humble request to Vrindaban Gurukul to please add subtitles

She is saying that Raag should sing by itself, not she singing the raag. If she keeps herself concious that "she" is singing then the raag will not come out fully. Only when she steps aside the raag comes out in full form. Also stresses on swaras more than raag. Should master the swaras more. Vadi samvadi chalan etc are not raagas. Practice one raag more and more and more and then you can get the essence of the raaga. There are people with lot of degrees in music PhD etc. But only if you sing from anubhav that's the true music. There is no reason to sing for 10 hours daily. Sing a raag till you get the perfection on a daily basis. Not more. All forms of art meets music in the end. Practice gamaks and alankars in aakar. Then the medium gets prepared. Her mother taught her bhairav raag first. And taught her the dignity of raaga. Like bhairav raag would be taught with picture of Shiva. Never practice raaga with stress on the words of the Bandish. The emotion and swara of the raaga is more important. People say for playback singing in films etc it's important to learn classical music first. But as per her this is not possible. If anyone learns classical music first they would never be able to leave it and go to light music. Classical music is not used for competition between singers. It's the raag which is important. Which will give peace. Not silence but peace. She never goes abroad to sing. She is surprised how gurus are allowing singers to sing abroad. The Audience there only look for excitement. Not peace. They are only thinking about how many different instruments you can play. But Indian classical music is focused on peace. Express raagas through one medium only. One instrument etc. So only practice on swaras. Performance is ok where you need tabla etc. But a raagas rythym is set by its emotion, bhav. Example if it's a karuna raag then teental will not go with it. I tried to translate most of first half. But not all. Appology if anything is wrong.

Wow, what an incredible performance! Smt KishoriTai Amonkar's mastery of classical music is truly awe-inspiring. Her voice is like a soothing balm for the soul, and every note she sings carries so much emotion and depth. Thank you for sharing this beautiful Baithak session with us. It's a precious glimpse into the world of classical music, and I'm grateful for the opportunity to experience it. 🙏🎶

She is the best there ever was and ever will. Sublime and divine 🙏🏻❤️. Thanks for sharing this absolutely precious gem of wisdom. Mindblowing depth

On the question of Pt.Kishori Ji's opinion on Karnatak Sangit, Kishori Ji said that 'sound' and 'layakari' base is of Karnatak Sangit and not based on 'Svar-Sur', which are the major differences between both the system. Kishori Ji's opinion was based only on her observation on the practice by the practitioners. It's not based on the lakshya and lakshana treatise of Karnatak Sangit. We need events/program to educate both the practitioners and rasikas of both the systems of Indian Classical Music to make the knowledge and experience of ICM. Karnataka Sangita edifice is built on laksha and lakshana with the objective of Manodharma-Manas, sense of mind in imagination; ideation; innovation; discovery (existing, either unknown or making it known, more, afresh) and creativity (not in existence, manifestation anew) and Dharma, sense of righteousness to the art form in conformance to the parampara-tradition; spiritual; culture; bani (school of music) and lakshana, theory of art form. Modes in manodharma are :1.Raga-alapana; 2. Tana; 3. Pallavi; 4. Kruthi, Keertana; 5.Niraval; 6. Svara prastara, kalpana; 7. Devotional-Classical-pada; sloka; ugabhoga; vachana; viruttam. Highest state is for Raga-alapana, celebration of Svara, Svara sanchari, bhava, aesthetic unaided by sahithya bhava and tala, rhythmic bhava. Laya gets embedded in Svara sanchari-movement. Raga alapana is to present and create experience of abstract beauty, aesthetic of Suddha Svara-pure note; Anu Svara-micro note; Nyasa Svara; Jiva Svara; Moorchana-a set of Svaras. Unfortunately, due to AIR's and Sabha short duration time concert have lead to the present practice of one or two sub-main raga alapana of 3-5 minutes and main raga alapana of 8-15 minutes of duration. To win the support and patronage by the causal of 'novelties', 'surprises' and 'excitement' by over emphasis on madhya laya based compositions and svara prastara (though it is said to be kalpana svaras, but in truth it is Kalpita-premeditated). Important aspects of 'Ati Vilamba' and 'Vilamba' has gone out of choice, favor and memories.

it's always a divine experience to listen to kishoritai.... long live!

