I'm back again! So in this video Ariana and Morissette showcased their belt register. I'm sorry if their low, head, and whistle register was not been put in the video since it's too hard to find a recent video of Ariana hitting notes in her low register and of course I do not want use her old videos hitting her low register because she improved a lot.
Also I have no bad intentions towards any artist in the video I am a fan of Morissette and Ariana just to be clear. To the people saying I'm bias I'm sorry if you think I am bias, but to be honest I have no intentions to make you guys feel I am going with this singer cause he/she has this nice technique etc. I will delete any hate comments towards any artist in the video so THINK BEFORE YOU CLICK :).
P.S I do not own the videos credits to the rightful owners and press 780p since it's the highest video quality and for more happy viewing hehehehe.
Vocal info's
Ariana Grande
Vocal Range: Eb3-E7
Vocal Type: Light Lyric Soprano
Vocal Range: 4 Octaves and one semitone
- Ariana has an agile voice that carries very little weight with it and is resonant and well supported all throughout the vocal registers. With great technique Ariana's capable of singing all the way down to a Eb3 with ease, exhibiting a smoky vocal texture.
The voice begins to showcase more power and character however in the upper belting and head voice registers where it finds its "ring". Ariana’s chest voice is elastic and mixes well almost never exhibiting strain or fatigue.
Morissette Amon
Vocal Range: C3-E7
Vocal Type: Lyric Soprano
Vocal Range: Four Octaves Two notes (C3-E7)
- Morissette is known for a vocal range that spans four octaves and two notes. She has an extensive, connected range, allowing her to transition into other registers smoothly. Capable of riffs and runs throughout the voice and holding notes without wavering, her skill suggests good breath control and overall technique. Known for her "squeaks" and intentional vocal breaks, the Diva applies them both when jumping between octaves and for artistic effect.
The belt is where the voice truly blooms. It's here it has its best projection, control and dynamics. The lower part of the belt is meaty, rounded and of medium weight, and is achieved by the larynx being slightly depressed. But as it climbs the fifth octave, the larynx reverts to neutral, revealing the voice's natural, youthful and lighter timbre.
Though it does take a nasal position- as well as a higher larynx- at the extreme, the upper-belt still manages to retain much of the rounded quality of the lower part due to an excellent mix. With a metallic ring, the voice is clean and resonant. Amon is also able to produce an edgier quality to the notes here by pushing the voice and constricting the airway, but this is used sparingly and when musically needed. The ease at which she can drop through the range, sing melisma and play with textures suggests an excellent understanding of the upper chest-voice.
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