Naman Kishori Tai 🙏🙏🙏🙏💚💚💚 ~ Vocalist Sri Adrish Mukherjee.. Mera Shrodhanjali Aapko Mere Sur Se... MAA

It feels very sad to see when Kishori ji’s student was trying to stop her by saying “Bas zala” (meaning lets wrap up) again and again when she herself is so much involved in the interaction. Afte hearing it frequently Kishori Ji said “Aga thamb ga” (meaning please stop, wait !). Being a music student I would never interrupt my Guru

Very frustrating that this was not in Hindi not even subtitled/narrated. She spoke from her heart - she gave her opinion - lessons etc. Unfortunately, hardly a few could understand it. Let her do that, but the publisher might have presented in English/Hindi. Namaskar/Pranam to Kishori-ji. I listened her so many time, particularly, in Malkosh Sandya in Kolkata. She is truly legend.

1:32:25 & 2:01:01 lol they fight like two innocent children......

Amazing,its eye opening,the way she describe the indian classic music is really thoughtful

दिल्ली के सिरी फ़ोर्ट ऑडिटोरियम में कभी किशोरी जी और हरी जी की जुगलबंदी सुनी थी। वही आनंद आज दोनों को साथ देखकर आ रहा है।

Khup chan kishori tainche khup vichar aykayla milale thanks

In a humble request, I would want this to be re-uploaded with subtitles.

She was in a mood to talk and express her thoughts on music. Sadly it seemed they compelled her to sing more. We would have liked her to speak more on this rare occasion. Now that too not possible. :( Anyways.. Many thanks to the organizers for this wonderful interaction. May her soul attain Sadgati.

Excellent 'ANUBHAV'!!🙏🙏😍🤗🥰🥰

Offering Bharat Ratna to Kishori tai would be disrespecting her saadhana.

ವಾಹ್ ನಾನೂ ಇದನ್ನು ಕೇಳುತ್ತಾ ಇದ್ದೇನೆ.. 👍👍🌹🌹🙏🙏

She is so articulative and knowledgeable. Its a pleasure to hear her speak. Of course she is in such a playful and talkative mood here. Hariji should take up her offer to come a give more lectures, especially how to train in alankars.

To listen & enhance knowledge about Hindustani Classical Singing from Kishoritie is experience by itself

kishori jee or pandit Hariprasad chourasia ji ke bhopali Raag mein jo tarana.. great program hai..

This is pure gold. Jai Shri Kishori Amonkar ji. Thank you for uploading this. Wonderful! Wonderful! Beyond words.

Lovely work 👏 and appreciable. My favorite.

Someone should translate this valueable masterpieice discourse to satisfy not knowing marathi

🙏🙏🙏🙏🙏 Maharo Pranaams to Sakhshiyaat Saraswati....RIP

Gaan Saerswati baneli Vagyadevta sangulagali gayan leela dhanya Zalo Aamhi,akuni aapale swer,kay vernu mahima ya Gan Sersaticha.

She was Devine vocalist 🙏

GAANASARASWATI Kishoritai amonkar hyana majha namaskar.

Maharashtra - Mahan Rashtram, this land has preserved the Samvedic Sangeet

Ajoy pohnakar is really great artist. I love his vocal range.

अतिशय सुंदर कार्यक्रम

मनःपूर्वक धन्यवाद ! 💐🙏🙏🙏🙏💐

Such a deep thinking no wards 🙏🙏🙏👌👌👌

Her mother Late Shri Mogubai Kurdikar was from remote village in Goa, was from poor family. But in those era without any economic help she migrated outside Goa only for her music passion devotion.

दिव्यत्वाची जेथ प्रचिती तेथे कर माझे जुळती🙏🙏🙏

श्रवण करून मंत्रमुग्ध झालो. प्रणाम !!!

Great Artist!😍😍😇😇😇🙏🙏🙏🙏🙏🙏🙏

Suddenly realized the scale of loss for Indian classical music with passing away of the renowned artist n original thinker that Kishoritai has been.

what a great effort , done by Anubhav .

I wish they had subtitles ❤️

jai ho... great program

Khupach chan.....🙏🙏🙏no words....

प्रश्नोत्तर आशा पद्धतीने ही बैठक झाली. याला पंडित हरिप्रसाद चोरसिया उपस्थित होते. स्वरार्थ रमणी हे पुस्तक किशोरीताईनी मराठीत प्रसिद्ध केले आहे . त्याचे अजुनी हिन्दी किवा इंग्रजीमध्ये भाषान्तर झाले नाही. राग संगीत हे प्रामुख्याने भाव संगीत आहे असे हे पुस्तक वाचल्यावरून वाटेल. राग संगीत शब्दाच्या किवा नाटयाच्या माध्यमातून नाही तर स्वरांच्या माध्यमातून भाव आणि रस या हृदयातून त्या हृदयात घालते. संगीताचा अभ्यास विषय म्हणून किशोरीताईनी केला; मनोरंजन या भूमिकेतून केला नाही. ते आत्मरंजन असले पाहिजे हे आपल्या हिंदू संस्कृतीला धरून आहे. त्यामुळे मनःशांती हे ध्येय आहे त्यामुळे कुठे तारेवरची कसरत किवा अकरोबाईट याचा अंतर्भाव नाही. . माध्यमाची चौकट म्हणजे माध्यमाचा हेतू नव्हे. राग किवा सूर म्हणजे भारतीय संगीत नव्हे. सूर तर जगात पसरलेले आहेत त्यातून आपल्याला काय व्यक्त करायचे ते समजणे आवश्यक आहे. रंजयती इति रागः !प्रत्येक राग चैतण्यापूर्ण आहे म्हणजे त्याला त्याचे अस्तित्व आहे. राग माझ्यातून गातो ही अभ्यासाची पहिली पायरी आहे. भारतीय संगीत म्हणजे स्वरांनी सिद्ध केलेला म्यूझिकल भाव आहे. पूर्वी ६ राग आणि ३६ रागिण्या होत्या. भारतीय संगीत पाश्चात्य पद्धतीने शिकवणे हे चुकीचे आहे . किशोरी ताईनी आपल्या गुरु म्हणजे त्यांच्या आई मोगुबाई कुरडीकर यांना विचारले की मला एका अमुक रागाचे चलन शिकवाल का . त्यांनी चालनाचे बोल सांगितले आणि सांगितले की यापलीकडे जायचे नाही. तुला चलन पाहिजे की राग पाहिजे असा परखड प्रश्न त्यांनी किशोरीताईना विचारला . सरगम शिकून राग म्हणत येत नाही . राग गाऊन त्यातील स्वर समजावून घ्यायला लागतात आणि उत्तम गुरूच्या सान्निध्यात राहून शिकावा लागतो.संगीताचा रियाज हा स्वरांचा रियाज आहे. स्वर काबूत नसतील तर राग गाता येणार नाही. कोमल, अति कोमल असे स्वरांचे बारकावे आहेत ते समाजाने आवश्यक आहे. सगळ्या कला शेवटी संगीताला मिळतात . असे म्हणणे सोपे आहे , पण तसे अनुभवणे कठीण आहे. किशोरीताई पहिल्यांदा भैरव रागाने शिकून सुरुवात केली , त्यामुळे एका दिव्य आणि भव्य संस्काराने वाढ झाली. रियाज करताना बंदिश म्हणजे भाषेचा अभ्यास अभिप्रेत नाही. स्वरांचा अभ्यास अपेक्षित आहे. अलंकार शिकले पाहिजेत. सुरेल अंतःकरणापासून येणारा सुर शब्दांची वाट पाहत नाही. शास्त्रीय संगीत हे स्वरांचे संगीत आहे हे समजणे गरजेचे आहे. अंतःकरणापासून येणारा सूर शब्दांची वाट पाहत नाही. क्लासिकल संगीत म्हणजे स्वरांचे प्रधानत्व . भारताचे संगीत शांत करणारे संगीत आहे . ज्या राष्ट्रांमध्ये ललित कलांचा उत्कर्ष किवा सांभाळ होत नाही , त्या राष्ट्रात शांती निवास करणार नाही . राग तबल्या शिवाय गाता आला पाहिजे. रागातील लय म्हणजे झपताल किवा तीन ताल नव्हे. रागाची लय ही त्या भावाची लय आहे. प्रत्येक कलाकाराचा एक संच असतो त्याचा तब्बलजी असतो, गाण्याची साथ देणार असतो , तानपुरा वाला असतो , पेटीची संगत करणारा . या सर्वांचा प्रमुख गायकाच्या लयीशी सुसंवाद असतो. कला ही भावनेशी जुडलेली पाहिजे . त्यामध्ये बुद्धिमतेचा वरचष्मा असता कामा नये असे किशोरीताई म्हणतात म्हणून त्यांना फ्यूजन अजिबात पसंत नाही कारण ते ऐकल्यानंतर मनाची शांती ढळते. जगाच्या पडद्यावर तंतुवाद्याचे चाहते जास्ती आहेत असे दिसते. त्याप्रमाणात गायनाकडे ओढ कमी दिसते, पॅरिसला जेव्हा किशोरीताई गेल्या त्यावेळी एका जिज्ञासूने त्यांना विचारले की रागाची वृद्धी आणि त्याची लय आणि त्याची अनफोल्डमेन्ट किवा रागामध्ये उर्जितावस्था कशी तुम्ही निर्माण करता. त्या उत्तरल्या की मी शब्द विसरून जाते , केवळ भाव लक्षात घेते. त्या अमूर्ततेला मी स्वरांचे स्वरूप देत गाते . शब्दाच्या ऐवजी स्वरांच्या रूपात विस्तार सादर झाला तर शास्त्रीय संगीत प्रसिद्धी पावेल. तेथे जाऊन स्वरांची सिद्धता दाखवा . शुद्ध कल्याण आणि भूपामधील गंधाराचा फरक विषद करा .नुसती शा‍ब्दिक चर्चा करू नका भारतीय संगीत साधकाचे संगीत आहे ; ४ दिवस थातुर मातुर करून ते प्राप्त होत नाही. . २२ श्रुतीन्चा शरीराच्या निरनिराळ्या भागांतील नसांशी संबंध आहे. सुर हा बिंदु म्हणजे गोलाकार असतो. कलात्मक आकारात्मक गाणे हे महत्वाचे आहे. मनाच्या नैसर्गिक अवस्थेला अनुसरून सूर आहेत. त्यामुळे ६ राग ऋतूनशी निगडीत आणि ३६ रागीण्या आहेत. निसर्ग कसा वाढेल या दृष्टीने सूरान्ची योजना केली आहे. किशोरीताईंच्या स्मृतीला नम्र अभिवादन !

साष्टांग दंडवत... 🙏🏻🙏🏻🙏🏻

just listen and take anubhav

Fortunate to have her 'Transcendental Experience' shared

RIP from all singers n musicians of ABC @Bharati classes.

shat shat pranam Anubhav

💕💕💕💕💕💕 So amazing and lovely

Goddess....

Missing you a lot...

It is a great initiative and thanks very much for the upload.....Can Vidushi Girija Devi be brought for lec dem as well?....

माननीय किशोरी जी आमोणकर ह्यांना गानतपस्वी का म्हणतात ते थोडेसे उमगले आज

Indeed very knowledgeable. Pls invite pt channulal mishra also if possible

Kishori Tai was 82 years old back then? Wow. she looked more like 60ish.

Masters at work.

Pranaams to the organisers,and a humble request,can you invite Vidushi Girija Devi here..it would be awesone for classical music lovers.

अनुभव आले अंगा तेया जगा दे तसे

Plz add sub titles . GODDESS is speaking.

Many people who don't understand Marathi are asking for subtitles. I request the channel owner to create subtitle formation for this video where Marathi speaking people like me can contribute in subtitles. This feature is present in youtube. Or please get it translated and upload. Let all get the knowledge sharing.

A very insightful video. Kishoriji's candid views appreciative. Hariprasadji's WINK at 1:12:23 confusing. Who is it directed at and for what?

Amazing how she rips off Jasrangi at 1:01:00 and welcomes Pt. Jasraj with a smile at 1:31:02 😂

Itni acchi batein bata rahi hai kishori amonkar ji.....kuch smjh me aarahi hai bhtt kuch ni qki har kisiko marathi nahi aati....har music ka student marathi nahi hota...isiliye english subtitle ya hindi me kijiye...

My Goddess 🙏🏼🙏🏼🙏🏼🙏🏼

MAA SARASWATI....AKHAND NAMAN

She is the Authority.

excellent and unique

wah wah waah ...

RIP saraswati maa...

Beautiful

RIP taiii!

R.I.P tai ,😢😢😢

still looking for someone who can translate this.

🙏

Music lovers would have enjoyed and benefited more if this program was in Hindi. It is true that today's artists lack the talent compared to the last generations of musicians!

🙏🙏🙏🙏🙏

🙏🏻🙏🏻🙏🏻

Can anyone translate this? I do understand a little but struggling badly

5 Star Music Mall

Please put a subtitle in english please this is very important session

Can any1 provide hindi subtitles... This video looks like full of most valuable information related to Indian classical music.. It's a request if any1 can take this initiative to provide hindi or English subtitles?

Can we get the English/Hindi subtitles of this lecture somehow? It's a very very useful lecture for future generations of music students. Subtitles would help non-Marathi listeners to understand Tai's divine thoughts.

कार्यक्रमाचे नाव अगदी सार्थक, "अनुभव"